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Baritone ukulele

I will say, there is nothing quite like the inspiration to play an instrument that you have built yourself.

That Moment when you know that it's complete it has a property of waiting to come alive with sounds.

I just built this baritone ukulele tonight and for the first time in years I got my head and fingers around actual music. It is an actual inspiration for me. 

Here's a picture of it, I will pop some pictures of it in my pictures. Picture this, this picture. Vidy well..

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To get back to what I was posting about..

Like all instruments, they have their own character and the builder put it there. That guitar type stinged thing in the above picture was jam bliss for about 6 hours. I probably would not have done that even if it was a vintage Les.

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The ShonKy Cricket Batar.

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ShonKy Cricket Bat guitar.

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I'm not the first person to have built a cricket bat guitar. famously captain sensible sported one although not a real cricket bat I believe.
I was asked If I could make one for a commission and I thought how hard can it be.
as it turns out, not as straight forward as you would think. but as I was going to make one I wanted it to be a good one.

I decided on a tune-o-matic bridge and decided to go for a string through rather than a tailpiece as the posts would have been close to the edge of the guitar.

Most electric guitar bodies are a flat piece of wood whereas a cricket bat doesn't have a flat straight side apart from thankfully the edges. the back is curved with a ridge which expands about two thirds of the way down. the front is concave curve along its length and an arched top more arched than a les paul.

I managed to route out the neck pocket and humbucker cavity without much drama as I could hold the bat in my vice with the top of the bat at the same level as the top of the vice jaws and the templates rested nicely across these.
My first couple of attempts at drilling the post holes  failed miserably due to not being able to keep the bat straight under my admittedly woeful pillar drill.  The distance was ok but the holes where at slightly different angles the bridge wouldn't sit on the posts.
This meant I had to make some jigs to hold the bat steady so I cut v shapes into some blocks of old wood roughly sanded them so the bat sat in them without moving. a bit of double sided tape ensured a steady hold and managed to drill the holes perfectly after that.

I also had to fashion a block of wood to make the neck joint wide enough for the screws, create recesses for the knobs to sit in, and also shape the inside curve of the pick up ring to match the curve of the body.

One thing I forgot to take into account was the holes for the wires. The natural place for the controls are behind the bridge and the jack socket fits nicely at the bottom of the bat but having drilled the holes for the posts and the strings I then had to some how navigate the holes from the control cavity to the pick up route. first attempt I went through the post hole which wasn't a problem as I used that for the earth second attempt I managed to get past all the holes but missed the pickup cavity luckily without exiting through anywhere else.  3rd attempt was successful.  I have a commission for another one and will probably go for a top loading bridge. maybe a wraparound type which would be simpler as a fender hard tail style will require a flat surface. .

Apart from those issues the remaining build was fairly straight forward and I really like the finished result Its very odd to play due to the small width and the ridge on the rear makes it want to lie slightly horizontally the best way is definitely on a strap fairly low strung. and it balances fairly well and I think I've knocked it over the boundary with this one :-D.

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Jimmy Chang (a short story)

Jimmy Chang (by Uncle Jamie MacBlues)

I was on my way outa Harlan, pretty much at a loose end.I had thought to spend some time with my buddy, Uncle John, but just as I was walking up his driveway, a neighbour sitting on his porch told me that John was not home:

"He's away getting singing lesson, he wont be back for three days" he mumbled (having heard John sing, I was thinking three MONTHS per lesson would be preferable!)

Anyhoo, as I said above, I was on my way outa town, heading in no particular direction. At times I just liked to drive out to nowhere, something, I guess, akin to a mystery tour.

The sun was pretty strong, guess I'd driven about 120 miles, with no idea where I was. Suddenly, in the distance, I was aware of what appeared to be a small group of people, gathering on the outskirts of what I presumed to be an old bygone town, (or a ghost town, as some folks would say). As I got nearer , I pulled over.

There were three guys and a woman; one guy was holding an old beat up guitar.

"Can ya play that thing" , I asked.

"Naw", he replied I just brought it to blend in with the story of the guy writing this! (this made some kinda sense, not much, but I did not dwell on it).

Anyhoo, I soon heard the whole story of why this small group of folks was gathered on the outskirts of a deserted old town:

Seems that Jimmy Chang, an old refugee from China, had a store there; selling gunpowder mainly, to the miners. But he also sold fireworks to the local kids. His store had a sign that was 20 feet tall, and glistened in the almost continuous desert sunshine.

Seems that these four good folks were here to remeber Jimmy, on the anniversary of the day that his store blew up (luckily, that happened one early weekned morning, and only Jimmy was in when it blew.) There wasn't much to bury, I was told; even the famous sign had been blown into a thousand pieces!

