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Creating Your Own Truss Rod

     In my continuing adventure into the amazing world of CBG's, I soon discovered that my local music store, while interested in my builds and willing to carry them, thought that the playability and professionalism of them would be greatly enhanced by placing truss rods in the necks.

     While the thought may be anathema to the true CBG purist, there is without doubt among those of us who are building guitars about the nagging problem of the sagging neck! Under the tension of strings, few unsupported necks do not give way to some pressure.

     So I researched truss rods, and found that professional rods, while not terribly expensive, do add to the cost to produce a build by at the least $25.00, plus the cost of shipping. For those of us trying to create our own guitars on a budget, plus doing so with the satisfaction of doing as much as we can on our own, what could be more satisfying than building your own Martin-style adjustable truss rod?

     Here's what you'll need to build your own truss rod, - and all of these items can be purchased at your local Home Depot for about $25.00, and will give you enough material to do several rods: you'll need a length 3/8' aluminum C-channel, a 1/4" threaded rod, a 1/4" hex nut rod coupler, a 1/4" flat washer, a 1/4" T-nut, and a 1/4" allen screw.

     The first step is to cut the 3/8" C-channel to 16", then cut two 1/4" slots one half an inch in from each end. Next, draw a line the length of the C-channel on both sides, connecting the bottom ends of the tabs you have cut, and remove 1/4" of the side of the C-channel along both sides. A Dremel with a fine cutting disk works well for this, or you may use a bench grinder.

     Next, cut the 1/4" threaded rod to 17" and file the thread so that it will take the nut coupling. Now, you mount the T-nut on one end of the C-channel, and, using pliers, bend over the tabs you cut in the aluminum.

     Thread the 1/4" rod into the C-channel at the T-nut. Next, fit the allen screw to the 1/4" hex coupler; you may have to cut its length down. Apply LockTite to the threads and attach it to the hex coupler, and allow time to let it set. Slip a 1/4" washer over the free end of the threaded rod, (opposite of the T-nut end) and screw the coupler nut up tight to the end of the C-channel.

     Now you're almost done, but you need to use your bench grinder to grind down the overhanging edges of the T-nut at one end, and the washer at the other end of the C-channel, smoothing over and rounding down the bent-over tabs. Now, take a metal file and file off the hex corners of the coupler nut, so that it is smooth and round to match the head of the allen screw.

     There! Your home-made Martin-style adjustable truss rod is complete! Take an allen wrench and tighten the allen screw slowly and carefully, and you will see the C-channel bow upward. By routing a channel and fitting your truss rod flat side upward in the neck of your guitar, and glueing your fretboard over it, you will be able to correct for neck dipping, the most common concern for string tension on your CBG. Note that this truss rod only corrects in one direction, but if you plan it right and do it right, that should solve most concerns with these kinds of necks.

     For a visual reference on how to build your own truss rod, refer to http://youtu.be/ysKRHdIaaEg, to which I am indebted for this procedure.

     Let me know how this works for you. You can see pictures of the one I created on my page.

     For my next article, I will show you how to create your own fret templete, that can be customized for any scale length you want to build - no more trying to copy off an existing guitar, or buying expensive fret templates online!

Happy building! Tim LaFave

    

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today at guitar center!!!!

   went to guitar center today.... i had everybody wanting to jam on my cbg.... 3 of them want me to build them one like mine!!!!   i think my next build will be a banjo out of a cookie tin!!!! anyways the guitar mechanic was very impressed on how my cbg sounded hooked up to a fender bassmaster amp!!!!!!

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Grrrrrrr....

Set up my #2 build with a 30" scale and cut out for the #$$@#!&** pup right at the 30" mark...DOH...ah well, beats doing honey-dos ;) back to research & development we go...Monday funday

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My Entry Into the World of CBG's

     Well, can't believe I've done it, but what a rush! It started when a friend gave me a copy of Guitar Player, I think it was, which had an article featuring cigar box guitars. The four beautifully photographed guitars an the feature page stopped me dead! I was hooked! Being a street busker myself, I thought, "This is just the ticket to get the real tips!"

     I found a website mentioned, and, determined to purchase one for my next guitar (I have quite a collection!), I was dashed to discover when I logged on that there were only about nine of them made, and all were sold but the ugly one".

     So that begin my search for a cigar box guitar. One thing led to another, and I was amazed to discover so many sites and online articles and postings about CBG's. I soon found YouTube videos on how to build your own, and, being handy, that's what I decided to do. How much more fun to create my own instrument, rather than buy someone else's!

     So I did my research, copying out plans and information, and ordering the Cigar Box Guitar Building book from Amazon.com.

     I was so excited, I could hardly wait for it to come in the mail. And when it did, I immediately began to devour its contents! Before I had even finished the book, I had launched my first box, a four-stringer which I named "American Willie" after the box brand, plus a flattened Willie Nelson penny I attached near the bridge for some "bling".

     I was amazed to discover that I could learn to do things I never thought I would, like building and fretting a neck successfully, and learning to do the electronics to build the pickups and things. I was hooked, netted and boated!

     Since that first project about three weeks ago, I have built another CBG, a three-string version with a "bottlecap" pickup, which really growls out the blues, and a small cigar box amp. Then I turned my attention to building a cigar box violin, which became very challenging, but very rewarding once I had finished it and strung it up. I just finished it today, except for some pegs to match which are on order. I named it "La Aroma de Cuba", after the brand name, and installed a rod piezo under the bridge. I couldn't believe the sound, ... I think I'm in love!

