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First CBG Build - Looking for Criticism

Last week, I stopped by at my local cigar store and picked up the starting points for a few projects.  I found:

  • a Romeo y Julieta Reserve box (red label)
  • a Brick House box (red stained), and
  • a Baccarat “Gordo Baccarat Havana Selection” box.

I paid three bucks apiece for the boxes, and was happy to find them.  I plan to make a 3-string fretted CBG from the R&J as my first project.  I want to save the Brick House box for a 4-stringer, and the Baccarat box will be perfect for an amp enclosure. I have a Honeytone I'd like to move out of that plastic case to give the speaker some breathing room. 

I’ve built a mountain dulcimer, so I’m familiar with the use of fret wire, as well as a lot of the other required skills.  However, these CBG’s are a bit different, so I’d appreciate some feedback before I start sawing anything.  Here’s where I am on the 3-stringer:

1. Purchased a 4-foot length of 1 x 2 poplar for the neck

2. Got a 2-foot length of 2 x 1/4 red oak for the fingerboard

3. Ordered from C.B. Gitty:

          a. 6 ft. Med/med fret wire

          b. Shane Speal signature tuners

          c. Basic Piezo Pickup Kit for Cigar Box Guitar

4. Scrounged up from my guitar room and garage:

          a. Buncha new strings

          b. Grommets for sound holes

          c. Tru-Oil, and other finishing supplies

          d. Gold-headed screws for string trees

          e. Additional hardwood stock (poplar, maple, hard pine, and walnut)

          f. Hot glue gun and beer bottle caps for potting the piezos

          g. Lotsa pop rivets for ferrules

          h. Lotsa metal odds and ends for tailpiece, bridge saddle, nut, etc.

 

I’m planning a through-neck design with wings at the headstock area so I can make it a bit more decorative.  I haven’t decided whether or not to scarf the neck – opinions would be appreciated.  Just for giggles, I’m also thinking about decoupaging a Romeo y Julieta graphic onto the headstock.  I’ve done something similar before using Tru-Oil as both adhesive and finish.

Also, I notice that most plans call for putting blocks under the neck inside the box in order to secure the neck to the inside bottom, and a few don’t.  Seems like an essential step to me.

I do have a few questions about the piezos.  I’m thinking about potting them with hot glue in bottle caps, then gluing them to the sound board on the bass string side of the neck.  The set of two should (I think) be wired in parallel to reduce feedback.  Make sense?  I’m feeling my way through this, so give me a holler if I’m all wet, particularly as to the piezo placement.  Pictures would be nice....

I understand that I can ground the electronics to the tailpiece, since I’ll be using a wood bridge with a brass saddle (or something similar).  Can’t really ask any questions about this until I get a look at the wiring diagram.  I haven’t decided how to make the tailpiece yet, but it will be metal so I can ground through to the strings.  Worst case, I’ll just use a hinge.

I’ll post photos here as I get them.  Please let me know what you think about this, especially if I’m missing something important – if so, it won’t be the first time!

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New song: THE CIGAR BOX GUITAR

I never truly understood the adage that individual guitars can help one write specific songs until I got into CBG about a year ago. Recently, I purchased the A.J. Gaither "Arkanasas Tenor" from C.B, Gitty, and that little wooden box is the best typewriter I have ever owned. Here is the first tune I penned on it called, "The Cigar Box Guitar," written from the imagined perspective of A.J. Hope the lyrics speak to the builders on the site. Been working it out live, and will post a video when I figure out how.THE CIGAR BOX GUITAR© Chris Bohlman BMILately I been thinking what I could hand downShould I wake up in heaven or fall asleep undergroundSomething my only son could remember me byGuess you could drive my gun or you could shoot the carBut I don't think either will get you too farCause you always run out of unleaded and leadI never made it big, I barely made it smallAnd I ain't got two pennies to make cents of it allCigarettes and the nights of my life they just burnt awayAin't dreams and daddies cause a song never diesAnd unlike the whiskey a guitar never liesYou just gently hold her till she shows you the wayOh yeah, she'll show you the wayShe was born in Kansas CityLoved her like your mamma though she ain't quite as prettyAlways kept one by my side when the other was goneShe can make you cry, she can make you singJust an old Macanudo and four bronze-wound stringsShe played my life back to me in the key of DI never made it big, I barely made it smallAnd I ain't got two pennies to make cents of it allMoonshine on fire the nights of my life they just burn awayAin't dreams and daddies cause a song never diesAnd unlike a woman a guitar never liesYou just grab her and hold her and she'll show you the wayOh yeah, she'll show you the wayI know my time might be comin' soonBut I got one more gig at the Westport SaloonAnd all my friends are gonna be there and they'll be stoned as hellSo before I put this home made ax awayI gonna do some cutting just one more dayAnd boy, I wish you could be there to see them girls swayI never made it big, I barely made it smallAnd I ain't got two pennies to make cents of it allReefer and the nights of my life they just burnt awayAin't dreams and daddies cause a song never diesAnd unlike your mamma this guitar never liesYou just hold on tight and she'll show you the wayBoy I promise, she's gonna show you the way
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WHO'S GOT DA KEYS?