Suddenly, the four folks surprised me by all getting up as one, dancing, and singing in Chinese. This lasted about 2 minutes, then they all sat down, holding hands and looking mournful. I let them sit in quiet contemplation; I had not much more to say anyway. (20 foot signs, gunpowder, and an old man from China had not that much interest for me).

After another few minutes, I decided to drive on. Before I did, I walked up to the folks, and asked how often they had this commemoration of Mr Chang "Every Saturday", came the reply. "Even though we all gotta come miles from all over the country now"!

"That's amazing" I said. But why do you NEED to do this little commemoration, especially every week"?!

They all answered in unison : "for the sake of old Chang's sign"!

" Good an answer as any" I thought, as I drove off.........................

THE END

 

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From Gentle Lady to MAYHEM

Well I am building my first and last 4 string ( Found out I have non treatable lung cancer at Christmas ).  

It started out as a nice traditional style.  Got it done. Damn Box had no tone. JAVA box Cheap Plywood and Arborite with the thinnest veneer I have ever seen.

So tore it all down.  Strengthened the box and my make it solid. Added two Rowe surface mount pick-ups, inset about 1/2 inch,  Getty sound & tone. Stripping all the label and painting it Crimson Red.

Going to call it Mayhem because at the least it should develop some interest noise if not mellow sound. Adding a verse on back telling Satan to move over I am coming and bringing MAYHEM with me

I will lets you know if it plays.

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Build Pix

Spent a good chunk of the day building.

2 of my standard CBGs and a new one I'm calling "The Quarter". Body built of 1/4" ply instead of 1/2". It's lighter and seems a bit fragile by comparison. Glued a back on tonight, pretty sure that should firm it up.

Corners braced with some scrap quarter-round and added some split screen molding along the edges for stability and glue surface. Pretty excited to see this one finished.

2 oak necks scarfed, 3 bridges roughed in and 1 cajon/router disaster. Pretty much scrapped the box. On the plus side, I learned how to sharpen a 1/2" round-over bit...

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CBGs = Smiles!

I'll never forget my first build. I was just amazed that I could actually build something that made music. There was a grin on my face for days.

Friday, I sold my latest build. It's a much more stable instrument than the first one and more musical too. Plus, it went to a really good home. Short story...

Some friends of ours run a bicycle shop in town. Perry and Debbie are musicians too (winds, brass, guitar) and pretty good ones. When Debbie heard that I was building CBGs, she told me to bring one by the shop someday for her to see. 

Conveniently, their shop is next door to a local music store that has been interested in my progress, so I decided to kill two birds with one stone. Loaded up my latest build and headed across town.

Debbie saw me get out of the car and gave a big wave. I said, "I have something you might like to see". When I pulled out the CBG, her mouth dropped open and she reached for it immediately.

For the next 10 minutes, she walked around the store, picking away and showing everyone that would pay attention - silly grin on her face all the time. Finally, she said, "you're selling these, right?" I said "yes" and she said "how much?" Gave her the current price and she said "can I buy this one? Can I write you a check?" I said "sure, but I was going to show it to the guys at the music store too". She told me to run next door and show them while she found her checkbook.

Next door, the music store dudes were happy to see me and the CBG too. They have seen my progression in build quality over the past few months and couldn't wait to get their hands on the latest model. They picked, they commented andthey plugged it into amp after amp. All smiles at the end of 20 minutes, they offered to sell them for me at the store, if I was interested (think I am).

With the CBG in the hands of its new owner, a check in my wallet, an offer to sell for me, the assurance that I should build a lefty for Perry... and a smile of my own. It was a pretty good day.

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Up to my neck in it

So I was going to build a guitar for my daughter.. And panicked.. Argh!! I want it to be just perfect. What if it was just.. Well.. Crap.. Useless.. Unplayable? 

See I had never built a neck before, and although I'm a 'jump right in' kind of guy I wasn't even sure what glue to use. So I needed a practice. 

A close friend of mine (let's call her C.F.) has done me one huge life altering favour for the last year and I thought it would be nice to build her a CBG as a way of thanks. I figured, OK, go for it.

I got a box, I have some wood, let's get stuck in.

So here's some photos of the result and a bit of the crafty stuff.

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A bit of glue and clamps

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A bit of fret work

Skip to day 2 (and an extra crazy afternoon in between) and here's the results..

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think the C and F holes were not as good a result as I had hoped for but it was a good idea, just badly executed. But considering it is her initials, she absolutely loves it. 

Neck to body came out really nice with this one, but I should have spent more time sanding the wood to a proper surface before final finish.

Time for my daughter's build? Not quite, I only have wood for a short scale instrument. Oh well.. At least this will be a bit more practice. And a reason to have another day of beer and sharp tools. 

