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I have finally uploaded the current version of my Stick Dulcimer User's Guide up to a new account on MediaFire. I have the file set up to be shared via the following URL:

https://www.mediafire.com/folder/uuvgfigvnooly/Stick_Dulcimer

Here's the link you should be able to just click on to get there.

The file is in .rtf (rich text) format so you should be able to view it using WordPad, MS Word, or any MS Word viewer, and perhaps other text editors/word processors that support .rtf format.

Any comments can be posted as a comment to this blog entry. Please limit comments to constructive criticism (errors found, suggestions for improvement, etc.). There are likely to be areas where I'm weak and this will likely show in my documentation. 

I am posting this document as a public domain document in hopes of "furthering the cause" of stick dulcimers. These diatonic instruments should be much more popular than they are. I believe this problem is due to the lack of a common (generic) name for these instruments, limiting the effectiveness of the marketing efforts already made by the various builders who have been forced to call their products by different names. I hope you builders out there will adapt "stick dulcimer" as the generic name, if you have not already done so. So, feel free to use this document for source material for your own documentation. I assume you will want to do things like customize the photos to show you own product instead of mine, and you may have additional features that you will want to document. 

That's all for now.

-Rand.

 

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Having trouble reading this email?  Click here to read this newsletter at Cigar Box Nation.

The big news this week is that Cigar Box Nation is getting a new look and feel!

You can check out this forum post to read more of the details. This is the first major update to the site in a few years, and we hired a professional designer for the project, to make sure it will be the best it can be.

We are hoping to install the new design overnight TONIGHT (Thursday, June 18) so get ready! Here is a teaser of part of the new top banner layout for the site...

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This week's featured instrument is an oldie but a goody - a beautiful gambling-themed 3-string cigar box guitar built by Adam Kovarik of Australia. He first posted pics of this guitar on Cigar Box Nation back in December 2013, and we thought it deserved another look. Check out that awesome vintage cigar box!

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  • Gary Sheldon recently posted a forum thread asking the question "Can cigar box guitar builders call themselves luthiers?" The thread has been one of the most popular discussions on the Nation ever since. So what do you think - are we luthiers? Click over to the forum post and add your thoughts.
  • Uncle Fred has posted a thoughtful take on positioning magnetic pickups and finding the "sweet spot". If you have ever wondered where you should place your pickups, this one is worth a read.
  • Bad Finger (Eric) continues his series of blog posts on the ups and downs of running an open mic, and the challenge of getting out and performing in public. Learning to play, and then taking the step of performing in front of others, is a big deal for a lot of people (and rightly so). So if you have been struggling with the question of whether you could do it, check out Eric's posts for some inspiration.

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9353847893?profile=originalThe Festival season is officially under way! Don't forget to check out the Summer 2015 Cigar Box Guitar Festival Guide, put together by Shane Speal and posted on the Nation. There are still lots of great CBG festival and music events coming up!

The next festivals on the docket are:

  • "Boxstock" held in Birmingham, UK on July 3 & 4 - the UK Cigar Box Guitar Festival!
  • The 1st Italian Cigar Box Guitar Festival in Tuscany, Italy on July 18.
  • The Republic of Texas Cigar Box Guitar Festival on August 22 at the Pistoria Blues Festival in Albert, TX.

If you know of any other festivals that involve cigar box guitars, or are planning an event yourself, please let us know!

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The C. B. Gitty Sound Hole Contest wrapped up a couple of weeks ago, and was a resounding success. So many awesome and creative entries were sent in, and it was very difficult to judge. Check out the contest results here!
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Want a special instrument, but too busy with warm-weather stuff to build your own? C. B. Gitty is having a summer instrument sale - 15% all finished instruments. This sale ends tomorrow (June 19) so you'll have to hurry!

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Open Mic #5 - The Struggle Continues

Some things in the universe are a mystery.

