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Oh, for a little more space

My shop is a one car garague. That car better be small! Today, after two months of neglect, I decided to clean my shop.

Actually, I decided to make room. I decided to box up any tool or item I did not need and store it for my kids inheritance. I literally have about fifty screw drivers flat head and phillips, and some wierd specialized shape. They are long, short, stubb, thin, thick, and tiny. I have parts of two separate jewelers screwdriver sets. All I need is one each, one short, one narrow, one wide, and one set of jewelers drivers. All the rest went into a box, crash, bang, thump.

The screwdrivers were followed by wrenches. I selected seven wrenches that do about anything I can imagine, plus cutters and wire strippers. About twenty more went crash, thump, bam into the box.

Followed by drill bits. Seventy five plus drill bits! I saved seven. The rest went gingle, jangle, thump. Well, except the forrester bits and router bits, and some I inherited from my parents I just cannot decide what they are for, really wierd shaped.

Why do I need eleven drill tightners? thump. I need only two.

Screws and nails. I never knew I had so many in so many different containers. I just cannot force myself to get rid of any nail or screw, so I just stored them a little neater.

Speaking of messes, Flex shaft tools laying literally everywhere. Gather, seek, find, gather some more. What's under this shop rag, that bit of wood, these papers? Files, more screws, more wrenches, more screwdrivers, and some flex shaft tools - and a small hand held dremil type cheapo that barely works, one woodburning iron my youongest daughter left (her husband recently bought her another), and a soldering iron. Solder, flus and millions of bits of scrap wood rounded out the find.

Finally things are getting uncluttered enough for me to vacuum the floor and workbench top. FIlled up the shop vac, dumped it, undid a clog where it had picked up to large a bit of wood, and started filling it up again - only with more suction this time now it is dumped and unclogged. The mess, why can't they make a shop vac where you do not get stuff everywhere when you open it?

All day Saturday, my Saturday - your Friday. Did I get through? "NOOOOooooooo".

I still see things everywhere that need packing up or throwing away, or just streightening. Noormally I like to keep the shop neat and clean - how did it get in this shape?  

But I have to work on my hobby sometime.

Found these metal things that you anchor a nail in sheetrock with, with nail attached - tightly. Huh, I need tuners for the first build since I robbed them for my second build. These look like they would make great tuners. Fill the tuner holes with wood putty and let it dry, ream out a new hole just large enough to fit a "tuner so it is tight enough to be hard to turn.

My, these screws are just right to finish attaching the preamp into the latest build.  What am I going to do with this radio I tried to make an amp out of - a failure. But the radio part somehow still works!

Why do I have ten rolls of masking tape and five of electrical tape. This can of liquid electric tape had dried solid, so has this tube of Gurilla GLue, and this can of wood putty.

Why do I have the heads off croquet mallats? to go along with the six badmitton rackets I guess.

I'm tired so I guess I will just quit and play with my CBG. After all that is why I started all this, to play with the guitar and learn how to play it. I wonder when those amp parts will get here so I can try and make a mini amp?

No, no,, no concentrate, just relax and play already!

 

 

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Europe (phase 2)

                            So, 6 months after my first European Tour I thought it was time to go do it again,only smarter.The first smart thing I did was cut the time on the road in half.Instead of 16 days away it'd be 8.I figured I could earn around the same without missing the family too much and getting knackered.Second smart thing I did was plan in a few rest days.These adjustments made a huge difference to my enjoyment of the tour and as I've intimated the financial implications proved negligible.

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The first gig is in Bristol,England,a favourite city of mine to play.The Mother Beef are playing and want me to support.Always happy to join the Bristol boys I set off north for the first 80 miles of a 1550 mile journey.We soundcheck and all goes smoothly.Downstairs is a solo punk guitarist called Rita Lynch, so I go and check her out.She looks my age yet has retained a fabulous. blonde, slim, glamourous rock chick image.Her set is enjoyable and when I watch the crowd watching her I'm reminded of why I like Bristolians-eager,open minded and ready to party.Later on,she buys me a drink and we swap cd's.

 

 

     (Rita Lynch)

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                                                                                  I get the call,go back upstairs and hit the stage-all goes well enough though the trouble free soundcheck proves a little misleading, as weird booms seem to be emerging from somewhere or other.I plough on regardless, sell a few cd's then watch The Mother Beef do their thing.

       At something o'clock I bid farewell and drive west towards London.My plan is to drive until about 2am then pull into a service station to sleep.I pull down the bed and settle in for a nice kip in The Bellybus.I wake rested at 8am and see a sign I hadn't noticed in the dark-two hours parking are free, its £10 a night or a £90 penalty fee-this is bloody typical of England.On the continent you can pull in and sleep or rest to your hearts content-not in UKPLC-where every opportunity is taken to squeeze every last penny out of joe public.I jump bleary eyed into the drivers seat and scarper.I pull into the next service area and cook up some breakfast in my bus in rather less hurried fashion.(If you are entertaining the notion I got away think again-I just paid a £50 fine this morning).Thank you England, you sclerotic old witch.

                I take the M25 round London and on into Folkestone towards the Eurotunnel.I pull into a shopping area and cook a meal.A mum is watching her two kids ride their bicycles in the deserted carpark.Eventually its time to board the Eurotunnel.I drive onto the train and 30 minutes later emerge in France.I pass roadsigns showing the names of towns and cities I've played before..Kortrijk,Brussels,Ieper,Lebbeke,and so on.My next stop is an area familiar to me-Roeselare in Belgium, where I will be entertaining The Outlaws MC West side chapter party.I arrive on time and Francky shows me around the Clubhouse.Its a mighty fine clubhouse it must be said.Outlaws from England,Germany,Belgium and many other countries arrive on their Harleys and mill around.There are Outlaws guarding the entrance-a necessary precaution-two of the Outlaws were shot to death in a white van recently and three of them attending this party carry bullet wounds from run ins with the Hells Angels.I wonder if there's another drive by whether the guy on the stage gets spared-somehow I doubt it.

        After a lovely veggie meal I do my thing-it proves to be hard work-its kinda difficult singing your heart out to peoples' backs..but I realise after a while The Outlaws are not here because it's a Hollowbelly gig-they're here to meet and chat-they haven't seen each other since last year and naturally they've a lot to catch up on.The guy providing the music is secondary and thats fair enough.Certainly Francky looks unperturbed-he's having a great time.I set my ego aside,dig deep and deliver my show.

        I retire to The Bellybus.I have a comfortable nights sleep,which is remarkable given that The Outlaws like to party all night long ( til 10 am the next day to be precise). Francky and his rather lovely wife take me back to their pad where I shower and eat a nice breakfast.I pass on some bands he might be interested in booking-Left Lane Cruiser being one of them.

                     I set off for Lous bar in Leige-150 miles east-a nice distance.I plan my tours so they make logistical,geographical sense because diesel costs will of course eat into your profits.All is well until I get to Leige,where I find a festival is on- cops have set up road blocks-I hit the sat nav to 'avoid road blocks' but every effort it makes to find me an alternate route meets with yet another road block.I give up,jump out the bus and phone Lou.His English is limited and in desperation I thrust my mobile into a cops hand and get her to talk to him and tell him where I am! Eventually I am rescued,and we both jump in the Bellybus and make it to his bar.

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                             Lou's bar has a great reputation amongst touring musicians as a super enjoyable venue to play.It doesn't disappoint.It is small and lo fi- the tiny stage is made up of used wooden pallets with a carpet thrown on the top.No pa.The punters are here for the rum and the music and they know what they're getting.I drink white rum and my late afternoon sets go down a storm.I eat some great pasta made by an Italian bloke.Then its dark rum and coffee.A black dude from Chicago gets up and sings the blues whilst I grin,drink rum,whoop encouragement and generally lap it up.Unusually, the bar closes early-this is done to avoid drunken idiots later on apparently.Its great for me cos I can leave the bus parked up,drink then walk over to my hotel for a relatively early night.

           The hotel turns out to be a sort of hip,internet savvy hostel.I go to my room (which uncannily is room 101-again!) to discover there are 2 bunk beds! I have no idea I'll be the only one in there all night-I choose a top bunk cos I'm already carrying quite a bit of cash and I dont wanna get ripped off in the middle of the night. The walls are unrendered breezeblock,the ceiling bare concrete-I guess its supposed to look minimalist, but juxtaposed with the bunks,the effect is rather like staying in a nuclear fallout shelter. Being slightly drunk I fall off the bottom step when going to the loo and mash up my toe-oh well.I decide to pull on a clean sock and not look at it for a day or two-lol.Anyway, my early night plans are sabotaged when I hear an explosion outside, followed by more-its a minute or two before I realise it's fireworks.

                          I wake with a mildly throbbing toe,brush me teeth and check out.I have time to walk around Liege.I sit by the banks of the river and watch the heavily laden boats go by.It occurs to me that this is the way to earn your living.I feel good.I feel confident being onstage.It feels natural.I'm making good money so I can take it back for my family.

               Eventually the bar reopens and I load out.Next country is Holland.I head north towards Amsterdam,stopping off en route to feed the bus with oil and screenwash,and me with rice and coffee.I reach OT301 and load in smoothly enough.

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                                            Its great to see Dawn and Joe again and I decide to stay an extra day in Amsterdam after tonight's show.Its a Monday night but my seemingly realistic expectations of a quiet night are not to be fulfilled-this is the first of several shows where people who have seen me before in March have returned to see me play.I can't believe the crowd that shows up-theres only me playing,its Monday,surely there's been some mistake..I play my set and we all have a great time..I begin to understand that they are coming back to see the show and that that's a good sign for my future.I come offstage and Its more cd selling/signing and t shirts too.