     One of the most serious challenges to me were the electronics for the instruments. I had never worked with such things before, and had no confidence that I could do it. But needs and neccessity create desire and interest, and I soon discovered that I could do this! The disk piezo's were easy, and a great way to start, but I was soon frustrated by working with the rod piezo's I had purchased from C. B. Gitty. There were no diagrams anywhere to explain how to wire them, and I was clueless what to do after following the simple directive to "cut the jack off and wire the cable to the hot lug on the pot". What to do with the braided ground wire that shielded the wire?

     Thanks to the Cigar Box Nation community, and especially to Randy S. Bretz who replied to my cry of help and patiently explained the procedure to this electronics dummy! I would never have figured out that I needed to roll the cut braided grounding wire into a tight roll, wet it with solder, and solder it to the ground lug! But thanks, guys, for your help, you gave me a great hand up! And the rod's do sound better than the simple disk piezos.

     I can't stop, all my friends are amazed at these guitars, and some are ordering me to custom build one for them. I took my guitars and amp to my local music store, and they loved them. They have agreed to take them in to sell for me, and have told me that they get a lot of interest, which means it's a good sign they will sell them! I have boxes, boxes and stuff, and plan to build many more. I intend to learn as I go, and push my limits until I'm building boxes with magnetic pickups, tone controls and everything. I discovered a YouTube video on how to build truss rods from stuff purchased in a hardware store, which looks easy enough, I may even try that! I plan to create uke's, maybe a mandolin, and lots of CBG's! It's like, I've discovered what I want to do with the rest of my life! All I can think about is cigar box guitars! Anybody know a link to a recovery program for a CBG addict?

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Chicago Cigar Box Guitar Festival

For Immediate Release                                     

Sep 1,  2012

                                                       Chicago Cigar Box Guitar Festival 2012

      The first ever Chicago Cigar Box Guitar Festival will be held on November 10 2012 at The Fat Man Bowl in Green Oaks, Illinois.  The festival will present over ten hours of live music on two stages as well as a vendor area with CBG makers and Artists. 

     In a world of mass produced, cookie cutter, disposable music and instruments the Cigar Box Guitar stands apart. From the simplest one string diddley bow to finely crafted, highly detailed, 6 string fretted CBG's each one is as unique as it's maker. The styles of music played on them ranges from Delta Blues to Primitive Rock to Jug Band to Gothic Blues and beyond.

     The headlining act of the festival will be Purgatory Hill fronted by pat mAcdonald.  Since his 1987 Grammy nomination for Best New Artist (Timbuk3)  pat mAcdonald has continued to write, perform and reinvent himself releasing 7 critically acclaimed albums -- 5 with worldwide distribution.  The Onion described Purgatory Hill as "Seriously swampy and electrifying riffs, armed with nuts-and-bolts instrumentation perfect for it's stripped down, amped-up approach to Alt-Blues"

     Over a dozen performers including Mojo Perry, Justin Johnson, and Husky Burnette along with dozens of CBG builders and artists will be traveling to Chicago from across the country. Not only will attendees see and meet some of the biggest names in the Cigar Box world but they will have the chance to buy their very own CBG!  The doors will open at 2:00 pm and the music will begin at 3:00pm and go until 2:00 am. All this for the incredibly low price of $10.

     The Fat Man Bowl is conveniently located at 13860 Rockland rd near I94 in Green Oaks, Il and just minutes from the Libertyville Metra station.  The venue has a full menu with great food and drink specials for the event, friendly staff and ample parking.

     To view the line up of performers please visit  www.RootsRiot.com

                                                                             ---END---

For more information

Tony French via email

Tony@RootsRiot.com

Roots Riot Music

www.RootsRiot.com

or

Brian Rogan via email

CBGchicago@yahoo.com

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Tennessee Thunder.  

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Here we go, a harp mic for Tennessee Toddy.  

It starts with an old slab of wood from the cotton gin at historic Hopson Plantation.  

Any blues fan would love to have something made from this vintage cypress.

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I sliced it up on the table saw and glued up 4 blanks.

Clamped em up and set in the sun to dry.

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Four chunks of potential...

Ready for the lathe

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On your mark

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Get Set...

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Go!

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We have a winner!

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Long Horn Cigar Box Guitar

My wife asked me what I wanted for my birthday, and my reply was I wanted the long horn pick up and matching head stock inlay made by Randy Bretz....well low and behold, she got it for me. Here is the mock up. ( I used the picture of the actual pick up)

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So I got me a cigar box

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Then I made me a neck outta red oak, with white oak highlights.

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Then I needed to prepare the box.

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Now I'm ready too see if the neck fits.

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Everything is fitted snug...

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Now for some character....Hand carved and painted for actual brand look.

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As we all know not all design ideas come to be, and this is an example of that. As you can see from the mock up...nothing is as it seems.

STAY TUNED!

And here she be!

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Here's a video sound test.

https://www.youtube.com/watch?v=SSSzfuyEOos

Thanks everyone for your support, and kind words!

Reeds

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New 3 string FatdaddyBlues guitars and 4 videos

Hi, I have been absent for a while, and am sorry that I am not able to spend a lot of time here due to some obligations and issues, you know that life thing lol...