You ever hear a great track and think 'damn! that would sound great on a CBG'  Well here's one for you. Check out Greg Douglas doing KEYS TO THE HIGHWAY on his album 'The Natives are Restless'. Greg, formally of HOT TUNA and then THE STEVE MILLER BAND owns this slowed down version on this classic. It would make a great video lesson if Shane or another of you advanced players could put something together.  Check it out 'playa's!

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license plate guitar

just finished my first license plate guitar...guess what i ran into most is, body brace blocks getting in way of input jacks. or the pickup cavity cutting in too deep into the neck . already started on 2nd one, gave the first one away for a birthday gift. 

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Third build

This is my third guitar build, the first two were definitely learning experiences. I think when I started out I was more concerned with the way they looked more than how they sounded. I joined CBN to get my work out there and see if I could pick the brains of more seasoned builders in hopes to improve my craft from pretty wall art to wall art that you can actually pull down and pick around the fire with friends. 

Submitted for your approval my third build. Thanks! 9353872486?profile=original

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A Dulcimer from Way Waaaay Back

9353868491?profile=original9353871072?profile=originalHi, This dulcimer was my first build ever [apart from a mandolin built without plans or one to copy, but from photos]. Anyway built in around 1975 whilst living in Central Australia in the Northern Territory it was the first of many I built during the 70's and 80's. Made of plywood with a shellac finish. The buffalo was the emblem for the N.T so it's used in the instrument.

Oh, you can tell its been hanging for a while by the dust on the pegbox

Cheers Taff

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Dulcimer from way back

9353869265?profile=originalHi, I hear its Dulcimer week. Here's a photo of one I built some time ago being played by my young granddaughter. She's a young kid there but the manager of a jewellery shop now, phew! how time fly's.

I walked in the room and found that she had picked up the stick dulcimer and found one of my slides and was sliding away. She had also built a biscuit tin banjo, but I cant find a photo.

Cheers Taff

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First commission

A couple of years ago a friend asked me to make a special CBG for her husband, who organizes a popular annual blues festival in our region. The box was a special one, a treasured artifact signed by all of the performers at the show the year before. 

9353868697?profile=originalThere are more signatures on the top, and the lid is curved, so I opted to make the bottom of the box the top of the guitar. 

More challenges: the rivets tore out of the string holes, so I pounded a piece of scrap metal flat to use as a tailpiece ... it covers the holes and contributes slightly to the overall aesthetic. 

The festival is held on the family farm, so I asked if there was a special piece of wood she wanted to have used for the neck. I was provided with a bent piece of sassafras. I took a drawknife to it to strip the bark, and then flattened it on the jointer (NOT recommended). The wood is a pleasure to work--very aromatic--but the branch was too crooked to make a decent neck. There is a bend between the headstock and the fretboard that actually adds to the look, in my opinion, and does not affect playability. 

9353868500?profile=originalThe fret lines are wood burned, but the markers are walnut plugs (also locally harvested). I had to get creative with the tuner placement! Also with the sound holes, to avoid ruining any of the autographs. 

The completed guitar was well received. I'm told it hangs on the all, but it plays well acoustically (didn't bother with amplification as I knew it would not see real action). 

Here's the competed guitar. Thanks for looking!

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My last few builds

I thought I would just post a compilation of my last few builds in here just to let anyone who's interested see what I've been up to.

I'm not sure what I have shown you guys so I just took a few photos. I don't know if blog posts in here go to the photos page either so I might post them twice.

