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“No Plaudits, No Cigars"

Posted by CanJoe*John on January 5, 2012 at 1:00am

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When the phone rings at the CanJoe Company, there are often some amazing offers, opportunities, and ‘cannections’ waiting on the other end. On a rather gloomy winter Sunday afternoon back in about the year 2002, one such call was received from a man, Vernon Tate, who worked with a charitable medical missionary group that was headquartered in Charlotte, NC. His group, he explained, was involved in special medical missions to the communist country of Cuba and he was seeking information on how his elite group might get some canjoe instruments, or plans to build them, in order to supply them to a few sick Cuban children. After several minutes of discussion, it appeared that the best way to accommodate the immediate needs requested was to offer a significant number of instrument parts that could then be carried by the medical mission members who would then personally deliver them to the intended recipients. One concern, at that time, was that the CanJoe Company, being a very small (one man) operation, could not, alone, adequately accommodate the time factors of the mission’s needs. It was then decided to ask the help from another canjoe maker, an old friend whose operations and financial capabilities better suited that specific situation, that man being Herschel R. Brown. After the initial conversation between Mr.Tate and myself, I immediately made a phone call to Herschel and explained the circumstances. For many years, Herschel and I had often worked together on other canjoe related opportunities and after he heard the issues of this exigency, he gladly agreed to furnish the requested materials for this venture. A connection was then made between Herschel and Mr.Tate for all the final details. Wasting no time, Herschel shipped to Mr.Tate all the materials that would be required in order to complete 25 canjoe instruments; 25 pre-fretted finger boards, 25 tuner keys, an ample supply of strings, screws and other hardware needed along with detailed instructions on how to assemble them. In order to get these items into Cuba, though, each mission member then accepting personal risk, carried separately the different parts in their own baggage. For instance, some carried a few finger boards only, some carried a few tuner keys, others carried in a few packages of single strings, and so on. Upon the arrival of each individual mission member to their final destination and each having successfully gotten through the country’s customs checks with their ‘cantraband’, they then got together, completed the assembly of the instruments and distributed them into the hands of 25 of Cuba’s youngest cancer patients; kids who badly needed the therapeutic power of music and smiles. An email message to my in-box soon followed via Mr.Tate and it simply, succinctly stated that “the hills of Havana, Cuba are ablaze tonight with the sounds of canjoes!” So, in that collaborated and concerted effort between myself, Herschel Brown, Vernon Tate, and a group of dedicated medical missionary professionals, without fanfare, or as some might say, with 'no cigars', and when very few US citizens at all could even cross those boundaries, we together effectively conquered the barriers of those communist Cuban borders by successfully hand delivering to 25 sick Cuban kids the coolest hand made one-stringed musical instruments in the world, the one-stringed things officially called “canjoes”… and with them … lots of SMILES!

Credentials

Posted by CanJoe*John on December 29, 2011 at 1:00pm

The CanJoe Company of Blountville, TN began in 1994 as the first ever licensed business, anywhere, to offer on any commercial market the one-stringed musical instrument made from a “string, a stick, and a can”, of the instrument design historically originated by Herschel R. Brown and officially called and publicly identified as the “canjoe”. This new year of 2012 now marks the 17th consecutive year of the CanJoe Company’s continuous operation. Over these past 17 years, there have been many milestones and achievements by the CanJoe Company. Below is posted a few of the top accomplishments from these past years:

December 1994, filed for and received the license by the state of Tennessee to operate as a business known publicly then and since as, “The CanJoe Company”, a sole proprietorship doing business of making, marketing, and selling, wholesale and retail, the unique one-stringed musical instruments named and marketed as the “canjoe”. I was “dubbed” the name “CanJoe*John” by my wife, Paula, in early 1994 while I was entertaining her with my ‘canjoe’. She had become bedridden and was dying from kidney cancer and the ‘canjoe’ always put smiles on her face. I frequently played for her with the same Mountain Dew ‘canjoe’ instrument that was originally hand made as one of Herschel Brown’s first of five, ever made. I then promised her that I’d “do two things” with my ‘canjoe’ instrument, that I’d “someday play the Grand Ole Opry” and that I’d “put as many smiles on as many faces possible!” She stuck up her thumb and exclaimed, “Go for it, ‘CanJoe*John’!” and that very moment began what has now been ‘cantinuously’ going on for the past 17 years.