Anyway, I did get a new 3 string FatDaddyBlues guitar, and am enjoying it. I will be doing a show on September 22nd at the White Steeple Stage in Pinckney MI. Last night, I had some time alone for the first time in a while, and I took advantage of it and stayed up late recording videos of my practice. I added it here if you would like to take a look. I do miss having the time to come here as I would like, but hoping someday I will have more.

Still loving the Cigar Box Guitar,

Letha

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Big Bottom Girls by John Bolton

November, 1933
Goodland County, Oklahoma

Maggie Jinks, Susie Slater and Thelma Trueax were the big bottom girls. Big Bottom School which was officially designated but seldom called Goodland County School #9. It was a wood framed one room school house with nineteen students ranging from first to eighth grade. There were no seventh graders in 33’ and the BB girls, as the only eighth graders, ruled the roost. Miss Potter, their teacher. She considered them a hoot and a handful.

The BB girls were racially diverse before anyone heard that term. Susie was white, Maggie was colored and Thelma was part Indian. The terms ‘black’ and ‘native American’ were not in use. If someone felt a need to be more precise, Thelma was half Choctaw with a white father.

The girls had been friends since first grade. Thelma and Maggie lived on Big Bottom. Thelma’s family had their own forty acre farm. Maggie’s family had a house and five acres and share cropped more land. Susie lived up over the hills in Rabbit Hollow. Her dad had a few hogs, a few farmable acres and lots of timber. He was a known bootlegger and suspected still operator.

Maggie, the colored girl, was already five foot seven. Thelma, the part Indian girl was five four and feisty Susie, the white girl and bootlegger’s daughter was the shorty at five two. All three girls were slim. Maggie was big boned and loose jointed. They all had dark hair. Susie and Thelma wore their hair short and similar to the pilot, Amelia Earhart. Maggie wore hers natural and like Orphan Annie from the funny papers. None of the girls were physically big bottomed, but they joked that Maggie came closest. They were all pretty enough, if you can be pretty wearing overalls to school. They were good country girls.

Big Bottom lays five miles east of Clayton on the eastern bank of Mosquito creek. Little bottom is on the west, or town side. In Oklahoma, creek is pronounced crick and rhymes with stick and Mosquito was generally shortened to ‘Skeeter’.

Big bottom was and still is bottom land and prime cotton land. Unless the creek flooded. Or unless it was the drought years of the early 30s. Later, in the late thirties, FDR’s New Deal CCC crews would come with massive man power to straighten the creek. That successfully reduced flooding while turning mostly clear waters to muddy brown. But in 33’, ‘Skeeter Crick’ was a crooked, meandering water way and large for a creek – as big as some small rivers.

Big bottom ended abruptly and merged into steep, tall hills. The hilltops formed a rugged and timbered ridge. The ridge plummeted again on the far side and formed the steep sided oval known as Rabbit Hollow.

The BB girls were good students with a small exception. Thelma had a terrible time comprehending fractions. In every other way, they were country school scholars with a fine, caring and young teacher in Miss Potter, who was in her third year teaching.

As was customary in one room schools, the older kids helped teach the younger kids. The BB girls thrived in that role. Woe be it to someone picking on the younger kids. The BB girl’s policy was to kick ass first and take names later.

It was their compassion for the younger kids that lead the BB girls to stray from the straight and narrow path.

About a third of the nineteen students came to school carrying sparse lunches of lard spread on cornbread. The rest were not eating much better. Some days kids would claim to have forgotten their lunches.

Miss Potter, the teacher, did what she could. She designated Monday as ‘spud day’. She brought each kid a baked potato and fresh churned butter. It was a special day for a lot of the kids and Monday attendance improved. When it got cold enough to use the coal stove, she baked the potatoes right there at school on the coal stove. Miss Potter would have liked to do more, but the kids and families seemed too proud to accept help.

As it got cold, fur trapping season began. The BB girls rose up early every morning and ran a trap and snare line, mostly along the creek. They brought in muskrats, coons and possums and once a fat weasel and once a skunk.

Susie, who’d had polio at age three, had a left foot that turned left at a forty five degree angle. She still managed a full share of the work.

Fur prices were poor that year, but every critter excepting the skunk was skinned for its fur and meat. Most of the meat went to the home cooking pots, but some was saved for Fridays when the girls took meat to school. Kids brought vegetables to throw in the pot and the whole school bragged on their Big Bottom stew. With spuds on Monday and stew on Friday, BB school had the best attendance in the county.

November was hog butchering time and all three BB girls’ families killed a hog and butchered. The girls knew a bit about live stock, were somewhat skilled in the butchering, smoking and rendering process and were definitely not strangers to hard work.

But not everyone at BB school had hog.

Just north of the Big Bottom lived a man known to the kids as Crabapple Hatcher. Crabapple had a herd of hogs and an orchard too. He was well known for being hard on kids who just wanted to swipe an apple or two. This made him nearly the ideal to man to steal a hog from.

All of Thanksgiving week the three BBs acquired the necessities for processing a hog. On the Saturday after Thanksgiving the girls got permission to stay the night at their club house in the hills of Rabbit Hollow. Cold as it was getting, it would be the last chance of the year to stay there. And it would be a fine night to steal and butcher a hog.