 

Mark of Cain live @ OT301 Amsterdam-ee my page for the video

 

             We catch a cab to Dawn and Joes flat, and Dawn wants to learn CBG-after a quick lesson,she treats me to a drunken rendition of Long Road "ooooooooooh baby'sha long long road"  heh heh its great.Eventually I sleep in the spare room amid Joes records and guitars.

               The next day we enjoy Amsterdam,eat a nice meal out,stroll in the park, that kinda thing.I am in much better spirits than the last time I was here thats for sure, for reasons you may recall.I eventually depart for Germany the next day.I have forgotten my drum mat during load out but it aint worth turning around for a grotty bit of carpet.I reach Bremen a little later than planned due to traffic.Its great to see Andreas and Daniela again (last time was Muddy Roots Festival,Belgium) and I join them for some lovely pumpkin soup.By now its Thursday and I have time for a quick tour around Bremen with Andreas as my tour guide.Its fab to have time to actually see the city and its these time outs that have made all the difference on this tour.

           (My German contact and good friend Andee aka Tourette Van Thom  and me-Bremen sept 2012)        9353821072?profile=original

           In the evening we load in-I'm playing onboard a boat-the Betonschiff Treue.Yet again a good sized crowd turn up-theres a few Hollowbelly t shirts in the crowd.Once again,the people who saw me play in March have turned out.Dani tells me later people were singing along to the songs.The show goes great.As usual when in Germany I leave Andee to sell my shit-when I eventually go across to the merch table I wonder where the hell it's gone he's sold so much its untrue.Excellent.I meet a dude from Bear Family Records and I'm also offered the opportunity to record my album in Hamburg.I'll be flying out for a week in November to do just that.

         (Yeah Yeah Yeah Studios,Hamburg,Germany-my home for the week beginning 3rd November 2012)

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           So the next day I set the dials on the Bellybus to 'south'.I feel sad leaving Andee and Daniela and the feeling doesn't wear off until I reach the autobahn later on.

             Next stop Dusseldorf.I haven't played this city before-the gigs are being organised by Patrice (Slydog on cigarbox nation) at his art/tattoo gallery and I am unsure what to expect.I needn't have worried.Patrice is a class act.His art gallery is cool and I set up ready for tonight's gig.The gig is intimate-it really encourages the storytelling aspect of my show-the crowd and I have a great time-somebody tells me he's travelled three hours to get to the show and it was well worth it-I tell him its much appreciated.

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                                        Next morning I awake on a sofa amid lovely artifacts and feel confident about the final show tonight.I feel like I've got a cold coming on but I know I'll be fine.The gallery becomes packed and I set about giving it my all, as I can afford to go a little extra crazy given its the last night.It gets recorded and I may very well release it, as it does capture what the live show is like.It's lovely to see some old friends in the audience-

9353821873?profile=originaland after the show we head behind the scenes for a private party-the food is totally vegetarian and delicious..I contemplate staying the night, but decide to load out late and do a 100 miles or so that night, thus making the final homeward leg of the journey a little shorter.

                  So it is I find myself driving into a Belgian truck stop at 2 am.I try to sleep but can't stop coughing when I lie down-it's so bad I nearly puke.It's autumnal and cold.I cough up phlegm and blood.I pull on my woolly hat and curl up in a ball under my duvet.I should be pissed off but,after a successful tour, my spirits utterly refuse to be dampened.I'll be fine.I eventually drift off around 5am and wake around 8.I piss in a bottle,(I'm a classy guy).fire up the bus and drive on to Calais and board the Eurotunnel train.

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                   I reach England but my excitement at being nearer to home and my girls is sabotaged by the weather-last time by fog, this time by extreme,driving rain.I nearly aquaplane twice before I see sense and slow down.Someone is going to crash the conditions are so bad and sure enough the traffic slows as we reach two freshly mashed up cars being attended to by the cops and ambulance dudes.Its square wheels,so I stick one of the cd's Joe has given me on-Little Richard-damn! I'd forgotten how wild he sounds-I sit there in the traffic screaming "Luciiiiiiiiillle!!!" and dancing in the drivers seat like a man possessed-lmao! I eventually reach home-the kids don't hear me come in-Maisy turns round, sees her dad and her little face crumples-she runs into my arms and won't let go.Suits me.My 14 year old walks up and holds me too- we both look down at Maisy but all we can see is the top of her head as she's squashed between us.The embrace lasts a good while.Maggie is in the bath and later on she welcomes me home too, but that, dear reader, is a story decorum forbids me to share ;)

            Cheers, HB.

 

 

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Boxstock actually happens...

Friday 7th September dawns, and I’m busy packing gear into my car…all my amps and guitars for the open mic. and Saturdays gigs, Mike’s guitars, my stands and merchandising for Leeds guitar show, a load of parts for guitar making kits, plus tools and workmate benches, drums…and a load of cahon making kits…the top box is packed full...and the gear in the back of my little Meriva is packed tight to the roof.

 

We dial the now-familiar route to Manchester into the satnav..and off we go..this time a fairly easy journey up north…with only one incident of animals in the road, when just outside Manchester we are held up while a herd of cows are driven across the main road for milking…Mike must reckon this happens everywhere in the UK.

 

On arriving at The Salutation (parked right outside the beer garden…we couldn’t have got any closer), a goodly number of the HGMC regulars and guest artists are already there and well into a few beers.  We get our bags dropped into our room…we’d taken over all of the accommodation upstairs at the pub. First thing is a trip over to The Band on The Wall to load in for Saturday, so once that was done, it’s back across town to the pub. The Sally is a trad street corner boozer, with a small L-shaped bar, so it’s going to be pretty tight and intimate. Lots of willing hands help get the gear out of the car, and then we were shown a cupboard with all the pa gear..and that was it...we had to figure it out for ourselves. So, speakers are rigged, desk and amp dropped onto a table, and I find the “Manchester flightcase” with all the necessary cables…well..it was a black bin bag with a snake’s nest of nearly all the necessary cables.  After a bit of headscratching, some advice form Mike and using up most of my reserve of spare leads, I manage to rig the whole thing together and get a sound out of it…set up a backline, Hollowbelly gets his percussion sorted,  and we are ready to go.

 
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The pub is pretty crowded, so I get proceedings underway..and after that, to be perfectly frank, my recollections are a little hazy. I’ve had about a week and a half on the road, played loads of gigs, shifted and re-shifted tons of gear and I’m just grateful that everything is rolling, that we’ve got a noisy pub full of happy people, so I reckon that’s job done.  Roosterman gets on with the task of lining people up and keeping the music coming.  So, a couple more beers and a couple of burgers from the barbeque that’s been set up in the back yard…and I’m glad that it all seems to be going well.  I’ve no real recollection of who played that evening, so my apologies for not name-checking you all. Suffice to say, there seems to be a really good vibe in the place, with regulars, open mic players, HGCM members and international guest performers all rubbing shoulders and sharing a great evening..the best Friday night we’ve had I think.  We break all the gear down, stack up stuff in the stairs and hallway of the upstairs accommodation and retire to sleep the sleep of the just…for a few hours.

 

Saturday we are up bright and early, over to The Band on The Wall, where the usual suspects are stood outside a caff opposite the venue…after perusing the “Spam, Spam, Spam, Spam and Spam” menu I decide on a cup of coffee and get on with loading-in the gear.

 

Well…I’ve got to say. I’m still stressed out by everything, attendance numbers seem lower than last year …people who have bought tickets haven’t turned up…..but we crack on and get going with guitar making, players’ workshops (blimey…I have Hollowbelly sitting in on my morning workshop, no pressure for me to do a good job then!).  We have a couple of latecomers who want to build guitars, so Ben gets stuck in and does the job with them in about half an hour…and all of a sudden it’s lunchtime. Mellow Peaches do a cool set in the foyer...and I grab a beer from the selection of real ales and a spicy veggie pasty…and it’s on with more playing workshops with Hollowbelly...and our very first cahon making workshop. Becky and Trev from BabaJack do a nice introduction, and then we do our first ever group workshop build. Amazingly, it seems to go well, even one of the bar staff has a go...and we end up with a whole set of completed drums..and goodness me..they actually sound better than the prototype which I made before the show!  Becky take the group through the techniques of playing cahon….and it all seems to have been a success….all things considered.

 

So time for a break, in readiness for the evening gig…but I can’t remember anything about eating...so guess I must have just kept on working, and it’s all hands on deck clearing the room and prepping for the soundchecks.

 

We get everyone soundchecked …we are running a little late, but are finished well before doors are due to open…so all I have to do now is pace up and down and see if anyone else turns up for the gig. I needn’t have worried, as the place starts getting busy early on…and people keep coming through the door. I hang out on the pavement for a bit…Hollowbelly tells me “I just love for you’re doing for everybody"..or words to that effect…just a few words, but it means a lot coming from this guy, even tho’ we are both probably a bit ‘tired and emotional’.  I go back inside and have a word with the sound engineer about tightening up the running order to bring the last act on a bit earlier..then all of a sudden, it’s showtime!!! I get on stage, do a quick intro…first up is British Blues Awards nominees and good friends of mine, BabaJack..with Becky Tate on cahon and percussion, Trevor Steger on wine box guitar, Dobro and harp. Trev has a little glitch with one of the cables, but pretty soon they are off and running at full tilt, with a powerful acoustic hard-driving set.

