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Jug Music - Songs

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If anyone is interested in Jug Music,

following the youtube video I found recently and have posted

Here are some essential songs for you to have a go with.

This follows a small song book that has recently arrived through my door.

Time to find my old washboard!

Jug Music Essential Listening:


Mobile Line
https://www.youtube.com/watch?v=7wimU5pxv6U

CC rider
https://www.youtube.com/watch?v=JU1mZ0-xA9M

Hesitation Blues
https://www.youtube.com/watch?v=afxMPRTQBTI

Trouble in mind
https://www.youtube.com/watch?v=jhc0CepG1jA

KC moan
https://www.youtube.com/watch?v=WSYifT02BYk


Keep it clean
https://www.youtube.com/watch?v=bjYz80E94VA&feature=kp

She done sold it out
https://www.youtube.com/watch?v=2PCjvxy2zG4

Trouble in mind
https://www.youtube.com/watch?v=UNI53mGN8r0

KC moan
Memphis Jug band
https://www.youtube.com/watch?v=G3Ut4ovRTRM

Prince albert hunt
https://www.youtube.com/watch?v=EfT4cJA1n64

Going to german
https://www.youtube.com/watch?v=LlFGgT5x_-c

Careless Love
https://www.youtube.com/watch?v=oMQgYK95Eco

Shake that thing
https://www.youtube.com/watch?v=4QsL5OGfTlo

Rail road bill
https://www.youtube.com/watch?v=AQDI8wTvRv0


CC rider
https://www.youtube.com/watch?v=HIGLnMQSrsc

Rag mama rag
https://www.youtube.com/watch?v=zdIdGoyzoxQ

Sweet maggie
https://www.youtube.com/watch?v=6XbcOIXNRG4

you leave but this will bring you back memphis jug band
https://www.youtube.com/watch?v=BecSGKNXR8I

Mobile line
https://www.youtube.com/watch?v=7wimU5pxv6U

Hesitation blues
https://www.youtube.com/watch?v=q_AJifsE2eQ

La blues
https://www.youtube.com/watch?v=rOzmOZQdcYY

Fancy beer
https://www.youtube.com/watch?v=WvYzHY-f1og

Folding Bed
https://www.youtube.com/watch?v=rwo6HVTacYs&feature=youtube_gdata_player

On the road again
https://www.youtube.com/watch?v=m3glET0vebQ&feature=youtube_gdata_player




Hope you enjoy the above links and if anyone fancies a collab on one let me know.

Maybe someone could organise a Jug song CBG album???

Mmm this guy above looks familiar?

Kindest regards

BUG

These guys sell the book if you are interested

http://quietamericanmusic.com/storestore/jug-band-and-pre-war-blues-songbook

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On Practice

In my last blog we had a discussion about learning and how the brain makes it all happen. Iit’s good to know this stuff because it has implications for how we practice. If we can do it smarter it'll not only be easier but we'll get better results.

Much of our practice is simply repeating a particular set of movements, in the process engaging nerves and muscles in a specific order. Initially these movements take some conscious effort but once the neural conections are established they are more or less automatic, they’ve been learned.

What’s the best way to make this happen? The evidence tells us that for some time after a repeated series of new movements these nerve/muscle pathways continue to fire up, they will even continue during sleep.

So we’d expect that 3 hours of practice spread out regularly over a week would be more effective than one 3 hour block once a week. Regular practice lets you slowly build these pathways while large intervals between practice sessions simply give us time to forget what we did previously. Not only does the research support this idea but I can tell you from my own experience as a player and teacher over many years that it is absolutely the case.

It also has implications for what and how we practice.

  • Squeeze in a little bit of technique practice every day, even if it’s only 5 minutes.
  • When you have a longer session start it with a warm up routine. If you’re just beginning and don’t have one yet then just practice whatever you did the previous day, kick those pathways back into gear first thing.
  • If you are working on a new technique do that now while you’re warmed up but still fresh.
  • Have a piece, or at least a riff that you’re working on. Ideally it will put some of the technical stuff to work for you. Remember that all of the same rules apply. You don’t have to learn it all in one day, give yourself time for it to sink in.
  • Use everything that you’ve learned and just have a play. Improvise, explore, make mistakes, listen with intent.
  • Warm down with your warm up routine or a simple technical exercise.



As much as I hate three word slogans (won’t go into that now), they must work. So here’s mine.

Regular Relaxed Repetition

  • Practice regularly, we’ve covered that.
  • Stay relaxed, if you associate your new movements with muscle tension elsewhere then you’ll learn that too.
  • Repetition is the only way that the nerve/muscle relationships can be established and memorised.

This stuff works, the hardest part is trusting it so have a go and prove it for yourself. Of course having the right exercises and a little guided instruction helps and we all know where to get that from.

Patrick Curley

www.learncigarboxguitar.com

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I've just finished this..what a challenge it's been..and long overdue in the completion. It's an Appalachian mountain-style banjo for Hollowbelly. This is designed to be a stage instrument so I opted to use a Fiberskyn head instead of a natural vellum as it would be less prone to variations in humidity and temperature, and it's also got a pickup in it. The tailpiece is designed to accept loop-ended banjo strings or ball-end guitar strings.

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There's no exotic timbers in this, all European and North American woods...mainly cherry, with a beech lamination in the neck, black walnut fretboard and headstock veneer.  Figuring out how these things fit together was a right old game, but I've managed to do it. It's got a few neat bits...double action trussrod, and a method of adjusting the tension on the head...but the internal pot is a simple 6" cake tin, and the skin is a drum head, as they don't make banjo heads that small. The pickup is mounted internally under the head, so the output is on the weak side, but maintains the old-timey appearance and importantly manages to put out  a real banjo-ey tone when amplified.