Debuted and performed with that original Herschel Brown hand made ‘canjoe’ musical instrument in the world’s first ever public stage performance of the “canjoe” instrument, on the stage of the sold out Paramount Theater of Bristol, TN by invitation of the “Father of Bluegrass” Bill Monroe on September 7, 1995; in the grand finale act, along with bluegrass legends Mac Wiseman, Jim & Jesse, and several others.

Created and published the official CanJoe Company website, 1996 to present; many stories published in various magazines, for example the world-wide circulated ‘Beverage Industry Magazine’, 1996, featured “canjoe” story; published in many books, for example “I Don’t Need A Record Deal” by Daylle Deanna Schwartz, (Billboard Books), 2005, as featured contributor, “The Story Behind the Hank Williams Commemorative Stamp” by Beecher O’Quinn, Jr, (McMinnis Publishers), 2005, featured photo with caption, “Strange But True Tennessee“ by Lynne L. Hall (Sweetwater Press), featured “canjoe” story, 2006, “The Way It Used To Was: 1800-1965″ by O’Quinn & Clark (McKinnis Books), 2009, special photo contributor, “Images of America: Sullivan County” by Joe Tennis, (Arcadia Publishing), 2008, featured photo and story, “Tennessee Waltzing in the Kitchen Cookbook” by Billy & Sharon Stewart of Ambridge Music, Inc (Morris Press), 2004, featured contributor; aired on many TV news casts and interviews; among others: KYMA-TV11 of Yuma, AZ in 1996, featured interview and performance, WLOS-TV13 of Asheville, NC, 1997, featured news story, WECT-TV6 of Wilmington, NC, 2000, featured interview and ‘canjoe’ performance; many ‘special’ TV news stories, examples, ‘Cable Country News’ of WJHL-TV11 in the years 1996, 2001, 2006, & 2011; WCYB-TV5, many interviews on the “News at Noon” from 1996 to present; several featured interviews, cooking and performing on the “Day Time Tri Cities” show,WJHL-TV11, hosted by Amy Lynn & Morgan King; owned and hosted the weekly aired “Canjoe Old Time Radio Show” on radio WPWT AM870, 2003; Guest on numerous and various local and syndicated radio programs across America such as Nashville’s WSM AM650, IRN Network by Marcia Campbell, 1997, and XM Radio 107 , on Dave Nemo’s, “Open Road Show”, also as special guest of show host, Marcia Campbell, 2007.

Toured as a performing artist regularly on the old-time, bluegrass and country music circuits/venues from 1996 through 2006, meeting and performing for, and/or on stages with many great stars; including Bill Monroe, Loretta Lynn, Doc Watson, Mike Snider, Clair Lynch, Raymond Fairchild, Dr. Ralph Stanley, John Hartford, Tony Trishka, Little Roy Lewis, Jim & Jesse, Michael & Raymond McClain, Roni Stoneman, Ralph Blizard, John Lily, Mel McDaniel, Charlie Daniels, Mike Seeger, Ricky Skaggs, Mac Wiseman, and many, many others.; became a Tennessee performing artist with the Tennessee Arts Commission performing for the Tennessee public school systems, state and local arts sponsored and related programs, and many other public performance venues; “Mountain Music: Then & Now”, first performance at the historic Cameo Theater, Bristol, VA in the year 2002, a public presentation of the history of old time Appalachian music with performance on several common Appalachian folk instruments, including the “canjoe” instrument; “A Mountain Top Experience”, a music and story presentation for church groups on the ‘why and how’, of the history of the ‘Tour of Smiles’; organized, hosted and held the world’s first ever “CanJoe Festival” in July 1999, in association with the Sullivan County Historic Preservation Group, a day of music, canjoe pickin’ competitions (judged by Herschel Brown, himself), fun, and food on the grounds of the historic SmithHaven Farm in Sullivan County, TN; won first place as the “Best of Show” in competition at the “SlideFest” 1997, held at the Appalachian Fair Grounds of Gray, TN, playing the electric ‘canjoe’ and performing “My Mamma Done Told Me”;