Last night's Open Mic at Caffe Lena with the Saratoga Acoustic Blues Society came up on the calendar a week quicker than usual.  Normally, I have had a good idea of what three songs I will play by the time I get home from the previous month's performance.  For this month I had no idea what I was going to do.  I try to bring something new every month.  I want to really push outside my comfort zone every time I sit on that stage.  It is the biggest reason I show up.

I've left the corporate world after 20+ years of successful experiences and I am on a year of sabbatical to get my Masters so I can teach secondary science, primarily chemistry.  That year of hard work is nearly complete and in the last two weeks I have had a bunch of great interviews in schools where I really want to teach.  I'm on my way out for another this morning.

Anyway, a powerful tool for improving your teaching is introspection and reflection.  You didn't think I was writing this for you, right?  Do something and then sit down and really think about what went right and what can be improved.  Painful honesty.

I had decided to play my songs using slides for this month's performance.  I have found it difficult to play and sing well when playing slide.  Having a finger half a fret out of position is no big deal.  Having the slide 2mm out of position makes singing even more difficult for me.

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My first song was "Going Down Slow" by Tom Waits.  It was the last song I picked and I played it the first time the day before the performance.  It did challenge me a little and I have a hard time starting off the way I want, but I sort of get it figured out by the end.  I think I did an OK job considering my lack of experience with the song.  Could have been a lot better.  I used a brass tip Straight Relic slide that I made.

My second song was where the suffering ensued.  I finally decided to play "16 Tons" using a Mojobone Works ring slide.  I have played this song for well over a year and it is one of my go-tos.  I don't know what happened, but it defeated me.  I kept looking down and feeling like my hands were out of place, but they were not.  I swear I counted frets to be sure.  Nothing sounded or felt right.  Nothing.  I stopped and apologized.  "This feels awful", I said.  I got some help from a couple friends in the audience who encouraged me to continue.  I restarted felling a tiny bit better, but it still sucked the life out of the room.  Ending the song, I apologized again.

Time for song three.

A couple weeks ago, I hear a Cephas and Wiggins song, "No Ice In My Bourbon" and I liked it a lot.  I could hear how to incorporate the harmonica part with a slide riff and while I didn't have the guitar licks down, I knew I could substitute something reasonably close in my version.  Somehow, I recovered from the disaster of the second song.  I felt like this song went really, really well.  The Straight Relic Slide was where I wanted it to be all the time and it sang its song.  The host, Sonny Speed, said to me as I left the stage, "You really had a good groove going in that last song."  Thanks Sonny.  

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So some things are a mystery.  I can't put my finger on exactly why "16 Tons" was so terrible.  I think part of it was the universe saying to me, "You're trying to play it safe with this song."  I have done that song and played it well so many times and it was really disappointing to hear the disaster last night.  I'll be thinking about this one for a long time.

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Four times a RGB part #2

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Unloading wood in the middle of the night.

It's hard to find the right wood here in Portugal.  Thanks to a local furniture maker we got some leftovers...(well at a certain price that is). 2 pieces of Faia (beech) and some pieces of Mogno (Mahogany)  I guess we can get 10 guitar-necks out of it.  

It's been a very hot day, the day of hunting for some "guitar-neck material".


36 degrees Celsius during that sunny day, so we've waited until the middle of the night to unload. The 4 boxes are getting to their completion and soon it will be time to make one 6-string, two 4-string and one 3-string neck.

As always they will be completed with our own "Fado-style" tuners, although it will be a first time we'll make a 6-string head.

The design's aren't clear yet, it all depends on what's on the recycling shelves...

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Hi All,

I have created a WordPad (.rtf) file that documents how to use the 4-string red oak "paddle box" stick dulcimers that I primarily make and sell these days. The file has been compressed using WinRAR to about 4.5 Mbs, expanding to about 24 Mb on disk. There are lots of useful photos and info, makes for a good read (IMHO). Would like to hear back from readers as to improvements that could be made, and any errors you find. Consider it public domain, free download, etc.