Quick rundown..
Three different scale length and semi acoustic to full electric builds. The smallest box is the inside sheath of the mid size guitar. So I got one for free :)

I've had a bourbon or three so I will just go ahead and post some photos..

Umm.. No I won't. I can't find the photo post button.

They will pop up somewhere and I will fix it later. Hahahaha.

Never ever have two bottles of buckfast and try to use a phone.

Edit. I forgot about this.

Here's a couple of photos. I really could be doing with getting online with my laptop and fixing up my profile but that's just not possible for me so it's all done on my fiddly little phone.

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Awhile back  ,  CBN  member  "Gibby Fiddy  five"  posted  info in support  of this  historical  project .

Derry Down Project's Profile Photo

I took a shine to  it  and  pitched  in  .  you  can  too  . This  is   a great  piece  of history  being  saved   and  sure  to contribute to  more   history being  made.

The  video  can  portray it  way  better  than i can so watch and enjoy, and / or  get  involved  yourself  .

https://www.youtube.com/watch?v=NnNeKpTVLlM

The historic  venue  is   now already   hosting  concerts  and  jams  from  great acts new and old    etc  ,   but they still  need   work  and help  . 

There are  many  ways  to  get  involved   including  buying a  personalized  brick  in the entrance  path  ,  where  many a  legend  has walked ( and  still  do)  and  where  new  legends  will  walk from  here  on  . you  can  get  yours  here     http://www.mainstreetwh.com/derry-down-project/buy-a-brick/  

i  got mine  ;-)

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lots  more  ways to  help   on the winter haven   site  (top  right  menu)

http://www.mainstreetwh.com/derry-down-project/

facebook  page .. 

https://www.facebook.com/thederrydownproject ;

reach into  the  drowning puddle  of history  and   pull  up a chuck  to save and pass  on  ;-)

or  just check out  the  great  acts  posted and soak  up  some  old  history  . 

 it would be an awesome  place  to  rent out  for a cbg fest  too  ;-)

anyway  ,  that's my Canadien  share   for Americana Music Month, hope   ya  enjoy it . 

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Pizeo and/or Mini Humbucker

Hey CBG peeps!  I've got a question regarding pizeos vs. a pickup such as a Mini Humbucker.  I'm looking to achieve that raw North Mississippi sound and would like some input on what type of pickup is best for that. Also, if I were to buy a CBG with an existing pizeo, can something like a Mini Humbucker be added and would the two types work together. How does these two different pickup styles translate in sound quality. My exiting CBG has a pizeo which sounds good to me but I've never really heard a CBG with a Humbucker type pickup. I'd appreciate hearing from anyone who can educate me on this area.

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Violin with a difference.

9353863670?profile=original9353864262?profile=originalI thought I would add these photos of a violin I built, as I've just seen mention of CB violins. Must have built it about 25 years ago.

Its a solid body so of course its electric, the pickup is under the bridge feet. needs a preamp with an EQ to get a warm sound but very playable [for a short time] it would be better with a serious chin and shoulder rest. Just a fun build really to use up the Osage Orange timber I had laying about.

Thanks for looking.

Taff

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Bucket List L-00 Build

Building CBG's for a couple of years gave me the confidence in using hand tools to attempt a six string custom L-00.  I worked under the supervision of local luthier Dave Bagwill and it took me several months to complete.  

Since this is not a CBG I won't take up a ton of space here but thought some might enjoy looking at a couple of photos. Body is Sitka Spruce over East Indian Rosewood with Cocobolo trim and a Mahogany neck and Ebony fretboard.

It is ladder braced,14 fret to the body short scale with hollow carbon fiber rods running tail block - head block  to add stiffness, responsiveness and strength.  I also added a soundport to further enhance playing enjoyment.  The basic materials (bent sides, neck blank routed for truss rod, came from KMG Guitar Kits and because I wanted as much of a full-on building experience as possible, Dave guided me through the profiling of the sides, thicknessing and joining of the back and top as well carving braces, neck and headstock.  Highly recommend KMG as they will customize your order depending on how much you want to tackle and the materials are first rate.  If you want to see other construction photos they are located here.  https://primitiveacoustics.shutterfly.com/pictures/9#12

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The Eight Days Of Glastonbury