 

Next up is Mike Snowden…I’ve been with him on the road all week, but it’s still a pleasure to see him perform again. By now the room is really busy, and what is even more gratifying is that it’s not full of your usual all-male middle-aged blues punters, there’s quite a few young couples, and lasses on a ‘girls night out’….I’m beginning to feel relaxed now, but I’m now on a strict regime of drinking only Coca Cola, as I’ve got a job of work to do.

 

I’m running around cueing up the acts well in advance, so they are ready for their stage call….Dave Acari is all cool, hanging out with Jukka and Andy in the dressing room (blimey..what a venue, we have two dressing rooms!)… he tells me all he needs to do is “put on a fresh shirt and put some shit in my hair”.  What a storming performance…his performance lives up to the “Fucked-up Alt Blues” tag on his teeshirts….so full of energy and attitude.  I’m watching from the wings, when he announces..”I’ve just looked down at the floor, and there’s nae fuckin’ whisky!”  So I rush off to the bar to buy him a double Bells..and Hollowbelly has heard it too, and had made exactly the same move from the front of house. I give the glass of whisky to HB, and as soon as it’s in Dave’s hand it’s down in one and he’s off on another scorching number.   Towards the end of the set he steps down from the stage and walks through the audience with his radio mic. resonator guitar…then out to the bar with a trail of people following...then the radio reception breaks up a bit…and he’s out on the street.  Once he’s back in the building, he starts playing a totally acoustic number, right in amongst the audience, really cool and sensitive playing ..but it doesn’t last long, and he’s back up on stage, shouts “Fuck that!!!” and winds the volume and overdrive to the max with a terrific finale.

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 Dave Acari onstage at Boxstock

Blackriver Bluesman and Bad Mood Hudson are the final act of the evening, and by far and away the loudest! Resplendent in their black suits with brocade lapels and silk shirts (with an impenetrable dry wit, they refer to their stage outfits as “traditional Finnish fisherman’s costumes”) they fill the room full of dark, bleak, heavy, intoxicating rock.  By now I’ve been with them on road for quite few gigs, but still love it…sitting on the floor right in front of the bass bins under the stage riser, Mike Snowden and myself can almost feel our shirts being blown about by the sheer assault from Jukka’s Lowebow and Andy’s drumkit.  And then it’s time to wrap up the evening, thank everyone for coming..and pack up all the gear.  As I’ve decided to do a guitar show in Leeds the next day, I have to get everything out of the venue and into my car, then unload it all again at The Salutation where we are staying.  So we get 4 or 5 hours rest, and it’s up at 7.00am, pack the car, say cheerio to Hollowbelly and Sam…who are also early risers, and tell Ben that we’ll see them in Harrogate for the afternoon show, after we’ve been to Leeds. Yes…Sunday isn’t a day of rest for us…me and Mike head off over the Pennines (surely the UK’s most scenic motorway drive) to Leeds, get there for around 9.00am, and by 10.00am we are ready to face the public and sell, sell, sell!!

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Leeds Guitar show..we're in there somewhere..amongst all the boring stuff!

I did a pretty hard sales pitch, and by 4.00pm we’d shifted quite a few guitars, stompboxes, books and slides. I’d told Mike earlier on in the tour that I wanted to buy the red “Punch” cigarbox guitar that he’d been using, but he insisted in giving it to me….it caught me at a bit of a low point emotionally, being tired and exhausted, and I came over all weepy at the gesture…especially as he signed it with a little dedication. Anyway, we broke down the stand, packed everything away and hot-footed it over to The Blues Café in Harrogate for yet another gig.

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Simon, gaffer at The Blues Cafe

About half an hour later, we are outside The Blues Café, we got a parking spot right outside the bar, but as I was knackered and also couldn’t see out of the back of the car, made right hash of parking...right in front of the crowd of punters who were hanging out on the pavement.  Amongst the crowd we find Ben, Jukka and Andy, then head inside and set up our gear.  Jukka and Andy have already played, but do another couple of numbers, and then me and Mike do an impromptu set to finish the afternoon. It all goes down well…so, once again, more gear to pack away, then off to find somewhere to eat (as unfortunately the Blue Nile isn’t open).  We have ‘the last supper’, and it’s a nice way of wrapping up the whole week and a half’s roadtrip madness that has been Boxstock.  When the drinks arrive at the table, Jukka produces a piece of paper and proceeds to jot down what drinks they’ve just ordered. At first I thought it was simply a log of interesting beers that they’d been drinking whilst over in the UK…but no, it’s a sort of two column schedule with a day-by-day breakdown of how many glasses of beers, cider, wine, Fernet Branca, Jaegermeister, vodka, whisky etc that Jukka and Andy had got through. I still can’t figure out why they did this, and felt it was a bit rude to ask the purpose of this mystical alcoholic accounts sheet…maybe it’s all tax deductible or part of some arctic health regime.  During dinner, Ben gets a call from Becky of BabaJack, to tell us they are runners up to Ian Siegal in the British Blues Awards acoustic category, but the big news is that Becky has won instrumentalist of the year!  Cheers all round , and what a great way of finishing off the tour.

 

After dinner, we load up my little car with as many cigarbox guitar kits as I can transfer from Ben’s 4x4 and hit the road. We are back in Birmingham by about 10.30pm…..around 1500 miles under our wheels and 10 shows logged up over the past week and a half.  Monday is a late start, and we ramble into town...to Mike’s delight on the top deck of a double decker bus…and have lunch at a great real ale pub, the Wellington.  They don’t do food, but encourage patrons to take in their own lunch, so a quick visit to Greggs and we’ve got sandwiches, pizza and custard tarts…accompanied by a couple of pints of excellent British beer.

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The Crooked House..it REALLY is that f*cked up!! See..those tables outside really are level. Totally weird..and a great pub.

Tuesday is Mike’s last full day in the UK, and we head off to meet up with Becky and Trev to return some gear which they’d left in Manchester. We meet at the Ruskin Glass centre in Amblecote, home of Diamond Bottlenecks. Ian McWee of Diamond makes all my glass slides, and while we are visiting, Mike and Ian get into conversation about what slides Mike uses.  Ian takes a few dimensions off Mike’s favorite slide, and tells us to come back in 15 minutes. So we have coffee and cakes with Trev & Becky, return to the workshop, and Ian presents Mike with his own slide…hand-blown lead crystal glass, cut to the exact size and polished to perfection…what a great thing to do!  We ask Ian for the directions to The Crooked House, a well known local pub that is famous for it’s amazingly leaning walls , roof, windows…well pretty much everything.  In the 19th century it was undermined by coal mining, and tilted…a lot. One end of the pub is 1.2 metres lower than the other!  It makes us dizzy just walking towards the front door….we have a couple of glasses of local ale and some doorstep sandwiches..and head off back to my place.  In the morning I  take Mike over to the airport….and that’s him on his merry way...back to Georgia, by way of a swift visit to Amsterdam.

 

It’s been an amazing and exhausting two weeks, meeting old friends, making new ones and listening to some great music.  The amount of physical and mental effort that’s required to put on the shows and take people out on the road is huge…Ben and I have had flights & visas to sort out, hotels to book, take a whole PA, backline and drum kit on the road, as well as co-ordinating technical requirements at every venue for 2 acts all across the UK, act as paymaster, road manager, sound engineer, driver, hotelier, personal assistant, tourist guide…the list of duties goes on and on. I swear never to do it again...until the day after, and Ben is on the phone telling me with great cheerfulness that the Band on The Wall want to talk to us about more events next year, and he’s got some great ideas for next year’s Boxstock….no rest for the wicked! 

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Cottin Pickin Blues..of the Gulf Coast

Hiya.......

Been working with the Cigar Box Nation for some time now and finally have become a member.   I am humbled by the attention that I have received from south west Florida.   Cottin Pickin Blues has been interviewed on TV 4 times and has built over 160 CBG's in it's short 1 1/2 year life.  All are acoustic/electric and no two are the same. 

I am just starting a CBG that will be specially designed for the Grand Old Oprey...Very exciting to say the least.

Locally my CBG's are played by both Steve Arvey and Ed Wright...both big names in Blues.

Please visit my website and I am open for comments.   www.cottinpickinblues.com  or visit me on Facebook ...

 

 

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RAMBLINGS FROM A NOVICE

I started out building a CBG and used cannabilized parts such as fret board and tuners.

However, I do not know how to play guitar or read tabs. So, I had a 3-string but could not play it.

Try finding good free instrucctions on playing 3-string. And, when I did some were in EBE and some in GDG. Finally figured out that pretty much there is no difference when it comes to hitting the right fret line.

But, my guitar was acustic. Has great sound, just that all instructional viseo's used plugged in amplified guitars. The sound ws just not the same.

 

Therefore, I ordered a rod pizeo and pre amp and cut a hole for the preamp, slid the pizeo under my bridge - though it was not touching and had no pressure on it. Have a Bogan CH 100 that I could not get to work. fighred it was a bad preamp. So, I ordered round pizeos.

Then, I built another guitar. I did not have a cigar box for either build and mmade a box out of plywood and strip pf thin wood for supports. I made the supports way to thick on the firsr - was really hard to get inside the box even though I left the side pointed down unglued and accessable.  put the rod pizeo in it with the preamp.. till nothing.

So, I figured I needed another amp and the Bogan did not work. Found and amp at Goodwill for $25.00. Nothing happened when I plugged in. Had received the round pizeos o took out the preamp and rod and bought a soldering gun. Soldered a round pixeo to a plug socket and plugged it into the "new" amp.

WOW!  Sound and good sound - plenty of it! Really covered  the pizeo with more hot glue and found some instructional video's.

