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Another little visit to Europe by me and Hollowbelly - this time we decided to make it short and sharp…just 4 days in Belgium and the Netherlands...plus traveling there and back.

 

One thing that a lot of people don’t realise is that it’s not the gigs that are the hard work...it’s everything else that’s involved...the logistics of traveling, loading gear in and out of venues, simple but important things such as finding somewhere to park, making sure you arrive on time with all the right gear…these are the things that have to be done to make it all work…and this jaunt was no exception.

 

As we were traveling in the BellyBus, I decided to head down to Devon the night before our first gig, so that on Thursday morning at 6.30am we were all loaded up and ready to hit the road, with our guitars, amps, percussion, merchandise, a full PA system and enough kits, hardware, tools & workbenches to cope with 2 guitar making workshops. It’s a heck of a lot of gear, and a real physical job of work to load and unload every day. Anyway, off to Dover, nearly a 5 hour run from the HollowHaus …onto the ferry, grab lunch straight away and then an hour’s snooze before hitting French tarmac and up the slab towards the hell that is the Antwerp Ring Road. Our timing had been somewhat unfortunate, and we hit the dreaded “Ring of Death” at peak evening rush hour …along what seemed like about a million other trans-Europe commuters and long distance truckers…and once we’d cleared Antwerp, the prolonged torrential rain adding to the murky darkness made the high speed run out to Westerlo for our first appointment a stressful and nerve wracking event. Even a good SatNav (and Homer Simpson giving us directions) sometimes can’t cope with the multi-lane junctions and confusing split exits on Belgian motorways, so knowing that you are an hour later than planned, with heavy traffic and foul weather, means that every turn-off and navigation decision is SatNav nightmare...one wrong decision and we could be miles off course and disastrously late for our first gig.

 

We rolled into Westerlo at around 6pm, and spotted the familiar Café Pallieter at the crossroads in the quiet little village centre. We were welcomed by Hans, the bar’s owner, and a few locals were already taking a well-earned post work beer at the dark, cosy bar.  We swung into action, got the gear loaded in, set up the PA and sound checked. I handed over a new guitar to Hans, which I’d made from a metal sign that he’d given me on our last visit...and he was delighted with it. 

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Hans sent out for something to eat for us, and then I opened the evening at around 9.30pm, and found it pretty hard going, to “warm the room”, but that was probably my own perception of the situation, as we’d already been working for 15 hours before getting on stage.

 

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First night at Café Pallieter, a typical cosy Belgian bar.

 

A lively, hard driving set by Hollowbelly and we’d got the first night under our belts. I must admit, as I wasn’t driving, and we were staying at the café, I did have a few more Belgian beers than I should have…and I payed for it with a thick head for the next two days.

 

The next morning it was breakfast in the bar, followed by a visit to the supermarket stocking up with supplies for the drive plus some local specialities..gingerbread biscuits and beer, and then across the town square to the pharmacy for something for my head, and we were away. It was only an hour’s steady drive to our next stop in Asten, over the border in Netherland’s North Brabant region, staying with our good friend Ozzy van der Loo and his family. We had the luxury of being able to have a few hours sleep, then a civilized dinner, and away to the venue. Although only 30 minutes away, the drive to Eindhoven was dreadful, with a downpour of biblical proportions making the short drive down the motorway a very unpleasant experience.  However, we received a hearty welcome from Marijke and Thjeu at Café Balls (a snooker café, hence the rather amusing name). We got set up, managing to solve a feedback problem with the kick drum mic…after I realised that the whole stage was “microphonic”, and was amplifying every footstep and percussive sound to an uncontrollable degree, but I worked out that we needed to isolate the mic stand with some soft padding..problem solved. Some other friends that we’d met at the Muddy Roots fest had driven over from Germany, so it was great to see them again.

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A little bit of lap slide from me....

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The main man in full effect...

This time I didn’t have any problem getting the room going, and we both got terrific receptions from the audience…with Thjeu keeping the vibe going in his own high spirited way…taking to the stage to do a quick impromptu number on harmonica and kick drum before getting Hollowbelly to close with a couple of encores. Fortunately the weather had improved for the drive back..although my head certainly hadn’t, despite drinking lots of water all day and all night. Back at Ozzy’s it was a half hour sit down to relax a little and then off to bed, as we had a long hard day in prospect.