Performed many world famous Nashville venues/stages: examples, ‘Tootsies Orchid Lounge’, 1996; ‘Woolfies’, 1996; ‘The Bluegrass Inn’, 1997; ‘Barbara’s Lounge’ 1998; ‘Lonnie’s Lounge’ 1998, ‘The Nashville Palace’ multiple times from 2000 until 2006, ‘John ‘A’s Place’, several times since its opening 2007; ‘The Station Inn’, as guest of Jimmy Campbell and the “Side Men”, 2000 & 2001;

MerleFest Artist from 2000- 2006; featured performer on the “Little Pickers Stage” and the “Americana Stage”, 2005; performed as opening for Pete Seeger at MerleFest, 2006 on the “Little Pickers” stage; featured performer of the ‘Chitaugua Festival’ of Wytheville, VA, 2007, sharing the stage billing with the legendary, “Joey Dee & the Star Lighters” and the also legendary, the “Platters”; Awarded the 2007 “Bluegrass Instrumentalist of the Year” by the North American Country Music Association, International (NACMAI).

Produced , granted copyright & performance rights, registered with the Library of Congress, registered with BMI and commercially released the first ever in music recording history, the ‘canjoe’ as featured lead instrument on music CD, “One String, One Can, One Man, and One Band”, 2000, now on the SVM Music Group label; released for commercial radio airplay the single track , “Wayfaring Stranger” from that debut CD through HMG Nashville , charting in the top 100 on the “Christian Perspective County Music” charts; recorded and released the second ‘canjoe’ instrument featured music CD the“Uncanny Christmas”, produced by Tom Conrad of Studio City, CA, 2001; released the beautiful music video “Wayfaring Stranger” by producer Dave LeBlanc filmed in pre-Katrina New Orleans, LA for broadcast on cable TV networks across America, 2001, receiving heavy viewing, getting much positive response and with frequent requests by viewers of the Heritage Cable Networks in the southwestern United States areas, NM, AZ, southern CA.
Performed the Country Music Hall of Fame & Museum, 2000 & 2003; performed on the Ryman Auditorium stage as the fiddler for ‘John Steed & the Red River Band’, on the CCMA Music Awards show, Nov 1, 2001, which was broadcast worldwide on cable networks to >3 million viewers;

Performed the Grand Ole Opry, November 4, 2006 as guest of Mike Snider, was debuted on the world famous stage of the Ryman Auditorum to a sold out Saturday night crowd, performed the tune “Red Wing” for the first time in the Grand Ole Opry history on the ‘canjoe’ instrument with Mike’s band backing me up and aired live to a world wide audience on radio AM650 WSM. Was the highest honor and most exciting four minutes of the ‘canjoe’, so far!