****

Deputy Delroy Wright was working the day shift on Monday morning. Web Hatcher came to see the sheriff but had to settle for Del. Hatcher had a forty acre farm and orchard north of Rabbit Hollow. Behind his back, people called him Crabapple Hatcher and he was in fact, an old crab.

Web and Del knew each other a little. When Del was a ninth grader, old Mr. Hatcher saw Del and a friend helping themselves to his apples. The boys ran and got away, but Hatcher recognized one boy as being the sheriff’s kid. Hatcher did not like Sheriff Wright because he thought Wright was too easy on kids he’d caught stealing. He acted like he wanted to prosecute, but what he really wanted and got was a cash payment. Del had been grounded for two weeks over the deal and it took him over a month to pay back what Hatcher took from his dad.

Hatcher reported, “I had a nice hog stole last night or maybe Saturday night. I know people need food, but it ain’t up to me to feed em’.”

Out at the farm, Hatcher showed Del shoe prints and hog prints outside a seldom used gate to the hog lot. It was clear that two or more people took the hog. The prints were small for a man and their first guess was young boys. Del studied them and said, “Looks like one’s got a left foot that turns way out.”

The tracks led out the gate to the dirt road and angled south toward Rabbit Hollow and Big Bottom. Del said, “Ummm. Me track like Injun.”

The dirt road didn’t get much traffic but had enough to hide most tracks. Del walked about two hundred yards. He found a few hog tracks in the right side road ditch and again the shoe print with the outturned foot. He figured two or three boys were driving the hog up the weedy ditch trying to avoid leaving tracks.

The intermittently spotted tracks led up into the hills and down into Rabbit Hollow and onto a foot path into the timber. Not visible from the road was a shed roofed, tar paper shack, maybe eight feet square. Painted in white on the black tar papered door was, ‘Big Bottom Girls’. Hanging from a branch of a cottonwood was a rope and pulley stout enough to lift a hog. Nearby was a fire pit.

Del went back to town and talked with his dad, the sheriff. The sheriff knew right away who might live out there and have a foot like Del described. He didn’t know the girl’s name, but knew there was a Slater out there who’d been rumored to sell bootleg whiskey and that Slater had a daughter with a bit of a gimp foot.

Del drove up to Big Bottom School a little before noon. He got out and leaned against the car door. Pretty soon the kids came out for recess and Del looked for a girl with an outturned foot. It didn’t take long to spot her.

All the kids stared at the sheriff’s car and a lot of the older ones seemed distressed. They broke off into smaller groups, some going to a tire swing and some near the outhouse.

The white girl with the outturned foot and two other girls of about her same age went to the far corner of the schoolyard. One was a colored girl and the other looked Indian. Their body language was rigid and upset. They avoided looking at the sheriff’s car and looked to be arguing.

The teacher come out and Del could see she was assessing the situation. She was pretty and Del realized it was Debbie Potter, who had been two grades behind him in school. He motioned her to him and they got into the car. Debbie immediately got teary eyed, covered her face and started to sob.

Del felt like crying too. He told her, “Gees Debbie, you make a poor accessory to crime. Oh gees. I hope you aren’t in on this. Can you tell me about a stolen hog?”

“I don’t want to. (Sob) I don’t know anything about anything (sob) stolen. (Sob) But every one of the kid’s family’s got a bundle of pork meat given to them yesterday. And (sob) we had pork roast and potatoes for lunch. It was delicious.”

As Debbie was talking, Del glanced back and forth from the three biggest girls. The white girl tried to shove the other two back and then she started toward the car.

Before Miss Potter could say anything more the Big Bottom Girls came up the car. The Slater girl tried to push the other two away, but they were not going to go. Del rolled down his window and the white girl told him. “I done it. Just me. I stole Crabapple’s pig.”

It didn’t work. The other girls admitted their crime too.

****

It was one of the times Del kind of hated being a deputy. It could have gone better if Web Hatcher would have dropped the charges and let the girls work off their debt. But he insisted on charges and restitution.

Justice was swift and merciful. The county magistrate saw the girls that same day. Miss Potter was there speaking up for them. They were to make restitution and do community service. They were on probation for a year. If there was no further trouble, they could ask the magistrate to have their records cleared.

Del and Miss Potter had a date that Friday night. The following Friday there was a pot luck fund raiser at the school and Del played and sang.

Word got around in Goodland County. Del made sure it did. Poor as times were, lots of folks attended. Enough money was raised to pay Web Hatcher for his hog and there were enough canned goods to make excellent Big Bottom Stews every Friday, all winter long. And glory be, Miss Potter got up and sang ‘Down By The Riverside’ and the Big Bottom Girls, now the Big Bottom trio, sang ‘Frankie & Albert’

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Number 4

Started on a new build about two weeks ago,another 3 stringer with what I hope has a distressed/used finish on the wood and metal parts.Since my son has laid claim to my first CBG I built,this one will be for my own use.As a additional challenge,I'm gonna attempt to build a case for it as well,a first for me.If all goes well,the case will also house my harmonicas,and have a built in amp,we'll see...:)9353772686?profile=original9353772894?profile=original

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Email I received from a customer

Hi Mark

This is a bit overdue but thanks again for the great guitar.  My wife Shelly didn't even scold me which I attribute to the guitar's beauty. 