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Glastonbury -  the biggest greenfield music festival in  the world. Way back in October 2015, me and my sales manager (my daughter Anne) decided we'd have a go at getting a trade stand there...why not?! Anne dowloaded all the forms - there was an enormous amount of info that they needed...a complete inventory of what we were selling, together with prices, where it came from, the percentage of recycled, local, fairtrade goods etc, together with our trading history, business ethics etc. They don't tell you how much it will cost, that comes with the offer if you are successful, so we set ourselves a budget of what we could afford to pay for a place (...hearing that food traders are paying £30 000, we were expecting it to be big money), and waited. Five months later, in February of this year, on the very last day of the deadline for being notified we heard that we'd got in, and it was within our budget. We got to work drawing up a schedule of things we had to make and buy, and got cracking. It became our main focus of work for months, and it was a hard slog, as I lost nearly a month's output because of  other stuff I had to attend to with family and home commitments. Nevertheless, we reckoned we were sort of ready....buying a new tent, a roofrack for the van to fit on all the extra stock, making new guitar stands and racks, ordering in thousands of pounds worth of merchandise...and loads of new cigar box guitars to get boxed up and ready for sale. 

We had a full four months to get ready, but it wasn't easy - our online business keeps us steadily busy, we had the house enveloped in scaffolding having the windows replaced, and I took 2 weeks out of my schedule replacing all the timber cladding whilst we had the scaffold to work off. My father died at the beginning of March, so that was stressful, emotional and just generally all-consuming...also daughter Liz was heading off to Japan for a week right at the time of the funeral: there was just lots of stuff happening all around me that was really difficult to cope with. Also I had a road trip with Hollowbelly to southern Germany for gigs and workshop and a couple of festivals, so time was tight to get things ready. Daughter Liz was due to finish university early June, so she jumped at the chance to come to Glasto to help. 

As well as making guitars there's a whole load of official stuff to get through, submitting public liability and employer's insurances, health and safety assessment, fire risk assessment, site plot, making sure our first aid kit, fire extinguisher etc were up to the proper standards...it's a serious job getting ready for a big festival like this.

DAY ONE. Glastonbury is officially a 3 day event, but gates open to the public on the Wednesday, and we had to arrive on Monday.  We were advised by the organisers to delay setting out as ground conditions were very bad due to the rain, so we loaded up during Monday morning and were ready to head off by mid afternoon. Every inch of the van was packed, and we had 96 guitars strapped onto the roof.

The van all packed and ready to go, with barely an inch of space to spare...and 120kg of guitars on the roof.

The weather forecast was looking pretty good, so off we set. A quick stop at the motorway services and we arrived at around 6.45pm, no traffic problems, but it had obviously been raining recently, with lots of standing water on the approach roads. We got through the initial ticket check, and then it was onto the temporary metal trackways laid across the mud. A few more checkpoints saw us issued with vehicle pass, health and safety induction sticker, windscreen marked up to show how many people we had onboard...then a final ticket inspection and into the site proper. That's where we started a couple of hours of panic...with no idea of our way round the 1000 acre site, we couldn't find our pitch, and nobody we asked could help...even experienced traders were getting lost. We parked up and the girls donned wellies and went out to try and find the office for our section of the traders' market. Half an hour later it was beginning to drop dark and I was worried..it was wet, muddy, bleak and dropping ever darker..and no word from the expeditionary force. I got a call on the phone to tell me they'd found the office (despite there being no signs to it), the map had wrong the wrong colour coding, so no wonder we got lost,  but they knew where to go to find the pitch. I drove down to the office, got wristbanded, got back in the van, and slowly, slowly we crept around remote parts of the site to arrive at our pitch...which was basically a rectangle of muddy grass, reached by driving across 20 metres of treacherously sticky mud. We dragged the tent out and set it up, all of us getting thoroughly smeared in mud.  After a bit of grief we also manged to get our electric hook-up sorted by the site electricians, so that was another worry resolved. At least we'd managed to get some protection against the elements for the night, and so settled down for some well earned rest.

DAY TWO. On Tuesday morning we set about getting the marquee up and setting up the shop. We'd had some overnight rain, and I spent a couple of hours shovelling wood chippings over the ground in front of our site and where the marquee was going to stand to try and soak up some of the mud. I'd had the foresight to bring a small shovel and it proved invaluable for this task, and lots of other stall holders were soon taking it in turns to borrow it, to scoop up chippings from a mound that had been dropped by a dump truck a few stalls away. After a couple of hours of back breaking work we were ready to put up the marquee and start setting out our stall. Anne is well versed in this, so I let her take over and direct me and Liz as to how she wanted things setting out.