OK, so I went out and found a neat wood cigar box at a junk store for $10.00. Still havent built that one.

Anyway, Kept playing with the bogan. Discovered the plug had been bent out so I had to put the plug into the amp with my mmouth held right and it a\would do what it was suppose to do - however it had a bad him. Was humming worst that an ugly fat chick at the "Well Hung Nudist Ranch for steright men".

Opened it up, bent the socket post some and found loose glass capacitors. One capacitor had a post missing. Pushed in the capacitosrs and closed her up. Hum was there but much better and I did not have to hold my mouth just right for the socket and plug to work.

Now I have the first build I affectionately call "Frank n Steins' monster", the second buile, and a box for the third.

But it ain't over, the middle string hummed at the second fret oon my second build and all strings were hard to fret. I had used knob screws 8=39 by 1 3/4 so the fret was way off the fret board - should not have hummed.

Discovered thaat my strings were too high, and the bolt and bridge were not the right heighth. Spent a whole morning trimming the bridge and trying different bolts on nut and bridge = howevver I finally succeded.

Now I am just trying to learn to play. Anyone near Fairview TN who wants to have an old worn out bum hanging around so you can show him some things about playing a 3-string?  

 

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Newbie Anxieties

I’m pretty new to the whole CBG scene. I only joined The Nation in January of 2012 so at the time of this writing, that’s right at 9 months. In that time, I've built a total of 6 guitars, and number 7 is on the bench. None of them are anything you’d call a work of art - the first 6 are fretless, 3-string, slide guitars that stay in tune (or not) at their whim. In fact, my 5th build has earned the nickname Bartleby for the simple reason that when it comes to staying in tune, it would just prefer not to. Melville fans will get that.

I digress easily, so please forgive me.

My whole point in this blog post is addressing something that I had (and still have to a much lesser degree,) and that I’ve noticed is a common trait in most beginners in this wonderful new hobby we’ve all discovered. Something I call Newbie Anxiety - basically the overwhelming, almost obsessive, compulsive need to do absolutely everything right the first time.

I’m guilty as sin when it comes to this.

I’ve been doing wood work in one form or another for about 35 years, but most of it was cabinetry. I’m used to slinging around full 4’ X 8’ sheets of 3/4” plywood, ripping them to width, cross-cutting them to length, then assembling the various pieces - all with a 1/16" builder's tolerance. There’s more to it than that, obviously, but you get my drift. Something that I perceived to be as small and delicate (not to mention as exacting) as a guitar was way, way beyond me. I mean, the lines on my Lufkin 12' tape measure don't go smaller than 1/32 of an inch, and who uses those little lines anyway?

As I step back and look at it now, I was only partially right. Yes, building an acoustic 6-string that would rival Martin in looks, quality, and sound requires some very finely honed skills - not to mention a boat load of tools the average cabinet guy just doesn’t have. But building a CBG isn’t like that at all. In fact, once I got past my fear of screwing up, I found that it’s actually pretty durned fun, and can be done at the kitchen table with common hand tools.

I’m the kind of guy who researches something to death. I like to know something about what it is I’m attempting to do for the first time. That’s what I tell myself anyway. When I decided that I wanted to try to build a CBG, that’s exactly what I did - I researched them. That’s what led me to The Cigar Box Nation.

Soon I was totally immersed in learning about things like scale lengths, nuts, bridges, tuning heads - the whole deal. Talk about information overload! The problem was that I got so wrapped up in the minutiae that I forgot the entire reason for even contemplating a build. My Newbie Anxiety increased with every page I read.

I assembled the parts I thought I’d need for a first attempt. I thought I was going cheap and easy. I got a couple of boxes from a local cigar shop, bought some oak 1 X 2 from the local home improvement store, and some 5/16” all thread and nuts, along with some cool looking sink strainers from the hardware store. Where I messed up was in hitting the guitar shop.

I don’t play guitar. I’ve tried to learn several times, but I have 1 fatal flaw - I suck at it. Ok, no problem. I also know almost, but not quite, absolutely nothing about building a guitar. Ok, I’m trying to change that. So, armed with just enough knowledge to make me dangerous to myself, and every shop owner’s dream, I hit a local guitar shop to buy tuning heads and strings. Here’s where I spent way, way too much money on my first attempt. I walked out with a $60 set of Grover tuning heads and a $12 set of medium acoustic strings. Yep - they saw me coming, dangled the right bait, hooked me, and landed me. Ok, fine.

I had all the parts I needed to complete my first build. Then I just sat there looking at it. I didn’t know where to start. I didn’t know how to begin. Sure, I had downloaded all the plans, pictures, directions, and guides I could find, and had pored over them for countless hours before buying my first box. Problem was I was afraid to screw it up. I let my anxiety get the best of me. I just sat there staring at the parts, everything I had read running through my mind all at the same time. A jumbled up mish-mash of techniques, parts, methods, results, and measurements.

Finally, I spurred myself into action. I went to the chat feature on The Nation and talked to other builders about it. Well, it seemed like action to me. At least I was telling other people of what I had on my mind. One small victory at a time. So, instead of driving myself crazy, I drove other, more experienced builders crazy with my goofy beginner’s questions. The guys on The Nation were great - they not only answered my questions (repeatedly,) they actually put up with my odd-ball sense of humor, and some of them became good friends.

Suffice it to say, I did eventually talk myself into starting the build. And looking back on it now, I did it completely backward. The first thing I did was cut the box to fit the 1 X 2 I had chosen for a neck. I was about half way through the whole build before I realized that the box is secondary to the neck, but again I digress.

I stayed in that anxious state, hesitant and afraid of messing everything up during the entire build. And it bothered me at the time, but I just couldn’t shake it. I just knew that I had bitten off more than I could chew. I sweated the entire build, all the way up until the time I got it strung, tuned, and strummed the first open G chord on it.

It was only during my second build, when I was able to calm down enough to suddenly stop and realize exactly what I was doing to myself. I was working myself into such a frenzy with worry that I would mess it all up that I wasn’t able to just relax and have fun with it.

As I was cutting into the box on that second build, nervous as hell that I was going to cut the neck opening too big, I suddenly realized that I was worried to death about a $3 cigar box. That thought clicked into my mind and stayed there for a minute. I actually stopped, turned off the saw, and stood there with the box in my hand, doing some mental math. Ok, it’s a $3 box. It’s not rare, collectable, or an antique. There are literally millions of these things floating around out there. The neck? I think I paid $6 for an 8’ long oak 1 X 2, and I’m only using 3’ of it. The tuning heads? Okay, I overspent on them, but there’s nothing I can do to mess them up. I was using all-thread to make the nut and a piece of recycled stainless steel rod to make the bridge saddle - both essentially free. By the time the entire guitar was to be finished, I’d have a grand total of about $9 invested - not counting the tuning heads, but including the $2 Radio Shack piezo and $2 jack.

It came to me in a rush that even of I totally trashed the box, drilled the tuning head holes too big, put the nut on crooked, and wired the piezo wrong, that I would be out a total of about $9! What the devil was I working myself into such a dither about? It’s $9! I’ve literally pissed away more money in beer watching 1 football game!

And that’s where I am now. Sure, I get nervous about trying something I’ve never done on a build before, but I’m that way on every new thing I try on anything in life. But I now try to keep things in perspective. It’s a CBG - I really can’t screw it up because, by and large, there are no rules! If I cut the neck opening too wide, so what? It’s a $3 box - get another one! Use the “ruined box” for a parts box, or make a slightly wider neck for it. It’s no big deal!

So I guess that’s my message to the new builder - don’t sweat it. Don’t worry about messing it up. You’re going to make mistakes - it’s inevitable. It happens. Learn from those mistakes and move on. Your first build probably isn’t going to be perfect. If it is, good for you. If it isn’t, so what?

I’ve kept my first build, and plan to keep it forever. I like the sound of it, and I’ll admit a bit of sentimental attachment to it. It’s far from perfect - I can point out at least a dozen mistakes I made on it. The difference is that now I don’t care. I learned something from each of those mistakes, and now I don’t make them anymore. I’m finally able to admit after 35 years of working with wood that I’ve never learned a ding-donged thing from my successes - but I’ve always learned from my failures.

Don’t be afraid to make mistakes. You almost can’t do it wrong. Sure, there are some things you have to pay attention to, but overall it’s a stick and a box - don’t forget that. Relax, keep it all in perspective, and have fun with it.

It’s a CBG - don’t over-think it!

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So, Saturday…time for a little relaxation, and Mike, Jane and myself head off into Birmingham. After taking in the canals around Gas Street and Symphony Hall, we were walking along into town and I get a phone call...I’ve left a mic, stand and cables in the back of my car at home. My bass player needs them…and my kids cant find the spare car keys..so muttering “No rest for the wicked”, I run off, drive home in Jane’s car, sort the gear, back into town…and catch up with Mike and Jane in The Old Joint Stock, a grand Victorian palace of a pub (Birmingham’s Stock Exchange in former times) which looks out onto Birmingham cathedral. Lunch arrives - for Mike this is his first taste of a pint of bitter and fish and chips..and he finds the local cuisine pretty damn good! We drop by the Bull Ring and The Rag Market then head off home. I have the sad duty to inform Mike that we won’t be seeing many castles today...that’s one of his cherished fantasy visions of Olde England well and truly shattered. A takeaway dinner from the local Indian with some more English beer rounds off a relaxing day.