-Rand.

ROPBD1%20-%20User%27s%20Guide.rar

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43 lyric by Glenn Kaiser

43 (glenn kaiser) quick demo
Bags are packed, and I
Got to fly
You know it's true
An' you know why
Only thing about it
We got to be apart
Be sure I'm with you
In my prayers an' in my heart
For 43 years
In joy and in pain
In heat and in cold
Sunshine or rain
The road has been long
But you know it's been good
Still in love with you baby
Lovin' our old neighborhood
Chicago is the place
When I ain't on the road
But you know I love the woods
In wind or in rain oh, oh
Honey child
You know you'll be on my mind
I'm so thankful to be yours
Lord, and that you are mine!
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Open Mic #4 - "From What Planet?"

Last night was the monthly Saratoga Acoustic Blues Society's open mic at Caffe Lena in Saratoga Springs and my fourth appearance on the stage.

Well, actually it is my 6th since I attended two other open mics since then.  Caffe Lena has a weekly Thursday night open mic that is for any music style or spoken word.  I went solo for one and took my wife along on another.  Both performances were good and I had a great time in what felt like a more casual setting than the Acoustic Blues Nights.

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Last night started off with the feature performer, Jimy Graham on stage.  He was ready to go and played at least two songs before his set opened up. He stopped himself when I sat down with my Sawzall Box Dobro and said, "What is THAT?"  I replied that it was my guitar.  "And from what planet?", he says.  "The planet I come from" was my reply.  I handed the guitar over for a few minutes and we talked about it a little.  He started playing again, but would stop to make a few comments about the guitar in the front of the room.  "Ladies and gentlemen, there is a monster in the building."  I joked that he was totally screwing up my night.  I'm a big nerd and social introvert and calling attention to me before I was on stage was not my desire.  This was said jokingly, but I was a little serious.  I'm more comfortable with quiet curiosity than, "Hey! Look at that guy!" Anyway, Jimy put on a terrific performance.  It was a great start to the night.

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Wednesday nights are becoming a show of regular performers and fellow CBN member Ron Whitford was in attendance with a freshly-built cigar box uke he made from pallet wood.  It was good to have a brother in the audience again.  I was #6 or 7 on the list for the night.

The host, Sonny Speed introduced me and mentioned that the next three performers would be playing different instruments (I don't remember if he said unusual, non-standard or something else).  I tried to play off the guitar as completely normal.  It's got 5 strings, a painted neck and a tool box for a body?  What's so unusual? 

For my songs, I chose three of Uncle John's classics.  We agreed to a royalty scheme for the use of his songs and I think it is quite generous.  The songs were topical since it was just the 18th wedding anniversary for my wife and I and all the songs were about failed relationships.  I told the crowd a bit about this and mentioned that the humor was almost completely lost on my wife, but she wasn't with me so I was going to play the songs anyway.

The first song was "Wiener Dog Run", a song about finding a surprise when coming home late one night.  I enjoyed hearing the audiences laughs throughout the song.  I brought out the blueshammer style and played it differently than a video I posted here, but with a nice walking bass line as the driving force of the song.  Even though another performer had played "Trouble in Mind" earlier, I heard this song described as the saddest song of the night.  :)

The second song was "Unkind Woman Blues" and I told the crowd I was really taking a risk when practicing this song at home.  Again, lots of laughs from the crowd during the song and it was a good time playing it.  This was mostly talking style with a little singing mixed in.  I had a lot of fun with this song.

My third song I had to introduce as being a bit naughty and casually asked permission to play it.  I was going to play it anyway, but at least everyone was set up for it.  It is a true Uncle John masterpiece.  Given the public nature of social media and my future career in public education, I won't go into detail except to say it is a country perspective on the lament on the similarity in relationship troubles with females and mechanical contraptions that have wheels. Nuff said.  It was a fun performance.  And as a disclaimer, it was an comedic and artistic performance.  Lots and lots of laughs from the crowd throughout the song.