Stall all set up and trading for the first official day. That's our personal security team by the little hut on the right of the stand...there were 3 teams of them doing shifts in rotation, all really friendly and helpful folk, staffing that spot 24 hours day, rain and shine.

We took it steady, and by the end of the afternoon everything was sorted and we were ready to trade. During the course of the day we made quite a few sales to other traders and musicians.

Typical Glastonbury ground conditions, just round the corner from us (OK, just round the corner is about a mile away at Glasto) at the Left Field stage.

 

DAY THREE. Wednesday saw the first proper day of being open to the public, so we decided on our team uniform for the day - Plague Doctor Tee shirts and hoodies. Glastonbury's own radio station, Worthy FM dropped in to interview me and got me to play a tune.  This turned out to be a very handy bit of publicity, as lots of people over the next few days told me they'd heard me on the radio as they were queuing to get in. We'd heard reports of 12 hour tailbacks as festival goers waited to be admitted to the car parks...it sounded pretty grim. A bit later I had Ulster FM at the stall, asking me to provide them with some live music while they did a report...2 broadcasts in one day, not bad!  We had a decent day's trading, and  I was doing a fair bit of playing and "barking up" in front of the stall, and continued to do this until around midnight, when we decided to shut up shop.

Just in front of our stall...the machine in the background was delivering barrels of cider.

 

The arrangements for traders are a lot more civilised than for the general public - we were camped directly behind the stall, with our van acting as our stock room. In the secure compound behind the stalls are traders' camping, rubbish skips and toilets, for the exclusive use of traders. The frontages are all secure - a team come and fence the gaps between the stalls to ensure nobody can get "back of house", and the service access to the compound is manned 24 hours a day by some really friendly and helpful volunteers, who did a sterling job. We were right next to the service access gate, so we had our own personal security staff look after the marquee, literally on our doorstep.

DAY FOUR. Thursday's uniform was hickory stripe prison shirts and denim work aprons. Our day's trading was was pretty much the same, a long long day, some decent sunny weather and some showers. We sold out of ukuleles - I was setting them up as quickly as I could, and they were selling as soon as they were ready. One thing which was really nice was that the setting sun shone directly into the front of our stall....as if we were magically aligned to catch the last rays of the sun, bathing the guitars in a soft golden light.

Customers jamming at the stall - from Manchester and Bulgaria.

 

Electro stomper board in the mud..and it still worked after days of being submerged in liquid mud.

 

We packed up around 1am after entertaining revellers in front of the shop with some live music. I started to reflect that this really was an endurance event...Thursday and the music hadn't started properly - we had three serious days of work ahead of us to get through. Just getting through the day at Glastonbury is a real effort, every step through the mud is hard work, and you simply cannot get away from it. The mud gets everywhere...on your skin, clothes, tent, amps, cables, even on the money! We sat up quite late, drinking whiskey and talking about the prospect of what tomorrow would bring, as it was the eve of the referendum.

Muddy cables, muddy amp, muddy PA system...

 

DAY FIVE. Friday was a gloomy start all round with rainy weather, and a general feeling of apprehension of what might be to come with the announcement that the UK had voted out of the EU. It was a bit weird, as we felt in a sort of bubble, just picking up scraps of news via our phones about what was happening in the real world outside.

Woke up this morning, mud all around my shoes....

 

Still, there was no time to dwell on that as we had a job to do. Sales were fine, but not as strong as Thursday, as it was raining on and off for a large part of the day. Anne was keeping a ledger of the sales, so she had a running total, and also logged when the sales were, so we could see what part of the day we were doing the most sales.  We had one little lad of around 9 years old come by with his mum and dad - he's been busking with a uke and earned £140, so he bought himself a little cigar box amp with his takings! He also came back the following day to buy a lead and a slide...from another £90 which he had earned.