 

Up at about 8.am the next morning (a lie in by our standards!!!), and then off to the venue.  The venue was only ten minutes drive away, so we were set up and ready to go well in time. We had 28 people to deal with, but after doing over 20 cigar box guitar making workshops over the last year, I’ve got the process refined and running like a well-oiled machine. At the lunch break, we were visited by Leo Gabriels from the Dutch Blues Foundation and Ben Prestage from the USA, who was touring Holland, so that was a very pleasant diversion.

 

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Lunch at Asten (left to right) Leo, Ozzy, Stefan, Hollowbelly, Ben Prestage.

 

Back on course, we got the guitars finished and Hollowbelly taught everyone how to play… and we were wrapped up at around 3.30pm, with a load of new converts to the church of the 3 string guitar.

 

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Workshop, In De Brouwerij, Asten

 

We cleared the room of all the tools and debris, then took a quick break while the stage risers were being rigged.  As soon as it was ready, we set up all our gear, I got to grips with the PA, (a nice powerful HK set-up) and soundchecked Hollowbelly..then it was time for dinner. Off back to Ozzys, with Stefan who had come over from Germany to see us, and to talk to me about making him a guitar. We had a great dinner prepared by Jolanda, Ozzy’s wife..and I was feeling well enough to cope with a small pre-gig beer. Just one hour’s rest and then we were all back to the venue. I did a quick sound check, got the monitors working, shifted the merchandising table and we were ready to go. As we sat and chatted, we mused on the likelihood of Seasick Steve and Ben Prestage taking a good part  of our audience away, as they were both gigging in the region, but our fears were unfounded and we had a pretty good and appreciative crowd in the house.

 

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Opening at In De Brouwerij

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Working it hard, Hollowbelly, In De Brouwerij

 

As per usual, I opened the evening, although I felt I didn’t really give a good account of myself…but Hollowbelly played up a storm and rounded out the night in fine style. Once we’d spend some time chatting with the audience and selling merchandise, we had to get on with the job of breaking down all the gear, packing it into the van ready for moving on in the morning.  It’s a really hard job, loading up half a ton of gear at the end of a long day…we’d not just done a gig, we’d been working solidly from 8 in the morning with the workshop -  another 16 hour day, just taking off an hour for lunch and an hour for dinner.  Straight back to Ozzys, but no post gig party, just a cup of coffee for me and off to bed.

 

Rising at 6.30am, we headed off back to Belgium, leaving Ozzy to take a well-earned rest.  We arrived at Café Pallieter at 9.00am to join the workshop participants for a cup of coffee, then we quickly drove round to the local village hall to get set up for the workshop. A lovely big upstairs room, lots of light and space, we quickly got unloaded and set-up. By the time we were ready, just after ten, our workshop people were gathered at the bar, knocking back bottles of Primus beer…well, it is Belgium after all. 

 

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Beer and hammers..making guitars Flemish-style.

 

We had a small group, just 15 people, but it was a very relaxed and willing bunch…I tried out my best Flemish, much to the hilarity of the locals..it really is difficult figuring out if Flemish for set square really is “Winkelhaak” or if they were just pulling my leg..or my winkel.

 

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They are all laughing at my terrible attempt to speak Flemish

 

We finished with a great lesson from Hollowbelly, and a little impromptu jam with HB and myself, which all seemed to go down very well.  All we had to do now was clear up and pack all the gear away..but by now we both were pretty tired and felt like we were wading through treacle..but the job had to be done.  An hour later were were back at Café Palieter for a well-earned sit down. The bar was pretty busy with people watching the football on the TV, but it was a very cosy and convivial atmosphere in which to take refuge from the chilly autumnal day outside. Hans presented us with two glasses of very special beer…he serves 35 different sorts of beer, but this was something a bit special- Westvleteren Trappist beer. You can’t buy the stuff over the counter,  and it’s only available in very limited amounts - you have to make a reservation with the abbey, book a day on which to collect it, and let them know your car registration number!  It is reputedly the best and most expensive beer in Belgium  - HB had a glass of the blonde beer, and I had the dark version...absolutely delicious, and at 10.2% proof, a heady brew. So we spent the rest of the afternoon relaxing, went out for a pizza, then back to the bar for a couple of beers with the locals. The bar got pretty busy, but during the course of the evening we decided that we had to move the van to a more secure parking place, and unload all our valuable equipment. You just can’t afford to take the risk with this sort of thing – neither of us can risk loosing any gear, we can’t afford it financially or professionally, so it all had to come out of the van and we then lugged it upstairs above the bar, where we were sleeping. We spent an amusing couple of hours chatting with some guys at the bar, who started off their session drinking a cocktail of coffee cream liqueur, whisky and Cointreau..which was set on fire and drunk with a plastic straw…quite something to see. It got more interesting when Hans poured out a big shot of liqueur into a stainless steel jug, blasted steam through it with the espresso machine, poured it into half an orange which had been scooped out, then set fire to it and the customer tried to drink it with a straw.  Things went wrong in a Nicki Lauda sort of flame-out way when he tipped the orange over and blue flames spread across the bar top.  Hans prepared another drink and this time the customer managed to sort of inhale the flaming concoction with a straw. After this hilarity, that was our lot, so off to bed and another 6.30 am start the next morning to head off to the ferry.