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Wiring diagrams

What is a good source of wiring diagrams for different combinations of pick ups , pots , etc. ? I'm still gathering materials for my first build and am planning on using a neck pickup from a Strat , and an in-the-bridge piezo with individual volume controls and a combined tone pot . Is a diagram available for this combination ? Thanks .

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4 string

I've been trying to learn how to play my four string and I only found  three string tabs.  I am awaiting a response in another post how to convert 6 string to 3 string, but my question is why isn't there more 4 string tabs out there and why not more rock titles or even folk music? Thanks

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So, you're ready to start layin' down some tracks? Here's a quick primer on PC recording for the absolute beginner - I'll go over the basic equipment and setup, show you some handy software for doing basic audio recording, give a quick overview of effects, and explain how to export your work for sharing with your audience.

Equipment you need:

- something to record, acoustic or electric (voices count!)

- A semi-modern PC (I recommend a minimum dual core / 2 GB RAM / 160 GB HDD / sound [duh])

- Audio recording Software or Digital Audio Workstation (DAW) - For this tutorial we will use the free, open-source program Audacity

- Audio interface: FYI, this is where things may get a bit complex, depending on your setup.

Budget Category (under $50)

If you only intend to record electric instruments, and are looking to keep costs low, I recommend picking up a Realtone Cable, which originally shipped with the videogame Rocksmith. 1/4" input on one end, USB on the other, and Windows has the drivers built in so it's essentially plug and play (also worked fine with OSX 10.6, never tried it on Linux). You can find them on sites like Ebay for anywhere between $10-25.

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The plus side to using the Realtone cable is that it's incredibly simple - plug the cable into your USB port, open Audacity, select the "Realtone Cable" input, and start recording. The downside is that there is a good amount of latency, especially in Windows, so if you want to be able to listen to yourself in real-time as you're playing, the Realtone cable is not the way to go.

If you intend to record acoustic instruments or vocals on a shoestring, then a USB mic is the way to go. There are many, many variables that go into selecting the best mic, but for the sake of brevity I'm going to go ahead and recommend the Samson GoMic for this category. It has several modes of operation (cardoid, super-cardoid, full-room), good audio range/pickup, and costs less than $40 brand new and not on sale.

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Plus sides are pretty much the same as for the Realtone cable - ease of use. The downside is pretty much the same downside you get with any cheap microphone, lack of audio quality. Not to say the GoMic isn't good, but it isn't as good as, say, a Shure SM58 running through a proper mixing rig.

Reasonably priced, IMO Category ($50-150)


Cannot say enough good things about USB audio interfaces, like the Presonus Audiobox or FocusRite Scarlett - a 1 or 2 channel unit can be easily bought brand new for under $100 ($120 - 150 if you need more than 2 channels). These devices normally feature both 1/4" and XLR inputs (with phantom power available on at least one input), headphone and monitoring jacks, MIDI capabilities, independent controls, and many of them come with decent DAW software, like FruityLoops or Studio One, included the box. You can also theoretically expand the number of input channels available by running everything through a mixer, then into the audio interface. Some interfaces will connect right up with your computer, others may need to have an install disc ran before the computer will recognize its new hardware.

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Setup

First, connect your interface (Realtone/USB mic/audio interface) and install all the drivers necessary for the computer to recognize it (this occasionally requires a reboot).

Next, and assuming you haven't already, install audacity from Audacityteam.org - the latest version as of this writing is 2.1.2

* while on the download page, make sure and scroll down and check out the "Optional Downloads" section - here you can find effects and plugins, as well as the software you'll need if you want to export your finished work as MP3 (LAME plugin) or M4A (FFMEG plugin) files.

After installing and ensuring your interface is connected, open Audacity to the main screen, it should look something like this:

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In the top-left, you can see the transport controls (pause/play/rec/etc); to the right of the transport are the visual monitors for the input and output, represented by a picture of a microphone and speaker, respectively. The large grey area that dominates the screen is the "stage," so to speak, where your tracks will appear when recorded.

Between the transport controls and the stage you will find the controls for your inputs and outputs:

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Circled in red is the setting you will need to change - select your interface from the drop-down menu. 

Assuming your instrument/mic is already connected, you're ready to go! just hit the big red Record button in the transport region, or hit the 'R' key on your keyboard (to stop recording or initiate playback you can use the Spacebar). you'll see the waveform of your audio appear on the stage:

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Congratulations, you've recorded some audio on your PC! Now you can edit it or add effects from within Audacity, or export the file for publication or editing in another software suite!

Adding Effects

highlight the region of audio you want to apply the effect to, then select the effect you want from the Effects dropdown in the toolbar. Not much built-in, but if you download the LADSPA plugin pack from Team Audacity's website it expands the options greatly.