Sunday finds us on the road down to London…destined for our first date with Jukka and Andy from Finland. I’ve set the SatNav for Buck House, so we do Marble Arch, Park Lane…and Mike is thrilled to be driving round the back garden wall of the Queens’ gaff. We get a quick look at the front of the palace, then down to Big Ben and the Houses of Parliament. By now Mike has got the sunroof open and standing on the passenger seat snapping away with camera and iPad and we are in full-on tourist mode. We manage to hit loads of the sights...the London Eye, Trafalgar Square, Downing Street, The Embankment, Tower of London…and thrill of thrills, we get to drive over Tower Bridge! Mike is knocked out about this, but perhaps no so knocked out when we reach our destination for the evening, The New Cross Inn. We give it a quick drive-by, return across Tower Bridge, check into the Travelodge (a good call I reckon – dorm rooms were available at the venue…but after seeing the outside, I was glad I’d decided not to save a few quid by staying there). After checking in we went to the venue to get loaded in…we pulled up, got out of the car to be greeted by a pair of crack heads having a “domestic” outside the pub. Well, I’ll gloss over the rest….it’s characterful if you get my drift…we got set up...the sound guy was pretty taciturn, but to be fair he did a good job throughout the evening. A quick stroll up the High Street revealed that the “cuisine du terroir” seemed to be greasy kebabs and halal fried chicken, but we did in fact find an excellent little bar / restaurant across the road and had a great pizza and a couple of beers. The pub was pretty quiet with a few youngsters playing pool, I opened and had quite a bit of banter with some of the regulars at the bar which was pretty cool. A young local girl did a nice acoustic set, then it was Mike, and then Blackriver Bluesman and Bad Mood Hudson - we all gave a good account of ourselves and nobody got stabbed…so that was good. Back to the hotel (the Finnish contingent stayed at the pub…I didn’t dare ask them what the rooms were like)...we went in search of a bar, but everything was closed...we took a stroll across Tower Bridge and had a couple of beers back at the hotel, me and Mike swapping quotes from our favorite movies…found out we both love Spinal Tap!!!

Monday and we drive south out of London…heading for Hastings, by way of Brighton. On arriving in Brighton we stroll round The Lanes, have coffee and a snack, then do a quick scout round for a busking spot. By the time we’ve dragged our gear to the favoured place, there’s someone else playing, so we set up on the nearest steet corner…only to be moved on by the steet wardens, not because we were obstructing the footpath, but simply because the owner of the shop next door was know as a perpetual complainer. They advised us to try another spot just across the street in the doorway of a disused spot..and it was perfect. We played for a couple of hours and raised enough cash to cover our parking and our dinner that evening. We drove out along the coast under glorious sunshine, France just visible on the horizon..past Roedean, The Seven Sisters, Newhaven, Eastbourne & Beachy Head...and took a quick detour to see the Wilmington Long man chalk carving. In Hastings I parked the car by the fishermen’s beach and we feasted on fresh mussels with white wine and cream, chips and pints of Czech lager at Lathams Brasserie in the Old Town. Off to The Brass Monkey to load in, and greeted my genial mine host Simon…met up with Jukka and Andy once more and local CBG player and all-round good guy Jez for another quick set-up and sound check...and as we were being put up by at the venue, a couple of drinks were in order. During conversations in the courtyard, it transpired that Jukka and Andy’s favorite drink was Fernet Branca, and Italian bitters digestif…but as it’s not easy to find...they settled for Jaegermeister (a bit sweet for their tastes)…so we all ended up trying a round of shots. After that, I opened the evening…so I was free to take a few drinks and thinks got a little blurry – Jez played next, then Mike, with Jukka and Andy finishing off the evening. We stayed in the band room over the venue, which was fine, although the seagulls and local drunks were pretty noisy…it’s the very room that inspired the Hollowbelly song “Long Road”…and I think I may have had that selfsame mattress the he describes in his anecdotes.

Tuesday was always going to be long day, as we headed up north once more to Harrogate, while Jukka and Andy went back to London for The Blues Kitchen and then on to Leicester for the Musician. As it turned out the drive was easy…a quick fill-up with diesel on the outskirts of Hastings..then we stopped for a break just outside Doncaster. As we were making good time, I decided that we could manage a quick visit to York before our gig, so we dropped the car just inside the city walls and walked into the centre of historic York. By chance I picked a great itinerary...as we walked down the road, York Minster hove into view, we got glimpses of the walls, then we were right into The Shambles and the narrow ancient streets around the Minster.

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We had a quick look inside, then found the walls, climbed up and walked round for a quarter mile or so...acting out the defence of the city in days of yore by pretending to shoot crossbows at passing Japanese tourists and took on the task of staunchly guarding the model railway shop that was under the Monk Gate. Strolling back to the car we visited a tiny ancient church tucked away behind some shops just as it was about to close it’s doors for the day…then I suggest we take a swift half in a local pub. We’d passed by loads of them, but went into a little place called The Blue Bell…a nice old frontage with ruby red glazed tiles, a tiny front bar and backroom snug,,.and a range of real local beers. While pondering our choices, a local who was sat at the table with his pals suggested we tried “Polar Bear”…although the landlady told is it was very bitter..so proffered us a sample…we tried another sample and settled on the Rooster bitter. This seemed to cause great offence to our beer expert, shunning his recommendation…but after establishing that I was also indeed a Yorkshireman, we had a bit of abrasive but cheerful banter, tho’ he was still insistent we’d made a grievously wrong choice of beer. I had told Mike a little expression about Yorkshire folk, and said to Mike, ”Remember what they say about Yorkshiremen?” As it turned out, Mike did remember, and he came out with it ,”You can always tell a Yorkshireman, but you can’t tell him much”, which pretty well seemed to sum this chap up…I swear he was employed by the tourist board to sit there day in day out in the bar and play the friendly curmudgeon. A short drive and we were in Harrogate…we spotted the venue, nicely situated overlooking a rolling green, went in and were instantly greeted by Simon and some of the regulars, who insisted we take a drink and join them at the table. It was mid afternoon and pretty lively, so things augured well for the evening. In conversation it came out that we were intending to drive back to South Yorkshire that evening…so Simon picked up the phone and sorted accommodation at another of his pubs in nearby Leeds, then said if we wanted to have something to eat, to go upstairs and they would fix us a meal..as long as we liked falafels. It turned out there was an Egyptian restaurant above the bar, called The Blue Nile, run by a great guy from Cairo called Hanni. We had a splendid meal in very pleasant surroundings, then went downstairs to set up.

9353792065?profile=originalEeeh, luxury....The Blue Nile Restaurant above The Blues Cafe in Harrogate...top notch Egyptian food served up by Cairo native Hanni..a great bloke. It's fricking hard being on the road, and sometimes you've just got to have a bit of peace and quiet and being spoiled a bit to restore your equilibrium.

We were all sorted out pretty quickly and ready for the off...but as time passed and the hour approached, the place seemed awfully quiet and it looked like we were in for another small but appreciate audience. I thought I’d better get things rolling..so I went onto the stage, which is actually right in the big shopfront window..and spotted a few people drifting in. As I played, the tables near the front filled up, people were stood at the bar...and the place started buzzing with regulars and tourists..and by the end of my set it was pretty full. Mike took to the stage with the room properly “warmed up” and played to a very appreciative crowd. He asked me up to finish the evening to jam with him and we went down a storm…a really great gig. As I walked off stage to the back of the bar, I was stopped by a gentleman with an accent I couldn’t quite place…until he said “You guys are f*cking amazing – Amsterdam needs you!!!” Turns out he runs a blues club in Holland, so I chatted with him and his wife and we exchanged cards, and a few words of my very poor Dutch…so here’s hoping that might be the first step of the European adventure! Another quick pack, and a short drive over to Leeds, where we are met by Andy, a very genial guy who runs the Duck and Drake. We are put up in a shabby but perfectly acceptable room over the pub and have the luxury of a lie-in in the morning.

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We take a stroll into the city...the market is only a couple of hundred yards away, and end up in the splendid Victorian market hall. We decide to have breakfast at one of the cafes, so sit at a counter and have the Full English… a great plateful of bacon, sausage, egg, beans, tomatoes, fried bread, with a plate of buttered toast and mug of Yorkshire tea..all for £4.35. A quick stroll round the city centre and its splendid Victorian cast iron arcades, but were are too tired to go busking, so we drop in to say thanks and goodbye to Andy, and we are back on the road heading for Birmingham and a couple of non-gigging days. We take the scenic route back, via the Peak District, taking Castleton, the amazing 20% gradient Winnats Pass and the spa town of Buxton. Thursday is a day off, but I need to get everything ready for Boxstock, and I’ve still to finish the cajon kits and put all the parts together for the guitar kits, and I’ve also got to visit the bank to get cash to pay performers. Mike helps me out in the workshop, drilling fixing blocks and fronts for the cahons while I bandsaw the blocks. We are busy all day, all the gear is stacked up in the hallway ready to go, and I’m now getting seriously nervous about the weekend...so much work to do…will anyone turn up? will we have enough money to cover everything? will we manage the cajon making?…so much to think about. We’ve got through the first week, earned a bit of money for Mike...but the weekend all looks like a massive risk...and I’m thinking “Why did I ever take this on?”

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Creating your Own Fret Scale Pattern

     So in my last blog on building your own truss rod, I promised I'd share what I had learned on making your own fret scale pattern. So here goes ...

     For my first CBG, I wanted to test my limits and see how far I could go with building a guitar. None of these "fretless three-stringers" for me; no, I wanted a fret board and at least four strings, which I felt was the limit before I'd have to worry about bowing the neck. So, wanting to be sure I was understanding all I needed to do, I ordered David Sutton's book "Cigar Box Guitars", and waited patiently for it to arrive.