 

We got loaded up, sorted our earning from the workshop, and were sent on our way with a splendid gift from Hans….some bottles of 150th anniversary Chimay beer and 6 matching presentation glasses.

 

We hacked out way across country, studiously avoiding Antwerp and its dreadful rush hour ring road, and arrived at the ferry terminal in plenty of time, all under clear blue, rain washed skies. 

 

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Flanders, 8.00am, cross country route to avoid Antwerp rush hour

 

The Dunkirk ferry terminal is a singularly unwelcoming building, and boggles the mind as to quite how they managed to make it so bleak and unwelcoming. It’s a pretty big empty, ugly unfriendly lump of a building, and houses nothing more than half a dozen vending machines..travellers just seem to wander round in a daze with a “Is this all there is?” sort of expression on their faces.

 

All went well with the crossing, until about half way when the boat started pitching and rolling under a fair old swell. When we were about 15 minutes out from Dover, the captain announced that due to 47 knot winds (in seafarers jargon that’s a “strong gale”, only just short of a full storm force wind) we were a little delayed and, we had to wait for one ship to manouvre into the harbour and another to leave...the nautical equivalent of turbulence and being put in a holding pattern. So 45 stormy minutes later we were in the harbour, but even when it was tied up, the ship was rolling and juddering against the quay, and as we drove off the car deck, we could see the ship rising and falling a few feet against the dock.  On his own admission, HB isn’t a good sailor, so this was all a bit of an unwelcome stress. Another long drive ahead of us...and the weather closed in with squally rain and fog as we headed into the dark. We arrived back in Devon at around 6 or 7 at night, where we feasted on a splendid takeaway curry and a bottle of that good Trappist beer to celebrate a successful tour and a job well done.

 

Yet more gear to be unloaded before the evening was out, an early night, then in the morning we had to transfer all my gear into my own car and then homeward bound to the Midlands for me.

 

So, it’s not all glamour and glitz at this end of the music world -  it’s more about route planning, lugging heavy gear, having enough of the right sort of cables and leads and finding a comfortable pair of shoes to work in. So that’s how you do 3 shows, and two workshops in a long weekend - it’s hard work…but that’s how we roll.

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Chicago CBG Fest

To my local CBN friends...As you may know Wunkywerks Guitars will be at its first event EVER this Saturday. This is an all day, family friendly, multi-genre INDOOR music festival. (WHEW!) There is a $10 cover for adults. I would love to see you there but I don't expect any of you to shell out $10 just to come say "Hi!" to me. Shell out $10 to see great bands and enjoy the music. I hear the food ain't half bad to boot. Check out the facebook page...www.facebook.com/ChicagoCBGfestival...or http://www.rootsriot.com/2013_CBG_Fest.html for more info.
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Something Old and Something Blue

If you haven't visited this guys youtube site and you like Old Blues and Rag and some history on where it all come from.

This is a greatest log of plain Old Blues and Rag there is:

https://www.youtube.com/user/RagtimeDorianHenry

I love this youtube link hope you like it too.

For years blues men and wormen have been redoing old blues song and changing them slightly to suit them. This is where the blues came from and will always hold its roots.

Blues men learnt from each other copied and borrowed riffs to avance their own music. Elvis is a good example, and early Beatles.

Blues is a feeling, feel some blues it is much more than just notes on a page!

Hope you enjoy

That annoying Bug bloke again.

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CBG saved my musical life

I can't live without music, and playing music has always been a huge part of my life.