Exporting

To export your work, select the section of audio you want to export (or nothing, if you want to export it all), then click File -> Export Audio. There are several default filetypes you can save to, including a few lossless formats; however, if you want to export directly to an MP3 or M4A file, you will need to have installed the LAME/FFMPEG libraries from the "Additional Downloads" section of Team Audacity's site.

By following this short tutorial you should understand the basics of recording audio files in Audacity. Feedback is greatly appreciated; if this post is found helpful and well-received I may have to turn it into a series :)

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Jammin with the fam!

This weekend the family and I got together and played guitar, sang and played games. It was a great time. We recorded one of the songs. It was recorded on a phone and i am a bit pitchy in parts but it was a lot of fun. Enjoy!

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One of the different aspects of a Cigar Box Guitar like mine here ( LongHorn ) is the name...The guitar is tuned in open G and is designed as a Slide played instrument only. As a result of this you will notice the string height is exceptionally high...this is by design...the notes will be played singularly or played at each fret accordingly...I just finished installing the Fret markers...they are ...pyramid brass studs marking the fret position like a regular guitar but here is the difference when played...The slide is positioned directly at the fret you are playing, not behind it or between the fret position like in regular positioning with a standard guitar or bass. The reason I chose this style of stud is because light will reflect easily given their four side angles and they look pretty cool too!
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The Homemade Instruments of Charles Birch

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Charles Birch Playing his first Homemade fiddle.

I am an occasional member of the Watchet Makers Club one of the first meetings I went to, I met an elderly fellow Called Charles Birch and we got chatting and realised we both make musical instruments. He let me have is number and invited me over but I lost the number which annoyed me greatly. Anyway a year later he called me out of the blue so I finally went to meet him.

Charles Birch is a very healthy 86 years old and started making Instruments In the 90's  and is still kept busy with making and repairing and restoring folk instruments.

He makes fiddles, Cellos. Bowed Psaltery's, Ukuleles and upright double Basses. A friend of mine who I jam with has one of his Basses. It's a behemoth with an amazingly thumpy tone.

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The first instrument Charles Made. A fiddle made from a chocolate Box.
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Charles makes these with a few hand tools.   They are all built out of recycled timber with bought hardware.
They are solid as a rock and quite heavy but that doesn't detriment from the sound of them. Unfortunately I don't play fiddle or cello or bowed psaltery so my efforts where terrible. although The psaltery quite fascinated me.  Charles kindly demonstrated his skill at playing them for me. and they sounded great, much better than you would expect .

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Charles playing his Cello
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A bowed Psaltery

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Another Fiddle

Its great to meet a fellow builder of "homemade" Instruments and amazing to think he has been building ans successfully selling  them regularly long before the current internet driven popularity.
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The moment you just haven't been waiting for! -

Bug's 3rds Album of a random life comments...

          "One way Track"

Listen for free or donate to the cause....

40 track to taunt and haunt you..mainly instrumental CBG tracks from the CBN archive..

Available at this link below:

http://407bug.bandcamp.com/album/one-way-track-4

Thanks for the various art work from Mr Clock... Thanks to Shane and Diglydog for some of my builds and Uncle John for his great lyrics.. Thanks to Vinnie for being Vinnie.. and James too for his early inspiration, Thanks To Mr Pick for his Swampwitch treats .. Jim, Wes and Nancy for just being there for us. I hope you can enjoy this somehow. If you need a cheaper price just let me know.

I'm trying to pay my taxes... lol

Thanks to all my virtual friends that suffer me regularly....  (Next Time a live album of real songs)

9353857259?profile=originalAnd as an extra Easter special my 4th Album too.

"Time in the Shack - the lost files"

https://407bug.bandcamp.com/album/time-in-the-shack-the-lost-files-4th

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Tuner upgrade

Hey, I have been using the CB Gitty economy tuners for a while now and they work well enough but I want to upgrade a little. Do any of you have experience with some of his other tuners that are a little more high end?

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A gift shared

Thank you g-pa tom it was truly wonderful of you to allow my into your shop. The things I learned and ideas I picked up has allowed me to see with new eyes. I truly enjoyed talking different builds and seeing what you do.neat stuff.thanks again tommy

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Thomas Boardman WW2 veteran & Box Uke builder.

I recently got to spend an afternoon with Thomas Boardman he told us some great stories and how he made his famous box uke. He's now in his 90's and still plays ukulele I took him my 10 string uke to try as well as a 3 string CBG which he loved.9353854690?profile=original9353856452?profile=original

http://www.gettyimages.co.uk/detail/news-photo/veteran-thomas-boardman-poses-with-the-ukulele-he-made-out-news-photo/147825208

http://captivememories.org.uk/education/curriculum-resources/inspirational-journeys/

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