Created the ‘Tour of Smiles’, 2007- present; “A Magical, Musical Tour of Children’s Hospitals”. The ‘Tour of Smiles’ operates as a agape mission to provide chronically ill children and their siblings with simple one-stringed ‘canjoe’ musical instruments to use as ‘smile therapy’. It is a regular monthly scheduled event functioning as a special entertainer of the Child Life department of the Niswonger Children’s Hospital, Johnson City, TN caring for patients of specialty children’s hospitals and their families; visit and provide music entertainment, fun, and donate many cool, “Tour of Smiles” model ‘canjoe’ musical instruments that are freely given to be forever kept, used, enjoyed and shared by those who receive them; performing special events at the East Tennessee Children’s Hospital, Knoxville, TN, such as, “Camp Eagles Nest”, 2007, for kids with cancer, “Camp Cure”, 2007, for kids with JODM, “Jammin’ in Your Jammies”, 2008, an overnight fun event for all former patients of ETCH; “Dream Night at the Zoo”, 2008 & 2009, a night of fun held each year at the Knoxville Zoo for ETCH patients and their families; as well, the Vanderbilt Children’s Hospital of Nashville, TN, 2010, a special stage performance in association with “Playing by Air Productions” of Nashville, TN, and presented /donated many ‘canjoe’ instruments for use by the Vanderbilt Children’s Hospital’s department of music therapy. The ‘Tour of Smiles’ instruments are each hand made and each are then personally hand delivered to the patients and/or their families where they then receive free lessons and share lots of smiles. There have so far been well over a thousand of these instruments now made and distributed out to many sick kids over these years, always free of any cost to the receivers of these gifts. The smiles on all their faces are ever evident and the musical sounds of cool ‘therapeutic’ “canjoe” musical instruments flow sweetly from the rooms and down the children’s hospital hallways as the ‘tour’ continues now into its seventh year.

Wishin’ all Y’ALL, everywhere, a GREAT new year! WOW!!! Looking forward to 2012!!!! HAPPY NEW YEAR!!!!!

The authentic one stringed instruments called "canjoes".

Posted by CanJoe*John on November 22, 2009 at 9:07pm

Hello CBG makers, I joined this site after viewing comments that I discovered from a forum discussion on this site about the one-stringed musical instruments called "canjoes". Though I saw several comments regarding Herschel R. Brown's canjoe instruments in the discussion, I also noticed that the actual history of these cool little instruments (that Herschel did originate) needed to be included. Herschel Brown was a very close and long time friend of mine. He introduced me to his canjoe instrument concept just a few days after he created his first completed canjoe instrument. He gave to me, and I still have one of those original instruments from the first 5 he ever made. There is detailed information about canjoes on my web site at www.canjoe.com. When Herschel first started making his canjoes (and he coined the name too), he was not interested in making them for commercial sales. His finger boards, always made from pine, were, at first, simply 1X1 sticks with no strum cut hollow and no angles cut, just straight, flat sticks, fretted to a diatonic scale and a tuner key with the one string pulled through a 12 oz beverage can as the resonator. The design changes including the angle cut on the tail part allowing drop on the can for better, more even action the length of the string and the cut for the strum hollow were later added. Herschel and I regularly collaborated for over the past 20 years on design changes and hardware adaptations to make improvements. Though Herschel is genuinely the originator of the instrument and deserves the credit for that, the more pertinent changes that have made the contemporary design what they have thus become, so far, came from my own constant effort to improve on and provide better, more functionally correct musical instruments. This is no attempt to steal any of his thunder but if Herschel were alive today he would not hesitate to verify this info. Herschel made his living as a contractor and died at age 87 just last year working in his contracting business up to within 6 months of his passing. I attended his funeral and played "Wayfaring Stranger" on my own canjoe at his service in his memory. I have made my living for the past 17 years totally and completely as the sole proprietor of the CanJoe Company. Herschel helped me get this venture started. I have personally hand made well over 10,000 canjoe instruments and every one of them by hand, no mass production. Herschel and I together have provided the world with over 30K canjoe instruments combined. His had always been made as the nearly original design, made only of pine, no edging, no stain, no finish, just simple, but he went to mass production levels by having special jigs built to produce large quantities in order to supply a wood working magazine/web site with kits. I took a different approach on making and marketing these instruments, hand crafting every one I've made and supplying the consumer demand for the high quality, accurately built finished works of art that my instruments have become recognized for, establishing their own reputation. Anyway, this blog is being introduced as an opener for those who may be interested in knowing more or for contributing to the info on these cool, one-stringed canjoe instruments.

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“No Plaudits, No Cigars"

Credentials

The authentic one stringed instruments called "canjoes".

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