 

5 years ago, a fight with 2 drunken guys changed a lot of things concerning my musical life. Despite the fact I punched them hard, one of them hit my left wrist with a big knife, cuting nerves and veins. I lost sensitivity in a part of my hand and two fingers often do what they want, the wound having decided I was no more their master. Well, we could say I have two fingers left, but when you've been a kind of local guitar hero, it can be hard to accept. In 2010, I tried to play again but no way. Fastening third and little finger, I could play some solos with the two others, when but no more bar chords. And playing some garage punk/pop/rock, I played a lot of bar chords. As I love delta blues, raw/punk blues, I tuned my guitars in open D ou G, but it didn't sound as I wanted. Demoralized, I sold my guitars (Les Paul, Danelectro), my amps (Marshall, Fender) and bought drums. I liked playing drums, but it wasn't "my" instrument, and you all know than playing an instrument which is not the instrument making you vibe deeply is not the same... I bought a cheap guitar and tried to play with 3 or 4 strings. It wasn't bad but the sound wasn't what I wanted and no one around me understood what I was trying to do. Once again I was demoralized... Then I discovered Seasick Steve and I was happy to see I wasn't the only guy to play with cheap guitar and few chords.

 

Then, searching more on the web, I discovered CBG.

And my life changed.

The flame, the spark are here again.

 

So, you'll excuse me when I sometimes yell "I LOVE CBG".

 

They saved my musical life. Or is it my life ?

Nick

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Ipad 1 Phil 0

Thanks for your comments Wolf...I must apologise to all for the spell checker on my ipad which stubbornly refuses to accept what I type and insists on saying what it thinks I meant to say...In my reply to Ian I was, of course, referring to building a Canjo not a 'cannon',...DOH!
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Dear Headless Mandolin,

       I found your head!! It was laying in the gutter outside a dive a frequent. What happened? A solo dual against some jealous banjo player? where's the rest of you? I looked for clues but was unsuccessful. Their was a creek near by, some sort of water burial maybe? I crawled down the rocks and hiked downstream, under a bridge....nothing. If this is how you ended up how did your former owner fair? Hope their ok, mandolin players are hard to find around here. Hope your not some headless ghost haunting bluegrass bands and drifting aimlessly never to rest until you are hole again!

       Anyway what's left of you is in good hands. maybe ill make a shiny new mandolin, or what once was one could become two instruments!! Probably the latter of the two cause its hard squeezing my fat fingers between those little frets. There's some rusty bits but I think it'll clean up just fine. I know ill smile every time I play said instrument and your story will not be forgotten.  RIP

 

          sincerely,

                          Cornbred

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9353795894?profile=originalGuitars and violins made from wine boxes and  cigar boxes, banjos made from warming pans and dog bowls, and bass guitars made from bicycle parts form the focus of an exhibition at Ig:LU in Inverness. Artist and musician Don Jack, otherwise known as Cigarbox Don, makes and plays these unusual instruments. These have led Don into magical adventures, playing with Rob Ellen on tea-chest bass (and an ever changing number of guests) as The Slim Panatellas.

 The Slims play in some unusual venues from a cigarbox guitar festival in France to The Scottish Parliament. The exhibition runs from 28th October and will feature live music events over the 2 weeks with some of our friends. Programme and tickets on sale for music events on Sept 30th from the Ig:LU website http://theig.lu/

 

 

Ig:LU exhibitions are open to the public, however - to manage numbers effectively for night events, you'll need to visit the website and pop your name down, there is limited seating space.

When you arrive you'll just have to check your name of our list. http://entry.theig.lu/

Music Programme all money collected will be going to pay for artists expenses, thanks for your generosity!

Everyone attending needs to let us know in advance for each event you would like to attend.

(Limited space available entry on a first booked basis for all events http://entry.theig.lu/)

 

9353796854?profile=originalFriday Nov 1st  7.30pm

Suffering From Scottishness”

Dumb Instrument and The Slim Panatellas

(By Donation £8 recommended)

 

Best described as “Michael Marra having a pint in the snug bar with Ivor Cutler” Dumb Instrument saw the Slim Panatellas at Belladrum this year when they were both playing Rob Ellen's Potting Shed Stage . Pithy poet and band leader Tom Murray loved Don's quirky take on Scottishness, and his Scottish pastiche songs  in particular, and invited them to open up for Dumb Instrument at the launch of their next CD at Oran Mor. By way of mutual respect and, as a thank you, Don has invited Dumb Instrument to take part in this chance to celebrate our Scottishness, we invite you all along to. http://dumbinstrument.com/

Dumb Instrument hail from Ayrshire and have become known for their unconventional and shrewdly observed songs which deal with among other things Unicorns and Cliff Richard. In 2012 they won the Billy Kelly Songwriting Award and released a single, 'Suffering From Scottishness' from which we derive the title of this evenings shenanigans.