     When it finally came in the mail, I read through it carefully, and began my first build. The book did not tell how to figure out a fret scale pattern; the best it would do was tell me to go "fretless", or advise me to copy over from an existing guitar of the scale length desired, or order fret templates on line.

     So I built my first guitar, and decided it was not going to be my last ... anybody hearing me out there? (Laugh!) But, because my first box was on the small side, and I wanted the neck to look aesthetically pleasing and well matched, not long and gangly, I chose a 21.5" scale, which, luckily, I had a guitar in my collection of that length!

     I then realized that what I needed was an efficient fret scale template, and I began to search for a free one online that I could download. No such luck!

     I found plenty of sites that gave the scales in millimeters.  Millimeters? Really? Who uses mms in this country? And whose gonna count out 675 mms? Or how about this ... when they did give you inches, it was in the form of fractions, such as 1.758! Good luck finding that on a ruler!

     But I did finally find a way to do it that was simple, elegant and fairly foolproof. It's called "The Rule of 18", and here's how it works.

     First, you decide your scale length, and for the sake of the math coming out even, let's use 22.5". All you do is divide 18 into whatever your scale length will be; in this case 22.5 divided by 18 equals 1.25". That's an inch and a quarter, just to make it easy!

     You get a sheet of large paper, and, using a straight edge, draw a line and mark off 22.5 inches. That's the horizontal leg of a triangle you are about to create. The vertical leg will be 1.25". Next, you draw the long leg of the triangle at the top, sloping down from 1.25" to the end of the 22.5" mark.

     Now you take a compass, and set it at 1.25" and draw a quarter circle down from the 1.25 vertical axis to the horizontal axis. Take a protractor, and draw a straight line at the 90 degree angle at the intersection of the horizontal line. Draw it straight through the upper and lower sides of your triangle. This is your first fret mark!

     You now repeat this process, using your compass to measure and mark the height of this fret from the top line, drawing out your circle again and marking the position of the second fret.

     You will repeat this process for as many frets as you wish to use on your fretboard. When you have finished, mark out the width of your fretboard below, and cut out your paper fretboard scale.

     Viola! You have created your own fret scale pattern, which you can use over and over and at no cost. And the best part is that this will work for any scale length you chose, thus taking the mystery and the clumsy "borrowing" from another guitar out of the process!

     I am indebted to David Beede for this tip, and you can find out more information and see illustrations of this procedure at http://www.davidbeede.com/FretCalcGraphic18rule.htm.

     I know it works, because I just completed a 22.5" build using this method. So, happy building, and the next time maybe I will discuss what I have learned about making a "kerf" joint at the headstock, thus avoiding the nasty problem of depressing the strings coming off the nut at an angle sufficient to make them work correctly with the tuners (a problem most of us "work around" by using string trees or something else less attractive).

     See you next time! The Music Man Tim :))

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Adventures in CBG

Should be posting a video demo-ing the CBG i won at box-stock, been playing it for about a week and have a short melody to share. A bit more like what you all want to hear too! All being well that should be up by tomorrow evening!Marc "The heavy metal guy" Hood!
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New Guy - Lap Steel

Came across CBN  while surfing. Play a little mandolin and have tried my hand at dobro, fiddle and guitar. Know a guy in Houston that builds CBG's. Thought I would try my hand at it. Currently building a 4 string lap steel. Solid body guitar shape out of a piece of 2 X 12 Pine. Got the body pretty well shaped and sanded. A belt sander can correct a lot of sins! Going with 22.5 " bridge to nut.
Probably try to setup open G or E tuning. Hope to have it together in a couple weeks. This is my first try so will see what happens.

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Discovering my Mojo for the first time

I'm 27 now and since about 14 I started teaching myself to play the guitar. That's not to say I'm any good at it haha but I dabble. Playing mostly classic rock, blues rock, stoner rock, gravel rock... Just making sure you're paying attention. So it wasn't until I dug into an old box of records and heard John Lee Hooker, Rob Johnson, Ry Cooder, Muddy Waters, Sonny Boy, blah blah blah I'm preaching to choir on this forum I know... But that was real music! It had soul! It had feeling! It had... Yeah I'm just gonna say it... It had Mojo! And even now a decade or do later I'm hearing the crap that's on the pop channel and my head spins. What had my culture done to music!? I'm sorry... I'm so sorry... I discovered bands out there though, The Heavy, The Black Keys, Jack White who play with soul!So upon digging some more I began to change my style of playing to bring out my own soul and it hit me... Something's missing. I had hit some hard times and the only way my music will keep the family fed is if I start selling it on Craigslist. Now let me say this... Not my music per say... That wouldn't sell haha I sold my tube amp, my favorite guitars, and my pedals. Sitting around I began to really miss it. I was crabby, I was sulking, and I was pissed off at the world cause I ain't got no music. I had just got paid so I figured I would buy me an amp. Found a cigar box amp on Fleabay a while back and figured that's better than nothing at all. Sounded awesome! I was back to jamming out... To myself... I'd have to pay crowds to stick around and listen haha. So now after realizing how much this thing rocks, I got into this cigar box mumbojumbo and I've been stuck ever since. The amp I bought is as far as I went. So yesterday... Jonesing for a new guitar (I got a much mo betta job now so I know the money is coming soon so it's prematurely burning a hole in my pocket) and in the meantime still not having the padding in my wallet to get one, I spent $12 at Home Depot and built my first cigar box diddley bow.I couldn't possibly be more proud of this thing... It's ridiculous how awesome it sounds. The sadness that pours out of this thing when I feel like playin the "I'm one broke mutha..." blues out of it. Right there... With a dowel rod, some screws, a cigar box, an extra tuner I pulled from a Squier parts strat, and a low E string I had laying around. I found my mojo. It was like an epiphany of feelings engulfed into this box. Still able to open it to keep my home-made bottle neck slide, a pick, a pack of Newport Reds, and a book of QT matches... And as soon as I get it out of the car, I'll see if my flask of Jim Beam will fit in it. (that sounds terrible! But yes... My booze is in the car! I was only transporting it not consuming it thank you!) so now what? I've realized some changes I could make to it and I shall. Ways to make it better, and then I'm going to assemble my own pickups for it. This one will just get a transducer or piezo pickup but the rest will have pole pieces, wire, and solder too I believe. The whole shabang!Well that's my quick salutations and figured if make my first post here a good one. Now all I have to do is figure out how to upload pictures of it. Im doing all of this on my iphone so its not as easy... If anyone could tell me how that'd be rad otherwise I'll keep looking. I hope my blabbering hasn't been. Too long. Thanks for reading.
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my brain is getten busy!!!!

   i got a crazy idea on buildind a stand up bass out of an old trunck!!!!! it might not be the best sounding but i think it will bring lotts of good convos in my house when i have parties!!!!   anybody every built one before???? i wonder how it will look and sound?

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stten back and thinking!!!!

   just looking at a all wood cigar box that looks almost to nice to cut on!!! but my mind is telling me its almost time to hunt down a stripe maple peice of wood to carve a neck out for it!!!! im thinking a 4 string full electric with no cut outs!!!!! im thinking about puting the pick up in the bridge so i dont mess up the lid on the box!!!!   but i also like the look of the rythem style pick ups also!!!! now i just got to decide frets or not!!!!   the image in my mind is hella sweet!!!!!now just got to scroundge the parts to get it done!!!!

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Hospice House by John Bolton

Lee and Elaine Hampton sat in the Dr. Allen’s waiting room. Lee was in a wheel chair. Little was said. They had been married for forty five years and would not make it to forty six. Lee was dying of stomach cancer that had spread to his bones. He was seventy and Elaine two years younger.

Cheryl, Doc’s long time nurse, put the Hamptons in a room. Doc came in and greeted them as he used the hand sanitizer on the wall by the door. Then he held his hand out and shook with Elaine first and then Lee. Doc thought he knew why his patient was there, but he inquired just the same.

Lee skipped the chitchat. “Doc, I’m failing. And I’m weak. Didn’t think I could walk in here and back out. And I’m really, really tired of the pain. My whole body aches and throbs. If I take enough meds to cut the pain, I don’t do anything but sleep. I think I’m still of sound mind. And I want to take you up on that hospice house.”

Doc Allen nodded and thought before verifying, “You don’t want hospice at home? You want the hospice house?”

Lee sighed deeply, taking Elaine’s hand, pulling it to him and kissing it. He said, “Elaine wants me to do hospice at home. She wants to take care of me like she always has. I won’t do that to her. Or the family. It’s too much. And I don’t want to die at home and leave that memory. You said the hospice house can keep me comfortable and take the burden off the family. That’s what I want. I’m ready for it and I’m ready to die.”
                                                                              * * *

Hospice house was a blessing. Lee was mostly free from pain and sleeping or dozing. He would often wake and speak with visitors and staff. He was relieved to have the burden of his care taken off the family.

It was a nice place too. There were framed prints and colorful quilts in the halls and rooms and lots of flowers. Each room was private, homey and had a window to an outdoor courtyard with bird feeders and a small pond. There was a comfortable couch and chairs and the couch folded into a bed. Family took turns staying the night with Lee.

Every patient’s door had their name on it and some were personalized. Lee’s door was covered with photos of him and his family and friends. A page and a half biography told about his life. A sign with large letters read,

    I’m glad you came to see me. I’m going to a better place pretty soon, so come in and talk, live and please        laugh.       Talk to me too. They say hearing is the last thing to go.

     Please keep the visits short and no more than three people at a time.  I don’t like crowds! If there are more, please take turns and relax in the common area.