DAY SIX. Saturday was a pretty busy one, but I managed to get an hour off to see ZZ Top at the Pyramid stage. It's a festival, and of course people get a little, er, relaxed with drink and various substances, but one bizarre thing we noticed was how many people were so far gone, they came into our stall and asked for cigars, cigarettes, or Rizlas. It seemed in their befuddled state they saw "cigar" on the banner outside, and they didn't get to read the whole "Cigar Box Guitars" thing..and the fact that there were dozens of guitars on display seemed to pass them by. This wasn't an isolated thing, dozens of people did this...one posh boy even complaining to Liz that "it was misleading" to have that on the sign....jasus knows what he was on. Another thing we observed was that we must have had the air of being well-organised, because we had regularly had people dropping by to borrow the shovel, ask if we had pliers, or cadge plastic bags and elastic bands. Fortunately we'd gone pretty well tooled-up and equipped and we were happy to help people out. I thought that perhaps I'd overdone things in terms of tools etc that we'd brought along, but I soon realised that once you are on site, it's pretty much every man for himself. You have to be resourceful and well-equipped to cope with a week at Glastonbury - if your patch is swimming in liquid mud, it's up to you to sort it out, if you need a bit of wood,  you have to have it in your van or be able to scrounge it. 

Rainbow above the Pyramid Stage...view from the side of our stall.

 

The girls cooked and supplied me with tea regularly, but occasionally we celebrated a good day's sales and bought a takeaway.  There was some excellent food on offer: we had Thai, French Provencal, some great steak pies  & chips (with gravy!! mmm), pulled pork, burgers, and though not cheap, many of the food places gave us a traders' discount. We'd brought plenty of our own food, so didn't have to rely on takeaways, but sometimes you need a treat when you are tired and hungry.  We never bought a drink either...bringing plenty of juice, water, beer, a bottle of whiskey and Coca Cola meant that we were self sufficient.

 

DAY SEVEN. We'd made it to Sunday morning, and been told by our friendly security volunteers that it would be really busy, and they were right. There's a large influx of one day ticket holders on top of the 150 000 full weekender tickets, and this was reflected in the general hubbub and sales. Before it all kicked off I woke early and decided to have a stroll round the neighbourhood, so I was able to see the army of volunteers litter picking and emptying bins by the thousand. I walked in a large loop and went past two of the largest stages, the Other Stage and The Pyramid, and saw some parts of the site which were literally a sea of mud, so reckoned we'd been pretty lucky. Liz and Anne said they'd seen one stall where the mud was half-way up the table legs, and their display of clothes were trailing into the filthy gloop.

Typical sea of mud in front of traders stands.

Trashcans and mud...it's like this everywhere.

 

Even the baker's van is prepared for the mud.

 

Part of the army of volunteers picking litter in front of the Other Stage, 7.30am Sunday

 

Sunday 8am at the Pyramid stage, rigging for the final day.

 

Welly graveyard...a common sight at Glasto. We watched dozens of people in front of our stall succumb to the dreaded welly-eating mud...some poor folk loosing both boots and toppling over full-length into the mud. Liz was on hand to rush over and bring the victims into our tent for a sit down and and clean-up with our industrial strength wet wipes. 

I got a coffee and danish pastry from the coffee shop which was conveniently located right next to our stall, then started getting ready for the onslaught of punters. 

There had been a load of dry straw dumped by one of the dance tents, so lots of us traders rushed off to get some to help mop up the mud in front of our  stalls.  We were warned off by one of the workers telling us to put it back as it wasn't meant for us...so I went back to my stall, donned a hi-vis vest to make myself look like a contractor, hid some  bin liners in my jacket so I could take some straw away in and went back and helped myself. You have to be resourceful and determined to survive and look after yourself at Glastonbury.

 

Trade was fairly brisk, but I let the girls go off and get some lunch...but however, popping out for lunch isn't a 10 minute job at Glasto..they were gone for an hour and a half when they turned up with our lunch of gourmet burgers, and the shop was over-run by customers. It was packed, and people were waving money and credit cards at me..it was like the Black Friday sales!   The girls arrived back in the nick of time, although Liz starting shouting at me to ask why I was on the  phone in the midst of all the chaos, but one lady was in the middle of buying guitar for her boyfriend and wanted me to speak to him on her phone to discuss which was the best model for him. The rush of sales continued until around 5 o'clock , and we sold out of amps and our budget line fretless guitars.  We tried to keep the sales ledger up to date, but we got so overwhelmed that afterwards when I checked the figures, there was several hundred pounds worth of unaccounted sales that we hadn't managed to put in the book! Utter madness, but a great day's trading. For the rest of the evening I didn't do any more playing at the front of the stall, as I was so tired, but we chilled out, and we could hear Coldplay from the Pyramid state, and stepped out to watch the firework finale.