"Outstanding....Unique!" - Tom Morton BBC Radio Scotland

 

"Ivor Cutler on Irn Bru."- Ayrshire Post

 

"alternatively hilarious and genuinely poignant." - The Skinny

 

"You definitely need some of them in your lives " - Vic Galloway BBC Radio 1

 

 

9353796900?profile=originalSunday Nov 3rd  2pm

Oldtimey Bluegrass Sessions & concert with Red Blues and Friends.

(by donation £5 recommended)

Red Blues are from the River Delta! The Spey Valley River Delta, very accomplished musicians, they draw their inspiration from the music of the deep south, old timey, jug band, blues and bluegrass, there are always fireworks when Don gets together with these guys. Your invited to fill up your Jug  and bring your instruments - all welcome!!.

 

 

9353797669?profile=originalSaturday Nov 9th  7.30pm

The Federals, Emma Mitchell Band, & The Slim Panatellas + special guest and compere Fash Stewart.

(by donation £5 Recommended)

 Don provides mandolin services with Highland hill-hilly bootleggers The Federals, and he performs and records with blues based songstress Emma Mitchell, The Slim Panatellas will be opening up what is gonna be a party for and with all our friends, with the emphasis on “Ye Ha”!!  Math Tha.

 

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Sunday Nov 10th  2pm The hand-made hokum ho-down

(free)

All welcome - bring your instrument but also bring a weird one too, or a homemade piece, such as Sewanee whistles, washboards, Kazoos, bones, spoons, lavvy paper and combs -- surprise us!!

Booking and more info at http://theig.lu/

Thanks so much for supporting this event and for your interest in home grown hand rolled hokum music and Cigarbox Don's Adventure, which continues at www.theslimpanatellas.com and www.facebook.com/theslimpanatellas

 

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Our Booth

Since I'm new here, I thought I would share how we set up our booth. On one side I have my guitars. On the other side are my wife's knitted animals. She also makes place mats, do-rags and we both turn wood pens on the lathe. Hope you enjoy!

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Greetings from Wales

Hi everyone.Glad to be here. I am Phil Thomas from Penarth, near Cardiff in South Wales, UK. Approaching 60 years of age of which 45 have been as a musician, singer and storyteller performing all over the world. Now in semi retirement I work part time on a variety of arts and music projects. By academic persuasion I am an ethnomusicologist. In the summer of 2012 I spent six weeks in the USA on a research fellowship where I met a CBG busker in New Orleans. From then on I was pretty much ruined. When I got back to Wales I began following CBG nation and in summer 2013 I found the time to start building. Four completed so far (I am developing an unhealthy obsession with one-stringers). I will post some pics and videos and would welcome comments and suggestions. I would be pleased to hear of other players and builders in Wales (there don't seem to be too many...but maybe I'm wrong). I would love the chance to share some gigs Or just jam.
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Greetings!

Found CB Nation and thought I'd join and share the CBG's I build. Been building for a few years off and on. Look forward to the interaction!

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Planning my second amp - $19 with Reverb

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For my first amp, I used a Guitar Fuel Tonemonster MAH5.  It works great!  Sounds good.  I like it.  Costs $44.95 plus shipping.  All good.

But, for my second amp, I started looking at the features I wanted and how I could get them under $100.  Here's an i

dea: check Craig's List and Guitar Center for used low power amps and hack the electronics from one of them to give me the look I want.  

Here's the spec on what I picked up: 15 Watts, includes 6" speaker; controls for volume, treble, mid, bass; drive circuit and reverb; phones out (*1/4"); and power switch.  The price: $19.

One the down side, can't run it from battery.  I need a fairly large cigar box to fit the electronics in, but I think I have just the one.  I will post more when I start on the mods.  

So, if you are looking for effects modeling for your CBG, you might find a used Fender Mustang Mini or something and give it a makeover.