There was an employee at the hotel we stayed at in St Paul who is a player and he went nuts for it.  He kept saying it's folk art (which it is).  I was walking out of the hotel (the day after I found myself hanging in the lobby next to Billy Crystal, Robin Williams and Steve Martin - Im sure you know Martin is quite the bluegrasser  - who were all in town for some benefit) and I handed the guitar to the hotel employee to give him some time with it.  As I walked out I heard someone behind me ask him what the story on it was which he could handle as I had already told him about it.  When I got back he told me that the someone was Martin's guitarist and that the guy not only wailed on it (I had it open tuned by then so that would have been cool) but went on and on about how unique it was and how great it sounded.  Pretty cool.

I've spent a good bit of time on it and really like it.  Already broke the high E which is fine as that string mostly just gets in the way.

It's got songs in it. 

Thanks again and it was great seeing you and Shelly.  Keep up the brilliant work!

John Amann

(note my new email address)

Sent from my iPhone=

Here is a pic of John and the guitar he bought.

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Convert a speaker to a battery-powered amplifier

This looks good--

http://hackaday.com/2012/08/13/convert-a-speaker-to-a-battery-powered-amplifying-party-box/

The article at Hack A Day links to www.instructables.com/id/Portable-Retro-Hi-Fi-Speaker/

Pertinent details: this speaker encloses a 12v 1.2 mAh sealed lead-acid battery.  Also on the board is an amplifier built around a TDA2003A chip.  Charger is an 18v laptop power supply.  As usual with Hack A Day and Instructables--you should read the comments for possible improvements.  I have not built this but I believe these instructions are a good place to start for an amplifier+speaker that would be loud and have some serious battery life. The second comment at Instructables suggests adding an integrated MP3 player--this might be a way to provide accompaniment.9353771470?profile=original

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...a common Cigar Box Guitar question...

...a common Cigar Box Guitar question...
I want to play 3 string CBG in GDg tuning on my 4 string CBG, what should I do?

Apart from just putting 3 strings on a 4 string CBG,
you can extend the tuning based on the full Open G Tuning (D"GDg" bd)

Add the low D...DGDg / 5151
Add the b...GDgb / 1513

The DGDg tuning may be easier because the highest string (g), is still the first string that is used most in bottleneck slide playing.

On CD 5 (4 string CBG), I use Dgbd tuning. If you retune to Dgbe, this is the same 4 highest strings found in standard tuning.
Together, DGDg and Dgbd creates the full 6 string tuning.
 
A great way to perform duets would be to use two CBGs in these two different tunings. This way you will have no choice but to play totally different ideas, making the overall sound richer and also avoid stepping on each other's musical lines.
 
Here is a similar example. I am tuned Dgbd and Bill is tuned gbd http://youtu.be/hTc9zYd8-v4
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THE BIG STRUMDOWN

http://www.cigarboxnation.com/profiles/blogs/the-hotel-delroy-short-story-goodland-county-series

(this link used to make sense, but some sneaky person changed some names, thus making me look like a raving lunatic...)

The ground rises up and smacks John "Uncle" Johnson clean in the face and he hurts and the dirt in his nose hurts and he keeps on hurting. 

Boots, big ones, impacting the earth, boots coming for him, hobnailed boots filled with the callused feet of very angry, no, enraged, men, and they keep on coming like a bad dream.

He gets up and staggers and rights himself and takes off running and running and running, and plunging head first into the raging river, and he swallows a big gulp of the foul water and gags but keeps on going, ploughing through the rapids like a human steamboat he is.

He keeps on going he does, because those men, they are serious men, and they aim to have justice at any cost for the wrong that has been done them, and the very sky is stained with the vehemence of their words as they curse him from the craggy cliffs that overlook the water.

He can feel it now and it is the feeling of sweet freedom and it is good and...

KKKKKKRRRRRRSSSSSSWWWWWWAAAAAAAAAAAASSSSSSHHHHHH!!!!!!


the water in front of him explodes, the crash/slap of a giant hunk of granite impacting the water, and all of a sudden all is dead still and even the ravens are playing possum.

Then another crash and splash and the cursing, oh the cursing, and the man called "Uncle" commences to windmill his arms like a demented cartoon character and actually rises up out of the churning waters and literally runs out to sea!

Back up on the cliffs the sinister mocking figures bellow out grotesque laughs and make increasingly obscene gestures.

"Guess that be the last time he gonna take the name o' Carl in vain!"

(Apologies to James Ellroy and Cormac Mccarthy)

 

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Adelaide Guitar Fest

Hey folks, coming up fast on the adelaide international guitar festival now.

got asked to do a stint in the 'meet the makers' slot, so on friday (aug 10th) i'm there, with jimbo to wrestle the crowds, and steer the rowdy ones back to the bar - or give them a guitar.

gonna talk about pickups and pickup making, the joy to the world that is cigar box guitar, and do some demos of various pickups in various instruments through various amps!

steve pederson is going to play for the crowds, and show us all how to do it really.  (seriously, i gave him a fretted 3-stringer the other day, he has never played one before, and in seconds he was getting stuff out of that skinny neck i could only dream of playing - 'bastard' says i!)

all in all i'm hoping for a fine time for all, and we are just around the corner from the coopers bar, which can only help. really.

hopefully we can get a few other aussie CBG makers there too, and we can show these guitar afficionardos, that they're using too many strings.

