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Not sure how this forum works, but this will be my build sequence of building my entry.

Great! Two weeks into the contest and I decide to give it a try. Played around with some door skins thinking to build out of it, finally decided to use some parts where I took a wrong turn on and doubt I would build from them but can't seem to toss them out. Some baked maple sides and a neck glued up from sugar pine I salvaged from a pallet.

I am using Baltic Birch plywood for the top and back.

Routed out a soundwell out of some plywood. Might have got a little carried away with the clamps.

I play in a weird tuning which I think may be open A flat to suit my voice.

My A harp works when I play blues starting at the third fret.

But I cant find a harp to work when I play starting from open position (open A flat I'm guessing?)

(basically it's open type D configuration of notes,  but up a few semi tones etc)

So logically if an A harp works when I start playing blues on the third fret, you would think an G harp may work on the open position, but it doesn't.

I think if I may be possibly playing in A flat hence would I hence need a F sharp harp, which I don't have.

Does this make sense to anyone and can they advise, bearing in mind I don't know the actual tuning?

It's a head twisting riddle I know, can anyone help?

(other than get a tuner out an figure out what open tuning it is)

Thanks for any help I can get

pic below has nothing to do with this blog..lol

I generally place them into a few categories, all wood, paper and wood, Masonite (particle board), and cardboard.

1. All wood is the best. I prefer Brickhouse the Mighty Mighty Menduro which is the largest box out there. I have one of the rare black. The Padrones are the same volume but longer and shallower. This is nice for the double resonator cone version you can see on my page. The quality of the wood is good the boxes are not constructed as well as a Brickhouse and I often have to fill in gaps or add additional bracing. They recycle them so my chances of getting a fresh one are less likely now. The wood is not dyed and I have some really pretty ones in my 25 box collection (and growing). Perhaps the usage and wearing make them more attractive I hope, like faded jeans.
2. Wood with Paper. The sound is as good #1 but the paper can deaden the sound if it is too thick or complete in coverage. The logos tend to be prettier but also larger causing me to try new ways to make sound holes that won't impede the graphics I like so much.
3. Masonite, let's face it sounds dead and really need to have pickups and go electric.
4. Cardboard is the same as above but they are great for me to practice new techniques on.

There is a newer category, the handmade box. Superior material assures great craftsmanship and you can control the sound however you will never get the true great sound of a dreadnought. Mandolins and ukes are not large either but have great sound. Not being a master of sound dynamics I just do my best. There was a great navy architect named Phil Bolger and a very famous airplane engineer named Steve Whitman who built square shaped boats and planes, not rounded. Science proved them to be correct in that they moved through the air with greater efficiency and speed. Phil's boats were banned from racing as they proved too fast even with handicap. People didn't like the flat sides and thought a true boat or plane was rounded and so they never really sold accept to the purist’s. One of those purest was Steve Job's who built the "Bolger Box" yacht just before his death that was to prove to be the "New Wave" in luxury yacht design. It has also been proven that rectangular shaped instruments produce better sound than the rounded ones. Moving air or moving through air or water is the same science. Again, everyone has been trained to want the traditional female shaped bodies (no guessing here as to why) despite the inferior sound quality. CBG's by accident are the vanguard of new instrument design and may change the world for the better.