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A Great year for Cottin Pickin Blues!!!!

Hi All!!!!

Cottin Pickin Blues has been so very fortunate this year as we made so many talented new friends.......

The talent we have found in the Sarasota area alone is abounding.....

Our Cigar Box Guitars are being played on stage at almost every venue in town......and numerous venues nationally....

We have designed and custom built our art for Ocean Blues, Coffee News and many other corporations.....

We have donated about 10 guitars to various Veterans Associations and other worthy charities in the area....

Recording artists,  Steve Arvey, George Worthmore, Bob Dielman, Mike Davis and Michael Noble are making beautiful music of the old plantation blues with Cottin Pickin Blues Cigar Box Guitars....Michael Noble is one of the regular members of the Grande Olde Oprey band....

The Delta Swamp Rats will be in Memphis for an international Blues competition as one of the finalists and are (of course) using our instruments....

AND FINALLY!!!!!  Thanks to T Mac Productions and a handful of wonderful friends our video is complete.....   We welcome you to view and enjoy our finally completed project....

https://www.youtube.com/watch?v=auY4Vx99MfE&feature=youtu.be   (watch for the bloopers at the very end)).   

Thanks again for all those that helped make this year and continue to make this year the success that is....

With great appreciation,

Steve

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My first amp power up

I have my first amp powering up and making noise.  I used a Guitar Fuel TM MAH5 for the electronics, a 5" speaker (from a console organ), Joann fabric burlap for the grill, and a JM's Churchill box.  I am still waiting for the knobs to arrive.  9353803871?profile=originalNot my finest woodworking ever, but I like it.

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Number two

Only a four-string this time. Neck from Deltagroove. Made the bridge from glued popsicle sticks and a drawer pull. It was tough getting it low enough, even sitting on piezo rod, but it's there now. Love the pre from CB Gitty and the very affordable and mellow electric pickup. You can't see them, but there are two outputs, so no switch.

9353803659?profile=originalAnd here's the piezo sound.

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F### it, play it until it implodes

         my latest build could have been worse but this one has me a little discouraged. Its my first build in about 9 months as I have very little free time these days, and in my haste through each step to just finish the damn thing and play it I made a lot of mistakes. mistakes that can be repaired and some mistakes I can live with but at this point im sick of it. 9353798466?profile=original

here it is in its currant state. I mocked up a bridge to find the right string height, and I just wanted to play it a little before I took it apart to finish the top bracing, paint the tailpiece, make the final bridge etc. etc. This is my first box with a mag p/u and it sounds pretty good through my vox lil night train, its also a smaller scale at 21'' instead of my usuall 25.5. My father gave me the box, hes had for over 30 years and I really like the look of it. The wood was really dried out and brittle and I tried to be carefull handling it but still had to repair several cracks. I tung oiled it and added a X-brace hopeing that would help but after tensioning the strings the top cracked in 2 more places.

 

9353799290?profile=original         The headstock is fine but the fit of the end caps could have been nicer. I ended up staining the neck before finish sanding end caps leaving a not so seamless finish. I have to make another nut because of some poor filing a few of the strings buzz something fierce.

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  The tone and volume knobs are recessed and mounted on a brass plate. I might ditch the hinges to make it easier to get the top off to access the electronics, but you already have to de tension the strings and remove the tailpiece anyway. The neck angle is good but I managed to glue it in a little crooked. bitch bitch bitch anyway I could go on and on, to finish it I would just need to: make a new nut, make a bridge, repair the cracks and brace the top better, paint the tailpiece and maybe try some electric guitar strings. sounds like a lot of work to me and although I use to enjoy the build process just as much as making music right now I just want to rock out, so f### it play it till it implodes, then park the remains next to some TNT and blow that sucker into orbit. I might be over reacting.

 

 

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The lap steel that I said I wouldn't sell, I sold it and so I needed something cool to replace it. I built this beast of a very old ironing board (a $10 find) and a Blu-J cigar box from 1910.

The nut and bridge risers are made out of an old yard stick. I made the headstock and fretboard from oak and used another trusty Gretsch pickup to make the thing really sing. I also added mother of pearl fret markers on this one which is the first time I've done that, normally I just burn them in.

I've coveted one of these ironing board/steels ever since I saw the one Justin Johnson plays. I think Madurobob is responsible for that exceptional work of art.9353794101?profile=original9353795094?profile=original9353796695?profile=original

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