Adelaide International Guitar Festival website

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Death Letter Blues – A Sister Zee Story
By John Bolton

May 12, 1929 was the proudest day of Zee Woolfolk’s life. That day she was ordained a minister of God. The Reverend Booker Brown, Zee’s friend, mentor and former pastor, was there with a bouquet of flowers, a presentation bible and a proud, fatherly hug. Zee had dreamed of serving as assistant pastor under Booker, but that was not to be. Booker had been called to a bigger church in Nashville and Zee would remain and start her ministry at Soul’s Harbor Church of the Almighty God under the new head pastor, Cleo Simpson.

Zee was twenty one and had been on her own since she was sixteen. She was a little thing at five feet four and one hundred thirty pounds. And pretty too with a reddish cast to her skin like a glass of sweet tea. She had a heart shaped face, full natural hair and dark eyes full of age and kindness.

Through the kindness of a famous stranger, Memphis Minnie, Zee escaped a tyrant of
a stepfather in Chicago and made it to Memphis for a new start. Reverend Brown, a friend of Minnie’s, took Zee under his wing, found her a temporary place to stay and helped her find a job in the laundry at Mercy, the colored hospital. The reverend and got Zee into the church choir, looked out for her helped her and in many ways.

Soul’s Harbor and its people were poor, so Zee’s assistant pastor pay would be poor too. She would still work at the hospital three days a week as a nurse’s aide to help make ends meet. Zee also picked up extra money playing her mandolin and singing in Church Park.

The new pastor, Reverend Cleo Simpson, gave a stirring first sermon on hating sin, but loving the sinner. Cleo came on strong about rebuking sinners and not so strong on the loving and forgiving parts. The man could preach and he made a good first impression on the congregation. After the sermon and collection, Cleo, raised his hands and testified, “Praise Jesus, praise Jesus. Sister Zee Wollfolk, you are hereby called upon. Come and be recognized.”

Zee went to the lectern and Reverend Cleo put his arm around her and said, “I have the great, great privilege and honor to introduce a young woman you already know. One of Soul’s Harbors own, a God fearing woman. Our new assistant pastor, Sister Zee! Come on now peoples, welcome the sister.”

Zee was well liked by the church people. They gave her the warmest of welcomes with many a praise Jesus, amen and halleluyah. Reverend Cleo announced he was appointing Zee to be Sunday school superintendent and putting her in charge of ministering to the sick and elderly.

Zee was happy with those duties, but she but wanted to preach too. When no opportunity was given, she told Reverend Cleo what she wanted, He told her, “Not yet, Sister Zee. You settle in to your new jobs and I’ll settle into mine. Then we will see about you preaching.”

Zee accepted that, at least for the short run. Her first open conflict with Cleo came not long after he came to Soul’s Harbor. He called Zee into his office and had her sit while he stood over her wringing his hands and looking troubled. “Sister Zee,” he said. “It come to my attention you been playing worldly music, that blues music over to Robert Church Park. I knows how you loves music, Sister... But that secular music is devil music. It just aint right for a leader of the church to do that. It’s a shame on Soul’s Harbor and it must stop right now.”

Zee was quickly mad, but she could almost have laughed too. She had done a paper and speeches on just that topic when she was in bible college and she knew how to respond. “Reverend Cleo? Didn’t our Lord Jesus not go among the sinners? We know he did. In Matthew 9:13 He said, ‘For I have not come to call the righteous, but the sinners.’

“This is part of what I feel called to do. You know I could go down there and play church music and most folks would pass me by. But I play a blues or two - and I don’t play no dirty blues. Then I play some Gospel or some of the old hymns too. We talked about this at bible college. My teachers said playing down at the park is part of my ministry. And so did Reverend Brown.

The discussion continued, but Zee won the battle and kept on playing at Church park where the best colored musicians in Memphis would go to play. Zee could hold her own with any of them. But she would learn that when Cleo didn’t get his way, he found a way to get even.

Weeks and months passed and Zee’s ministry less than she had hoped and trained for. Cleo would not allow her the duties he would have given a male assistant pastor. Still, Zee thrived at ministering to the sick and elderly and under her leadership, Sunday school attendance steadily grew.

She tried to like Reverend Cleo, but it was a losing battle. Cleo was a showboat, a sneak and a womanizer. There was a quiet rumble of gossip after Ben and Juliette Johnson left the church. Ben and Juliette were having troubles and Cleo had been counseling them. He had Juliette in his office a few times without Ben and then Ben was saying that Cleo tried to get romantic with Juliette.

It was hush-hush and not openly discussed. If it would have come under discussion, it would have been Cleo’s word against Juliette’s. And you had to give the pastor the benefit of the doubt. More hints of the same behavior continued. Cleo was overly attentive to pretty women. If Cleo was on the make, he wouldn’t be the first preacher to be led by lust and not his bible. But Cleo had a quiet, submissive wife and three daughters and a baby son. That made matters worse.
Besides having a family to care for, Cleo had an expensive affection for fine clothes. It seemed he was always hounding people for more money. And that was wearing thin. He was a do as I say man, not a do as I do man. Zee supported Cleo but she was starting to see hints that the church elders were feeling the same way about him that she did.