   Lee

 

Inside the room an electronic photo album changed every few seconds. Gospel and blues and old timey music played on CD player. And sometimes a homemade CD of Lee playing played too. He’d been an amateur wood worker and then three years ago, found the hobby of building and playing cigar box guitars. Lee thought making instruments and playing them was about the best hobby ever.

Hospice might shorten a dying person’s number of final days, but it seemed like everyone that visited was won over. After three days, Lee reached a point where he only awoke once or twice a day. On the fifth day he developed a throat rattle and the nurses gave him oral drops that quieted it.

The family had been taught about the dying process and knew apneas are a sign the end is nearing. Lee started to have apneas – periods where his breathing paused for ten or more seconds and the apneas began to come more often and last longer. He was comfortable and at times could hear his visitors and feel the comfort of someone’s hand.

That night after midnight Lee did not awaken, but he felt alert and alive and a since of well being. Something was happening. Soon he saw a warm beam of light that beckoned. Somehow he willed himself to follow the light along a path. The path made a bend and around the corner to a where an angel sat in a large and sparsely furnished large room. The angel was a male and robed in white. He sat on a simple stone bench.

The angel said, “Welcome Lee. We’ve met before, but I don’t think you remember. You can call me Jacob. Are you ready to go on this time? To eternal life with your creator?”

Lee felt peace and awe and a longing to go. He said, “I’m a poor sinner, but if I can go on to a better place, then I am ready.”

“Very good,” said the angel. “What do have to recommend you for Heaven?”

“Well, I’ve done a lot of things that I regret. I’ll confess them all if I can remember them. I claim Heaven by the forgiveness of my savior, Jesus Christ, the son of God. For God so loved the world that he gave his only begotten son. That whosoever believeth in him shall not perish, but have life everlasting.”

“Do you really believe it?” the angel asked.

“Ahh. I’ve tried to. I wish my faith was stronger. Seeing you now? I do believe it.“

“I know you do. I’ve been with you in all your lives and appeared to you at the end of each life.  I have not always looked the same to you.  What we must do is determine if you are ready for everlasting life or another life on earth. Lee, you have vague bits of memories of your other lives. Like déjà vues. You’ve liked to read in this life. You would read a story about a time and place. Parts of some stories felt very real to you. Do you remember those?”

Lee felt embarrassed, curious and afraid all at once. He had never seriously thought he’d had a previous life. He sheepishly asked, “Was I a black man?”

“You were. What else?”

Lee felt bits of understanding. “Whew. Is that why I like blues music and stories about blacks in the early 1900s?”

“I think so,” the angel Jacob chuckled. “That was your era. What else?”

“Was I an Indian? An American Indian?”

“Yes.”

“Wow! Umm… How about a Scottish warrior and a fighter pilot?”

The angel laughed again. “Sorry, Lee. No fighter pilot. Yes and no on the Scot warrior. You were a border reiver, a raider. Some would call it a warrior. Some would not. That didn’t end well for you. Do you want to go back and try for fighter pilot?”

“No thanks.”

“Any more memories or guesses?”

“I used to love stories like ‘The Old Man And The Sea.’ Things like that. Was I a fisherman?”

“You were a fisher girl. A good girl. I think that was your best life, but it was too short.”

Lee stopped himself from uttering, ‘Holy shit.’ It seemed inappropriate. “Wow again, Jacob. But if that was my best life, then why didn’t I go to Heaven after I died? And oh, did I have any more lives?“

“No, Lee. This life that is about to end is your fifth try. It’s customary that now you relive each life in order. It will just take an instant and you will see every good and bad thing that you did and that happened to you. You will be given knowledge of how you lived and how you felt. But do not fear. All your guilt’s and fears will be gone. You will feel accepted and forgiven. Are you ready?”

“I’m ready, Jacob.”

“Okay Lee. After each life I will ask you questions and you can ask a question of me. What we’re looking for is why you think you didn’t go on to eternal life after each life.”

Lee felt a rush of cold air and the whoosh of his lungs struggling for their first breath. He fussed weakly and made wee gasps, but air would not come. The midwife’s rough hands grasped him and rubbed his body with cold straw. Air came and he cried weakly. He felt the warmth of his mother and nursed from her breast. And later he slept.

He grew and over time his mother came to love him dearly. It was a rough start in life and it got no better. They were poor and often hungry. They lived on the north side, the Scot side of the Border. The border was a rough and dangerous place with raiding nearly every winter. His name was Angus Graham. His father was unknown other than the fact that he was one of three raiders from the south who had raped his mother when she was fourteen.

They had no land of their own and Angus worked the fields from the time he was eight. There was never enough and with his mother’s blessing and instruction, he stole what he could.

There was no school for Angus, no church and just bits of religion. Christian from his mother and pagan from his grandmother. Angus did not take to either.

One late autumn day when was twelve, he was fishing for their dinner when riders crossed the stream. Angus hid in the bushes. What else could he do at twelve? The raiders took all their grain and dried berries and fruit. There was nothing else of value. That winter his mother died of hunger and frustration. Angus lived by stealing on both sides of the border.

When he was fifteen and had most of a man’s size he joined a band of reivers. On his first raid, Angus took a girl against her will and stole a pony. By the first snowfall he had a saddle and light armor, a good pike and a battered sword. He’d had a part in killing three men, but none of them in single combat.

After the new year, raiders came from the south. It was winter and past the usual raiding time. The reivers saw them coming and knew they were out matched. They scattered. Angus galloped his pony into a copse of trees by a stream, then got off the pony and tried to hide. But the raiders were too close and spotted him.

A young man not much older than Angus came at him with a sword and shield. Angus ran and two other riders herded him toward the young swordsman. Angus threw down his arms and begged and tried to scramble away. A pike slammed into his lower side and he fell to the ground shrieking in pain and bleeding. The swordsman raised his sword and ended his life.

Lee saw the angel Jacob again. He said, “I was a poor boy along the border and a bastard to boot. But my mother loved me. I don’t think I had much of chance to be good. And I wasn’t good. I was mean and resentful. I stole because I had to. Then I stole and ruined things for fun. I raped a girl for the thrill of it. I did a lot of mean things.”

“You did,” said the angel. “Why didn’t you go on to eternal life?”

Lee held out his hands and said, “I have the impression it would have been hell for being a terrible person. Or maybe just eternal nothingness for being an atheist.”

The angel Jacob nodded. “Very astute, Lee. There is a hell and there is a nothingness. You were given another opportunity. Any questions?”

“Yes,” Lee said. “Could I have embraced that pagan religion of my grandmother and saved my soul?”

“Yes, possibly.”

Suddenly he was a baby again- a girl baby in her grandmother’s arms and then her mother’s arms. Their small house smelled strongly of something that Alana would later learn was fish. She was much loved by her family and her tiny fishing village. She loved them back with a fierce heart.

Alana had a wonderful life by the sea. She learned to read and knit and sew and to care for the babies and small children. And she learned to sail and fish.

The priest came often to the village and Alana accepted Jesus as savior. Somehow it was very important that she be good and strong and brave. At the age of fourteen, Alana fell in love with a fisher boy of her same age. One early autumn day and late in the day, the sun was setting and Alana stood on a rock twice her height and watched the boy swim and dive in the sea. He surfaced and screamed out in agony. Alana knew it was real and not a game. She dove into the water, swam as fast as she could to the spot where her love went under and dove for him. Alana came to the surface again and then went back under. The lives of the young couple ended.

Again, Lee was with the angel Jacob. In spite of what happened, he was calm and at peace.

Jacob said. “You were Alana. You felt what she felt. Why didn’t you want to go Heaven after you died in that life?”

“I wanted another chance at love. I wanted to love and be loved.”

Suddenly he was born again, this time in a smoky lodge made of buffalo skins. Then the people were on the move. Little Teal bobbed along in the pack on his mother’s back with the sun on his brown head and laughter and happiness in his eyes. The people were on the move, following the buffalo.

Teal was raised up in the way of the people. At fourteen, he went alone into the wilderness to seek his vision and his spirit guide. He sat on a butte in Paha Sapa, the black hills, for six days and nights with no food and just sips of water. He chanted and prayed with what he thought was proper spirit and yet no vision came. Teal grew discouraged and despondent. Finally, he gave up and went back to the village with a made up story of a bear with a cut nose. As he told his story to the medicine man, he pulled out his knife and slashed across his own nose.

Teal, now called Cut Nose became a warrior of the kit fox clan. He watched and wanted Swan, a pretty young girl of his people. She was receptive, and Cut Nose courted her and fell in love. But to win Swan, he needed four ponies to give to Swan’s father.

Cut Nose soon got his chance. Three young men of the kit fox clan went to the land of the Crow people on a horse raiding mission. Cut Nose acted confident and boastful but inside, he was afraid. Before they left their own lands, a mounted party of five Crow swept down on the three young warriors. One ran. Cut Nose pulled an arrow from his quiver and fit it into his strong bow made from osage orange. The enemy closed and Cut Nose loosed an arrow that struck a Crow brave in the leg. Before Cut Nose could let his second arrow fly, his head was crushed by a war club in the hand of a strong Crow warrior.

Lee could see the angel Jacob again. The angel said, “You died bravely enough.”

Lee said, “I did. I feel proud of that. But I had doubts that I was worthy to go on to a happy hunting ground.”

“Any questions?”

“Yes. Could I have gone to that happy hunting ground?”

“That was above my level to decide. There is a happy hunting ground, but it was not certain you would have achieved it.”