Overall, I felt like my performance and my night were very successful.  I was feeling good enough to consider busking on Broadway on the way out of town.  There were enough shenanigans going on among pedestrians that I could have probably earned a couple bucks quickly, but I decided to head home.

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My next challenge is for June.  I don't have as long to prepare since the blues night is pulled up to the 17th instead of the 24th.  Unlike the last couple months, I don't have a plan yet for what I will do.  I'm considering using one of my new Straight Relic slides to play Amazing Grace in G minor, but not sure yet. It will be a bit of a search around before I come up with something for sure.

The overall message here, if you are keeping up on the chronicle, is keep at it.  Struggle.  Suffer even.  It does get more and more fun.  If you never get out there, you'll never find out.

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On Sunday afternoon 2015 09 13 Holland will have it's 2nd Cigar box festival.

Organized by Bo Hudson, Cafe Calluna and Cigarbox Henri

 

The 1st edition last year counted over 700 visitors.

 

This festival is free of charge and held outside at bikerscafe Calluna in Ommen (in the east of Holland) www.cafecalluna.nl and therefor the festival is called Delta Calluna.

 

Line up so far:

Justin Johnson ( USA)

Rocco Recycle ( Germany)

Gumbo and the Monck ( NL)

Herman Ouboter (NL)

The Boothill Stompers ( NL)

Bacon Fat Louis ( NL)

Cigarbox Henri & Friends (NL)

 

More info to follow.

 

For images of the first edition and info about the 2nd edition, check our Facbook page:

https://nl-nl.facebook.com/pages/Dutch-CBG-Festival/435222433289827

 

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. . .and had more fun.

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3 hours on a Sunday from 11am to 2pm.  $8 and change in the box.  This was my first time out busking for the year and the first time out since maybe 2 years ago?  I think I skipped out last summer.  I learned a couple things.

  1. Don't forget your water bottle in the car, dummy.
  2. I spaced out and alternated instrumental jamming with singing to save my voice some.
  3. It is difficult to monitor your instrument and voice volume with nothing around to get an echo, like inside a room.
  4. Don't be afraid to hit the chorus 2, 3, 4 times in a row if people are moving by quickly.  :)
  5. Some won't pay for an original.  I made $6 of the $8 playing "I Wanna Be Sedated".  I played "Unkind Woman Blues" for a couple guys sitting on the bench opposite me.  They sat through the whole thing, chuckled at the lyrics and left without dropping a dime.  This happened twice.
  6. It pains me to say this.  Smile.
  7. Wallets are pretty tight on a Sunday mid-day.  It was the only time I had while the rest of my family was out boating on Saratoga Lake so I took it.  I think I'd do better on a Friday or Saturday night when the tourists have had a little lubrication.

I had a great time and it wasn't all about putting money in the box.  Got some great compliments on the guitar and several pictures taken.  Kids looking and bobbing their heads with the beat is always worth it.

I'll be back out on Broadway in Saratoga Springs more this summer, even with the increased restrictions on busking in the city.

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Eric Detuscan <eric@keepingthebluesalive.org>

9:33 AM (5 hours ago)

Hi Steve,

 

It’s good to finally know who the guitar came from, when I received it here in our office we were all unaware of how it even got to us. It has been amazing to have this mystery piece on display here in my office and now that I know who it came from I can thank you for the incredible generosity and craftsmanship that went into creating the cigar box guitar!

 

Due to the circumstances I'm not sure if Joe has seen the guitar as yet given that he has not been in town for a while.  We will be able to get a picture of him with it when he comes to visit our office possibly this summer but that is really the only time that we will be seeing him here. But I can tell you when I saw this, it made me so excited and I immediately put it on display! Now whenever anyone walks into my office it is a conversation piece! The generosity and thoughtfulness of people like yourself is what truly keeps not only the blues but music education and advocacy in general alive. We are always looking for people such as yourself to help us in our mission. Please feel free to contact me at any time.