One Sunday in April and not quite two years after coming to Soul’s Harbor, Cleo had a cold with a fever, a racking cough and almost no voice. He tried to preach anyway. When he couldn’t, Zee was called upon. It was her first opportunity to preach and she was ready with a sermon on God’s love. After services she stood outside the church door and shook hands with the exiting congregation. Their praise was generous and honest.

On a morning that May, Zee walked to Mercy Hospital carrying her mandolin in its anyway. The hospital staff was always glad to see her. She helped feed patients and would sit and talk with anyone who was lonely or in need of a preacher. And maybe best of all, Zee would sing and play for them.
.
Eighty year old, ninety pound Nettie Jenks opened her mouth like a weak little bird and Zee patiently filled it with small spoonfuls of oatmeal. Sister Zee dished out food for the body and food for the soul. She finished the feeding and removed Nettie’s bib and washed her face and hands. Nettie asked, “Swing Low, today?”

“Sure thing, Nettie. Zee left her mandolin in the case and sang the old spiritual.

I looked over Jordan and what did I see? A coming for to carry me home.
A band of angels coming for me. A comin’ for to carry me home.
Swing Low Sweet Chariot…..

Next, Zee went to the men’s ward. Five of the six beds were occupied. She had worked the day before and knew the patients, including Jimmy Patton, a post op patient. The surgeon had removed a mass the size of a potato from Jimmy’s stomach. There had been tentacles around the mass that made it look like a potato that had sprouted. That almost for sure meant a cancer and one that had spread.

Zee knew through the hospital grape vine that Jimmy was a pimp. Mags, his long time woman and whore and Lottie, another of his women brought Jimmy to Mercy. That morning Mags and Lottie sat with Jimmy. They were dressed like what they were rumored to be and smelled massively of tobacco and cheap perfume.

Zee greeted the ward, introduced herself and visited with the four other patients. When she talked with the patients every bit of her attention seemed to be on the one she was with. She played Camptown Races and The Old Rugged Cross.

She shyly approached Jimmy, Lottie and Mags and asked, “Anything I can do for you folks? Or play for you or talk to you about? I’m a minister.”

Mags said, “We heard about you and we seen you down to Church park. How’s such a little gal have such a big voice? You’s real good.”

Jimmy weakly patted the bed and said, “Sit down here, I won’t bite.”

Zee pulled over a chair and sat and put out a hand to hold Jimmy’s. She said, “I know that you are real sick. If you want to talk about Jesus and getting saved, we can do that. If you don’t, we won’t.”

Jimmy wouldn’t speak above a whisper, but he wanted to talk. Pretty soon he, Mags, Lottie and Zee all had tears in their eyes as Zee assured them a sinner like Jimmy could go to Heaven if he would only believe on Jesus. Zee played them one song, Jimmy’s request, Ma Rainey’s Lost Wandering Blues.

I'm leaving this morning with my clothes in my hand.
I won't stop to wandering till I find my man.

I'm sitting here wondering will a matchbox hold my clothes.
I've got the sun to beat and be farther down the road.

I went up on the mountain, turned my face to the sky.
I heard the wind say, said mama please don't die.

I turned around and looked into my right hand
Well I looked there to see if I was closer to my man.

Lord look a yonder people my love had been refused
That's the reason why mama's got the lost wandering blues.

*****

A few months later Zee went into church after making visits at Mercy. Deborah, Cleo’s wife, saw her come in and warned her, “Oh Zee. Look out now, Cleo wants to see you and he’s all worked up. Two women came here looking for you. They just now left. Cleo says they’re prostitutes.”

Cleo was fuming. He pointed a finger too close to Zee’s face and self righteously rumbled, “Zee Wollfolk, two women just left here. They told me they know you and to use the kinder word, they’re prostitutes! Whores of Babylon! Right in my church! I told you playing in Church park was wrong, wrong, wrong.”

“I met those women doin’ my hospital visits. What did they want?”

“They want a funeral for their.. their man, their procurer. The man that sold their bodies to other men.”

“Then let’s do it,” said Zee.

Cleo slammed his desk with the bottom of fist. Almost spitting, he growled, “That man killed himself and he’ll go to hell. He was pimp and those were his whores. I am not doing that funeral and neither are you.”

******

Zee went down on Beale Street looking for Mags and Lottie. She was directed to a house where Mags sat on a porch swing. She said, “Sister Zee! I been praying you’d find me. Jimmy got to hurtin’ so bad and feelin’ bad about bein’ a burden. I came home this morning and this here death letter was on the table. Here, read it. Says Jimmy was goin’ jump off the Memphis & Arkansas Bridge. We went down there and a man said they saw him jump.”

Jimmy’s body was lost to the Mississippi. Zee couldn’t use the church, but she would do services for Jimmy anywhere else that Mags wanted. Mags wanted a service the following night and there at the house.

Zee went to Cleo and told him what she was going to do. He said, “If you do this funeral, don’t ever come back. You’ll be fired and never get a church job again.”

“Cleo,” Zee said, “God judges and you don’t. You are a sorry-assed, piss poor excuse for a pastor.”

*****
Cleo called a special meeting of the church council for the next morning. Six of the seven members attended and Cleo only needed four votes to fire Zee. Cleo presented his case with bible verse backing. The council was reluctant to fire Zee. They’d known her for seven years and the truth was, they liked her better than Cleo. Cleo’s biggest mistake was saying, “Either she goes or I go.”

