do (4)

Dear team

After many failed attemps at fretting I am planning to try again and after some help.

 

1) What is the best fret wire to use?

 

2) What's the best scale length to use?

 

3) What is any string height compensation required against scale length?

 

4) Could I be using incorrect strings and will that make a huge difference?

 

What is the trick to making these work and play well?

 

Your help is greatly appreciated.

Mr Bug

 

(This is clever on an old banjo I have for just an interesting photo, note brass tube to typical 6 string tuners one not used, I kept my kids tooth to make a banjo nut from shhhh dont tell the tooth fairy)

 

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How do I get that 1960-70 rock amp sound?

HiI'm looking for tips to sort out my live soundand get a great rocking sound from my amp and CBGHas anyone got any tips?I think valves is the only way to gobut what's the best amp pedal combo for somegreat rocking sounds?Or do I just need to add an overdrive?As I need a fatter sound.(AC/DC, 70's rock kinda thing with some 60'sCleaner songs too)All help or fun is appreciatedKeep rockingBugPs using a 4 string an P bass pickupPlus a 3 string and single double hotrailPupSix string goldfoil (which works ok for sound)Playing Cambridge hence would like help to sortBefore then if anyone fancies giving me some tips?
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What is your favorite CB for sound?

I generally place them into a few categories, all wood, paper and wood, Masonite (particle board), and cardboard.

  1. All wood is the best. I prefer Brickhouse the Mighty Mighty Menduro which is the largest box out there. I have one of the rare black. The Padrones are the same volume but longer and shallower. This is nice for the double resonator cone version you can see on my page. The quality of the wood is good the boxes are not constructed as well as a Brickhouse and I often have to fill in gaps or add additional bracing. They recycle them so my chances of getting a fresh one are less likely now. The wood is not dyed and I have some really pretty ones in my 25 box collection (and growing). Perhaps the usage and wearing make them more attractive I hope, like faded jeans.
  2. Wood with Paper. The sound is as good #1 but the paper can deaden the sound if it is too thick or complete in coverage. The logos tend to be prettier but also larger causing me to try new ways to make sound holes that won't impede the graphics I like so much.
  3. Masonite, let's face it sounds dead and really need to have pickups and go electric.
  4. Cardboard is the same as above but they are great for me to practice new techniques on.

There is a newer category, the handmade box. Superior material assures great craftsmanship and you can control the sound however you will never get the true great sound of a dreadnought. Mandolins and ukes are not large either but have great sound. Not being a master of sound dynamics I just do my best. There was a great navy architect named Phil Bolger and a very famous airplane engineer named Steve Whitman who built square shaped boats and planes, not rounded. Science proved them to be correct in that they moved through the air with greater efficiency and speed. Phil's boats were banned from racing as they proved too fast even with handicap. People didn't like the flat sides and thought a true boat or plane was rounded and so they never really sold accept to the purist’s. One of those purest was Steve Job's who built the "Bolger Box" yacht just before his death that was to prove to be the "New Wave" in luxury yacht design. It has also been proven that rectangular shaped instruments produce better sound than the rounded ones. Moving air or moving through air or water is the same science. Again, everyone has been trained to want the traditional female shaped bodies (no guessing here as to why) despite the inferior sound quality. CBG's by accident are the vanguard of new instrument design and may change the world for the better.

 

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