Sunday evening...time to reflect and break out that special Havana cigar and enjoy a glass of Jack Daniels and Coke. I felt strangely proprietorial standing at front of the stall surveying my enterprise and what we'd achieved over the course of the week.

I'd felt a bit bad about bringing my daughters along and them not seeing any of the acts, but they got so into the work, and there weren't any performers that they felt they really didn't want to miss, it hardly seemed to matter. They went off and caught part of Adele's set, but the rest of the time they were so supportive and hard working it could hardly have been better.

DAY EIGHT. We knew that on Monday we couldn't leave site until 6.00pm, so just took it steady packing down. We still had customers dropping by to make their last purchases of the weekend, but by early afternoon we were well on with the break-down. Traders around us were saying they wouldn't get off site until later that week, which began to worry me, so I started to figure out our exit strategy. I reckoned I could use the plywood boards that we'd floored-out the marquee with to drive the van over to get to the temporary roadway, and then I spotted the timber which had been used to block off gaps between the stalls. It had been taken down and discarded, and I reckoned the rough-sawn timber panels could be laid over the mud as a trackway and give me a fighting since of getting  to the road. As Anne packed away all our camping gear, me and Liz hauled some really heavy pieces of timber to start forming our route out. As quickly as we could, we stowed all the gear in the van - this time we'd sold so much stuff the only thing on the roof rack was the frame for our sign and the guitar hanging rails firm inside the marquee (remember, we'd arrived with boxes containing 96 guitars on the roof).

Yay!! ready to roll and go home. You can just see the "corduroy road" of split logs to Lizzies' left that we put down, but then had to take up before being towed onto the metal trackway.

Reversing the van out over the plywood boards proved to be futile...we managed to get the back wheels onto one board, but the ground was was so slippery, the boards skidded about under the tyres and I ended up with the tyres firmly back in the mud. It looks like that getting towed out was going to be the only option, and I wasn't optimistic about how long this would take, as there were thousands of traders all in exactly the same situation. The girls went down to the market office to see if we could book a tow, but came back downhearted,  as the office was deserted. There was a paper on the table with a list of stallholders booked in for towing, but nobody about...the place was left unattended...laptops and everything, like the Marie Celeste.  One of the guys dealing with getting vehicles towed shouted out to ask who'd put the timber trackway down, and I said I had. He told me that there were nails in it and would cause problems...the neighbouring stallholders started getting into an argument with him saying that we'd had to resort to looking after ourselves, I told him we were stuck and there was nobody in the office to help, and asked why we could do to get a tow. He calmly said, move the timber and we'll come and get you towed out...so I did what I was told, shifted the timber (probably about half a tonne of it) and left him to continue towing other people out. We stood around looking helpless, then he came up and asked if we were ready - we were. I'd already figured out where the towing eye was, but the guy in charge didn't need telling, he knew exactly where the tow point on a Merc Vito was, so he hitched us up to a massive tractor, told me to put the van in neutral and just cover the brakes to make sure I didn't roll into the tractor when it stopped. One minute later after skating through the calf-deep mud, the van was on the solid metal roadway. The girls jumped aboard and we settled in for a long slow crawl off the site. The prospect of a long wait didn't bother us -  we were out of the mud and on our way home. It took well over two hours to get to the public highway, but other's weren't so lucky -  we'd watched one trader's VW camper drive easily into the trackway as their patch was pretty dry, and we ended just behind him on the trackway, queuing to get out. Their van sounded pretty rattly and noisy, like old VWs always seem to sound, but after about 45 minutes the traffic marshalls directed us around him as his engine gave up the ghost. Further on up the road we saw an AA van on there way- I reckon they must be permanently stationed there over the festival to cope with this sort of thing. 

Part of the aftermath of Glastonbury that we saw on the drive out - abandoned tents and camping gear.