Wendell ‘Wink’ Ross was council president and had been for the past nine years. He had a successful business on Beale Street, a shoe store and shoe repair. Wink was seventy and still did the repairs. He had Cleo leave the room so the council could discuss the matter.

Wink said, “Let me have my say first, peoples. This council had it easy when Booker Brown was our pastor. Now we need to make a hard decision. Only for me, it aint that hard. I been thinkin’ on this since last night when Cleo told me what was going on. I been praying on it too. I know what I want to do. I want to let Cleo go and make Sister Zee our interim pastor.’
****
Zee’s day was long, tearful and soul searching. She stayed away from church. When she got to Mags and Jimmy’s house she was shocked to see the church choir waiting outside. Almost dumfounded, she said, “What are you doing here?”

Angie Walker, the choir director said, “Reverend Zee, we’s here to sing. And after the service we’re here to walk you back home. You’s our new pastor. Mr. Cleo is movin’ out. He can shake the sand from his feet as he leaves. That man is out of here.”

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Jamie Mac Blues had a great Idea following his song tribute to put together a CBN tribute album.

So please post any tributes you have here and somehow we will figure out how to do the rest. (Help!!!)

 

MP3 for the album and post a Video for us all to see as well if you like.

 

To Start You off:

 

Bugs Tribute Song

http://www.cigarboxnation.com/video/bugs-cigarboxnation-song-wmv?xg_source=activity

 

and From Jamie Mac Blues

http://www.cigarboxnation.com/video/ghost-sliders-in-the-sky-to-the-guys-of-cigarboxnation-jamie?commentId=2592684%3AComment%3A1086476

 

Hope you have Fun........

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These days it seems like my working week continues thru' the weekend and back round to Monday without much of a break. I was all geared up for leisurely drifting over to meet up with Hollowbelly at a country pub on Friday night to see him play for the Panther Owners Club (motorcycle weekend). So on Friday night  I go out to pick up some pizzas for the family...get home and Mrs Chickenbone tells me that Mr HB has been on the phones (both land line and mobile) saying he's at the gig but there's no PA provided! I returned the call in "Chickenbone PA Services" mode...threw a load of gear in the back of the trusty Vauxhall and headed off for deepest Worcestershire...via my bass player's gaff to pick up another mic and stand.

All went well..apart from the fact that the pub was busy with people watching the Olympic opening ceremony rather than in the garden listening to the music..but hey ho....I did a few numbers to open with, which was a nice opportunity...I need the practice these days as I'm so busy with making guitars, going to shows and organising gigs and stuff, I don't get too much opportunity to play live....plus we got free tee shirts..many thanks to Dibbo!! Over the past few weeks I must have heard Hollowbelly perform five times -  live gigs, festivals and radio shows..and each time I've been very, very impressed...he doesn't just do a gig...he puts on show...there's a serious amount of talent, hard work and dedication that goes into each appearance.

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Photo - Hollowbelly

Saturday morning means I'm prepping stuff for my players' workshop...and off to the local church hall at the bottom of the road...very trad, straight out of the 1930s...wooden clad building, maple floor...pretty cool really. Anyhow, I'm pleased to say it was well attended, with some familiar faces and a few new ones..any more and I've had been struggling to cope,  it was just right. Ralph Cardall turned up to film the proceedings, so I'll be interested to see how that turns out. We finished the session just before tea-time, so it was back to Chickenbone Towers for tea and coffee in our sunny back garden...while Ralph managed to get me to do another 'to camera' piece of filming.  Then a stroll down the road for a well earned pint and a curry at the Purnima Indian restaurant on Bearwood High Street..and off to Stourbridge to see Blackriver Bluesman and Bad Mood Hudson.

The others drove off in convoy while I unpacked my gear from the car and I followed on...as I arrived I saw these two characters leaving the pub...and sure enough it was Jukka and Andy...the main act. I left them to go for a stroll before the gig...seemed like they'd had a horrendous bus trip getting down from Manchester, and then "so much shaking of the hands" in the pub..they needed a bit of peace and calm before going on stage.  We were joined by Andy, the HGMC secretary..blimey, hadn't seen him for best part of a year and my brain needed a bit of a kick start for things to click...it's my age you know...The venue was The Maverick, a typical Black Country pub, well known for it's music, opening the evening were Shaggy (no, not that one) and Charlie Brown on acoustic guitar and bass, with a short and lively set..which finished with a great number "They've Given The House Next Door To Britney Spears".

This was the first time I'd seen Blackriver Bluesman and Bad Mood Hudson..what a duo!  Loud (but not earsplittingly so)..but definitely dynamic and very, VERY dark and Northern European. Jukka (Blackriver Bluesman) had two Lowebows with him..what a sound!!!... particularly the baritone one, and Andy (Bad Mood Hudson) really showed no mercy on the drums...and their dual vocals over the lead lines of the guitar were knockout.  

Another late night..we chilled out for a while after the gig...Jukka was very generous, giving me a copy of their latest CD and a UK tour Tee shirt... it's got Boxstock and the NoTone tour dates on it!!!

So, I can heartily recommend going to see Blackriver Bluesman and Bad Mood Hudson at Boxstock...worth the price of admission alone...you WILL NOT BE DISAPPOINTED!!!!

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