 

Thank You,

Eric deTuscan

Vice President

Keeping the Blues Alive Foundation

1761 W. Hillsboro Blvd #409

Deerfield Beach, FL 33442

e: eric@keepingthebluesalive.org

p: 954-428-4440 ext 160

f: 954-428-4484

 

 

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Keeping the Blues Alive

This is  a letter that I received from Joe Bonamassa's foundation for rallying the next generation and passing on the blues to our youth.

This was in receipt of a CBG.   I will be doing additional work with these folks and of course Joe.

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Bass

So I play on a worship team. I am a bass player. I so badly want to represent the CBG on stage with a CGB Bass. I am having a hard time finding a two stringed bass neck. I could go fretless but I honestly pefer frets. Anyone have a line or plans on a bass neck?

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The completely unofficial Swampwitch Bootleg Bug Album - White Witch Swampy music Free sound cloud links

Headphones recommended. (and probably drugs might help)

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Free FREE sound cloud Music links:

https://soundcloud.com/407bug/oddly-nuff

https://soundcloud.com/407bug/swamp-scratchings

https://soundcloud.com/407bug/swamp88

https://soundcloud.com/407bug/blue-devils-in-my-blood

https://soundcloud.com/407bug/spacey

https://soundcloud.com/407bug/clean-swamp

https://soundcloud.com/407bug/swampy-days-gone-by

https://soundcloud.com/407bug/swamp-space

It's one of these:

http://www.cigarboxnation.com/photo/swamp-witch-white-witch

Thanks Pick, for hours of fun I would have never had without it...

Get your's while you are still breathing!... here :

http://swampwitchguitars.weebly.com/

(Plus a big thanks for Mr Clock for not just pressing delete every time I send him a message)

The original unofficial video that started it off way back:

Millions of years ago in the darkest damp depths of the amazon jungle, between a tiny cluster of the tallest trees never know to man, a tiny sink hole formed. Zillions of small insect like creatures one by one fell down into the deepest depths of this ever widening sink hole.
Slowly decaying over millions of years the life of the planet.The noxious fumes collected in to tiny pockets within the underground rocks,slowly mutating into a substance similar to laughing gas but far more toxic to all living creatures.
As the planet was slowly super heated with global warming from man's lack of care for anything enviromental, The fish died, the icecaps melted, the sea level rose, the towns were flooded one by one.
Man was driven to the highest ground to seek refuge and survive. Underneath the rock beneath the sea, tiny bubbles appeared bubling from ther surfaces,like tiny crustceans blowing smoke rings in anger .
The Swamp Gas slowly escaped into the atmosphere further choking the planet into a run away life threatening thermal situation. Only the dinosaurs had experienced the harm of the Swamp Gas millions of years ago.
This is the story of Swamp Gas, mankinds downfall...a gas mask won't help you now guys !

ADD YOUR SWAMPY SCRATCHING LINKS AND VIDEOS BELOW FOR ALL TO ENJOY (OR ENDURE AS THE CASE MAY BE):

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right-aligned vs left-aligned tuners

This is my first post so please bear with me.  I'm learning and am planning a 4-string CBG build with a stratocaster-like head.  I'm confused about whether the tuners for the strat head are left-aligned or right-aligned.  Being a newbie and just looking at the strat head from the front of the guitar I would guess left-aligned (since they are on the left) but I found the following quote in the description for CBGitty item 31-002-02 which seems to indicate that the tuners are right-aligned:

"This is a 6 piece set of gold-plated enclosed-gear guitar tuners, set up for 6-in-a-Line right-handed configuration.This means that all 6 are meant to be mounted on the RIGHT side of the headstock when looking at the headstock from the BACK"

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