It was remarkably calm and unfrustrating in the cab of our van whilst inching along toward the exit and the public roads. We'd done a good job, got off our pitch without too much drama and were headed home. Once onto the road we crawled along following an articulated lorry and two roadsweeping trucks for a couple of miles, trying to get rid of the mud being tracked out by all the traders vehicles. We had a steady drive through the glorious Somerset country side, our road gilded by the setting sun..through Bristol and onto the motorway. We stopped off at the first services we came to ...aching and caked in mud...but glad for a rest. I washed my hands five times in an effort to get rid of the ingrained dirt....but what luxury...hot running water! We gorged on fried chicken and ice cold Coke, trudged wearily back to the van....and arrived back home after a final bit of diversion due to a motorway closure around half past midnight. 

What a week it had been...it had all seemed like some kind of strange dream. Did we really spend 7 nights in a tent on a patch of mud? Had the UK really voted to leave the EU? Did we really sell over 100 guitars?  I can't really say that we saw much of Glastonbury Festival, but we were pleased and proud to be part of it. We'd prepared as well as we could have beforehand, and gave it our best shot while we were there. It was a full-on experience, we made good money, and more than merely surviving it, we enjoyed it. 

Anne and Liz in the glowing red marquee....none of this would have been possible without their dedication, love and hard work...it was your week, not mine.

 

 

 

 

 

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Remembrance

We quite often see photos of 1st world war troops with homemade instruments on this site , so I thought I would share the link below to the events which took place across the UK to commemorate the 20,000 thousand British soldiers who were killed on the first day of the Battle of the Somme, which began 100 years ago on on July 1, 1916. Ultimately 1 million troops were liked or injured in this battle alone, with big losses on both sides, at the end of the battle, there were 485,000 British and French casualties and 630,000 German. We need to remember the sacrifices made, and the futility of war.

http://www.itv.com/news/2016-07-01/wearehere-secrets-of-walking-ghost-somme-tribute-revealed/

https://becausewearehere.co.uk/

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a day in the Life of a CBG

I was just browsing Craigslist to see what the market might be for CBGs in my area. There was one post. The git looked a bit familiar and sure, enough...

    It was one of mine, that I had sold years ago. My logo was plain to see.  hmmm

At first I was like, "Cool. "

Then I was all,  " ...Didn't he like it enuff to keep it? "

T9353858092?profile=originalhen: I was kinda smiling, " y'know. It looks pretty good. Hey, one of my creations out in the world, having a life - going places I've never been or will be.   Good Tunin' little guy! "

It's a Process.

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Selling my guitars

It is now time for me to sell on my guitars as I am no longer active playing them or building.

They will be listed on my eBay page and you can see them by looking for derke92 on eBay UK.

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Starting up a CBG Club

I'll give you a basic run down of how our club got it's start up and how it survived.

It was simple having a place already provided such as the roadhouse. The fact that it is free and centrally located helped. Once we had a location and start up time, getting the word out was the most difficult if we expected anyone to show up. So we knew the first meeting had to win folks over and spread by word of mouth.

In a large room and fleeting moment there was awkward silence. Then shortly after introductions were given, a couple of us started asking the most obvious questions such as what have you built, how long and all the related stuff that follows. The room was filled with common interest and everybody met up with new friends. I'd say it took the club three months to break the ice and start jam sessions. Each meeting helped us move on to develop a natural and friendly atmosphere where anybody visiting feels welcome. It's not uncommon for regular visitors to come sit and listen or just talk with the group.

Being there to open house on time is very important, so who ever is heading up the meetings should have at least one back up buddy to ensure visitors don't show up to locked doors. Having refreshments helps, also good comfortable seating. We have a few outlets to plug amps into.

Meeting are always the 3rd Saturday of each month from 9:am to 11:am and it is the members responsibility to break meeting on time and clean their area before leaving. We have the option to put our gear away in our cars and come back inside for lunch at Bills place and we often do. After lunches are very cool for many reason and Bills smoked wings in dipping sauce are to die for.

We like to bring in free giveaways such as free cigar boxes, unique building items for friends and swap trades now and then. Some holidays we exchange gifts and bring extras for those who didn't get word.

Caution for there have been one or two days where no one showed up but me or Gary or just a few members. That should never discourage your future meetings so have faith and keep them alive.

Size doesn't matter but attitude does and I try my best to let all members know we are all equal and ask for their inputs always. Bill and his very kind wife have opened up there place for CBG enthusiast to enjoy freely.

Make everyone feel welcome at all times and your club will thrive!

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