And suddenly he was a baby in the arms of a new mother. She nursed him, but he couldn’t seem to nurse. His mother comforted him and sang to him and did the best she could. His name was Toby. He felt warm, safe and loved. And hungry. He was born with a cleft palate, called a hare lip in those days. His mouth and lip were malformed. As a baby he had a hard time nursing. As he grew, he had a hard time talking so people could understand him.

He grew up on Dockery farm in Northwest Mississippi. He went to school and worked in the cotton fields from the time he was six. It was a good life, but having the hare lip made it hard in a lot of ways. He was athletic and had friends but he despaired of finding a girl to love him, because of the way he looked and talked. It was more a lack of confidence than a reality.

Toby loved two things, baseball and music. By fourteen he was skilled and fast enough to play center field with older boys and grown men. Baseball was popular on Dockery. A great and happy surprise was that he could play harmonica. Even with the right side of his mouth not closing right, he could direct air and was getting good at the harp. That was a big thing on Dockery too. Toby played ball and harp about every chance he got.

He made it through eighth grade and then worked full time on the farm and in the wood shop. When he was sixteen he was just maybe finding a girl he liked and who liked him. Her name was Cleopatra and she was called Cleo.

Before he ever got that first awkward kiss, things came to a sudden end. He was riding on hay wagon with Cleo and some other workers and he was clowning around. The front wagon wheel dipped into a rut and Toby went sailing off and landed just wrong on his arms and head. His neck was broken.

Suddenly Lee was back with the angel Jacob. And this time he stunned and breathing hard. He said, “Whoa! I didn’t see that coming. Gees. I wish I could have lived it longer and seen where it went. Why did it end like that?”

Jacob said, “I liked that life too. Your answer to why it ended? You don’t get that until you go eternal. Tell me. You were a good church going boy. Why do you think you didn’t go eternal after Toby?”

Lee puffed a big breath out of his mouth and thought, Huh. I can still do that. He thought a minute and answered, “It was like when I was Alana. I wasn’t ready. I wanted to experience love and more life.

“Wow. Toby wanted so much to love and sing and play music. He and Alana wanted love. I got those things in this life. I have a lot to be thankful for. I am. Thankful.”

The angel Jacob nodded his head. He said, “Yes. That’s one of the things we look for. You were a long ways from perfect. You said and did too many hurtful things when you were young. You were a smart-ass for sure. But you got to live long enough to turn into a good human being.”

“Again Jacob, I thank God for that and you too. What happens now? I still feel ready.”

“Then it’s on to your maker and savior. I can’t promise you a last wish. But I ask you. If you could have a last wish – what would it be?”

Lee said, “One wish. That’s easy. Comfort for Elaine and my family.
                                                                  * * *

Elaine retold her son Ron the old family story of Lee knocking down a nest of angry wasps. They both laughed and Elaine cried. She sat back in her rocker and wiped her tears away and honked her nose into a tissue. She realized she felt ready and at ease with Lee’s passing. She hoped it would be soon. She said, “Oh I hope Lee heard that story and heard us laughing. He would have liked that.”

The End

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Note:   Hospice in the home can be a very good thing too,

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First build

Here's what I've got so far. It's a Tabak Especial box and a poplar neck, 7/8"x1 1/2". Got the strings, waiting for the tuners. Right at the roll of tape you can see the layout mark for the nut. The bushings in the tailpiece are pop rivets with the stems removed. There's another set in the back side. In the meantime I have to build a router table so I can round over the rear edges of the neck.

 

And I have no idea how to play!

 

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Boxstock 2012...the prequel

So, Boxstock is all over for another year..and I’m counting the cost...financially, emotionally and physically, but it’s been an amazing couple of weeks.  This year Ben took over the organization of the event, and planned an ambitious line-up…which meant even more effort and co-ordination than before, plus bringing over two overseas touring artists in the week before the event.  So here’s the first installment of the full unexpurgated story…or at least what I can remember of it.

 

Thursday afternoon, a full week before Boxstock, I get myself over to Birmingham airport to meet Mike Snowden, who’s flying in from Atlanta…via Toronto and Amsterdam...and I’ve already had an email from his wife to tell me that the airline has lost his luggage before he reached Toronto.  The good news is that they’ve not lost his guitars.  So, off to the shops to buy socks, underwear…and throw in a HGMC tee-shirt plus one of my fleeces and that’s his wardrobe sorted!  Anyway, an hour’s wait at the arrivals gate and I’m nervous of the long delay, as I’m just hoping that his visa is all in order...but eventually he turns up and we are out of the airport on the way to our house.  We make a little tour of central Birmingham and catch a few local sights…and Mike spots his first black cab, double-decker bus and British bobby. A quick stop-off at my house and then off to the Travelodge to get him checked-in, as I thought he’d appreciate a proper bed for a couple of days rather than roughing it on our living room floor. Back to our house (via the off-license to pick up a selection of fine British beers) for a sit down dinner with my family. He’s a really approachable, easy-going guy, and we shoot the breeze for an hour or so, sort out the gear he’ll be using, then drop him off at the hotel for his first night in the UK.

 

Next day, I put together Mike’s snare drum rig as per his specifications that we’d agreed the night before (a beer crate with a plywood base screwed to it, kick pedal and two luggage straps) then it’s an 11.00am pickup, and a drive north to Stockport for a radio recording session.  All goes well for half an hour…then the traffic slows to a halt behind a patrol car, and over the motorway we see a sign “Slow – Animals in Road”. So we’re sat there for 20 minutes or so, speculating about the likely cause, and I look out of the side window and three sheep come trotting down the fast lane…we spot one of the motorway patrolmen trying to chase them, but he’s got no chance, so it’s another half hour before we are rolling again, after they’d managed to herd them off at the next junction.  Anyway, we are really late now, so I phone Rik and Justin at Pure FM to tell them we are running late due to sheep on the road. We arrive at our destination...Robinson’s Brewery in Stockport, to find we are recording in the boardroom.  The session goes very well (free drinks available courtesy of the directors private reserve, but I have to limit myself to just a little sip of the stuff as I’m driving) - we are told that we are honoured to be the first people allowed into the boardroom without a member of the Robinsons family being present!

Robinson's brew a range of excellent beers, but I think they might have overdone the yeast in this batch....

 

Back on the road….and we head for the road over the Pennines to Yorkshire (and as any Yorkshireman will tell you…it’s the best thing to come out of Lancashire).  I want to take a scenic route and make a quick visit to my parents in Barnsley, as we have a little time in hand before the evening gig in Dewsbury.  I get us a bit lost trying to find the route to the Woodhead pass..but after a while we are on the right road…and into yet another motorway traffic jam.  Well, as you all know…drinking beer has an effect on the system, and Mike is desperate to relieve himself…but we are stood in traffic. He stoically puts a brave face on it, but it’s apparent that he’s fit to burst, so I spot a likely spot with some bushes, flip on the hazard lights, pull out of the queue over onto the hard shoulder. Mike makes a quick getaway into the undergrowth while I open the bonnet and make a show of looking concerned and fetching a bottle of water to pour into the rad.  Disaster averted, we squeeze back into the traffic, and a few seconds later a motorway patrol Range Rover zooms past us up the hard shoulder… we just managed to get away with it without attracting the attention of the police!!!  Eventually we clear the slow traffic, and pick up a quick sandwich and a drink from a petrol station. We’ve been trying (unsuccessfully) all day to phone the airport to see if Mike’s luggage has arrived, so I phone home, and my wife takes on the task of tracking it down…and just as before we start driving into hills I take a call in standing traffic..the courier is outside my house with the luggage! I authorize him to deliver it, Jane texts within minutes to say it’s been delivered –job done!!

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Then over the Woodhead pass in true British uplands summer weather - leaden skies and rain…and more sheep…this time they stay well away from the road…and the route and the views are spectacular (even the roadworks where part of the road has fallen into the valley).  A flying visit to my folks, and then up to Dewsbury for the gig. It sounded a bit weird, a gig in a railway station and we weren’t sure exactly what to expect, so we strolled past the ticket gate, onto the platform, and into the “West Riding Refreshment Rooms”, the old waiting room which is now a very popular real ale bar. We check out the stage, which is outside under a canopy, (although our fears about the worsening weather are unjustified, as by now it’s stopped raining and it’s a pretty fair evening).  A couple of pints of Yorkshire bitter and some huge cheese and ham sandwiches, all on the house (eeeeh, luxury...they don’t know they’re born these days etc. etc.….), a quick set-up, soundcheck and we are ready to do the show.  I start off…it’s a bit weird as most people are taking advantage of the shelter over the outside decking, so they aren’t stood right by the stage, but the welcome seems warm and appreciative, perhaps helped by a combination of copious drafts of real ale and the special tobacco some of the audience were smoking (I think it’s a traditional Yorkshire herbal remedy, that’s supposed to be good for the chest and throat).

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That all seems to go well, and Mike takes over for the main spot...it’s cool seeing him playing live in the UK for the first time and he plays a great set...although my basking in his reflected glory is somewhat knocked-back when someone asks me if he’s my son!!!  To finish the evening by the 11.00pm curfew, Mike calls me up on stage to jam...we’ve never played together before, but we seem to mesh together pretty well and I really enjoy it.  We have quick break, finish off our drinks (by now I’m drinking Coca-Cola...just one pint for me at the start of the evening), pack the car, collect our pay and head off back to Birmingham. It’s an easy journey back, with me talking non-stop it seems to fly past, and by just after 1.00pm we’re back in Brum.  That’s the first working day over with...and boy, we’ve been pretty busy…and it’s still a week and several shows to go before Boxstock.

To be continued.....

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