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Here's the back ring with the tee nuts for the tension adjusters. A 6mm birch ply ring fits into the circular recess and  transfers the pressure onto the bottom edge of the internal pot.

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Here's the headstock..the name "The Preacher" is a reflection of the theme of some of Hollowbelly's songs. The 5th string has a"railroad spike" rather than a bone "pip" to locate it..it's easier to install and I think it looks neater.

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Cutting the main part of the pot from solid cherrywood. I used a circle cutting jig on the bandsaw and just inserted some veneer in the saw cut and glued it, loosing the joint behind the neck heel.9353826061?profile=original

The finished article..ready to go.9353826669?profile=original

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First project!

Ok. so time for the real deal.

I've been thinking about a first build, nothing crazy nor super expensive.

does anyone have a recommendation for a first timer? any project will do as long as i learn from it.

Thank you! :D  

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On Learning

“You’re never too old to learn” said Fred,
“You can’t teach on old dog new tricks” replied George.

Well they can’t both be right, or can they? Of course as children we were sponges, everything was new and learning was as natural as eating and sleeping. What happens as we get older? Is it different for some than others? Is there something about getting older that makes it harder to learn, or at least different?

Generally people answer questions like this from their own experience, fair enough, the problem is that your experience will be different to mine and to Fred’s and to George’s. That’s why researchers look for more objective data, or at least the subjective data from lots of people, and look for patterns. Here’s a brief summary of what they’ve found.

Your brain is simply a bunch of nerve cells all clumped together in a soft gelatinous blob. Nerve cells don’t do much, they don’t produce anything, kill germs, stuff like that, all they do is transmit electro-chemical signals to other nerve cells. If a transmission happens often enough then the link between the two cells becomes stronger and future transmissions happen much easier. We talk about the cells being ‘connected’.

When enough nerve cells are connected we create a pathway for this electro-chemical signal. When the pathway is well established through repetition, we’ve learned something. Sometimes these connections happen only in the brain and we’ve developed our memory or deeper understanding of something. Sometimes it happens out in the frontiers, the nerves in your spine and limbs, and you’ve learned a new movement, sometimes called a motor skill. Both of these things are important for musicians.

How about our original quandary, old dogs, new tricks etc. I’ll do my best to summarise a literature review that deals with this very question. If you’re interested you can read the whole thing here http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2838968/

A literature review is like a summary of all the research in a particular area. These guys read the research and came up with a few key points.

  • The brains in older people are smaller than those in young adults and the reduction correlates with reduced motor performance.
  • Areas of the brain that deal with motor performance become less efficient with age.

 

Motor performance is simply your ability to move and learn new movements. They also found that all is not lost:


“Although it takes more training time, older adults can eventually perform tasks automatically at the same level as their younger counterparts.”

Our brains will change when they need to. When one part of the brain becomes less capable, another part will take over, it’s called plasticity. They also found that:


“many studies have reported deficits in older adults simultaneously performing cognitive and motor tasks”

and


”older adults learn a new task faster if they previously learn multiple other motor tasks”

So performing these motor tasks is harder if the brain is busy doing something else and we’ll find it easier once we’ve practiced learning other motor skills.

And here lies the essence of learning new skills, particularly if we didn’t have the opportunity to learn them as children.


Learn one thing at a time.

When you repeat one simple task that is very similar to something that you already know it’s much easier to create these connections between nerve cells. Once these are established you can go on and learn another that is similar again, then another, then you combine them, one step at a time. Eventually it comes together.

Not rocket science, or even neuroscience. Makes perfect sense but it’s how you do it that is the trick. What do you learn? When do you know you’ve learned it? What do you learn next? How do you break up these complex movements? How do you construct a set of skills?

I’m not giving it all away here, and there’s too much for a few blogs anyway. It’s all in my Starter Pack course though. The next blog will be about how to practice effectively.

Patrick Curley B. Cont. Music / B. Ed. B. Hlth Sc.

www.LearnCigarBoxGuitar.com

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Hello

Here are the tabs for my last video lesson 'Bluegrass Cigar Box Guitar Part 3' download them below :)

Bluegrass%20Cigar%20Box%20Guitar%20Part%203%20%E2%80%93%20Joe%20Cribb.pdf

My youtube lesson playlist - HERE

If you enjoy my lessons please show your support by downloading my latest release 'I Don't Care (for you no more)'

a foot stomping, hard hitting little number!!  

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This post is in response to the large number of discussions i've seen on where a beginner should learn to play cigar box guitar.

In my experience, there appear to be two types of players (a spectrum in any case).  The first type of musician or instrumentalist are those through whom the music naturally flows.  For some reason these people are born with an innate gift of music.  Instruction means little to this person as they play predominantly by ear and natural ability.  They have perfect (at least close to perfect) pitch and natural timing/syncopation.  Think..Willie Nelson!   For these people, its simply a matter of getting their hands on an instrument and playing.  

Then...there is the 2nd type of musician (Me and others).  <Switching to first person> I have absolutely no innate musical skill AT ALL.  I have no ear for pitch and have terrible "white boy" timing.  I also have no "musical creativity" and have tended to be a "monkey see, monkey do"-type player.   Think of me as Steve Martin's character at the beginning of The Jerk.  Not Steve Martin himself as he is obviously a Type 1.  BUT...I still love playing.

The problem is that there is a disproportionate number of people on this site that fall into the first category and many of the "instructional videos" for CBG that I have found here and online are taught by these folks.  Unfortunately, most people trying to learn here fall into the 2nd type or somewhere near that end of the spectrum.

I've managed to overcome my musical handicaps by putting in a crazy amount of time playing (mostly 6 strings until I built my first CBG a few months back).  I average about 2-3 hours of playing a day, often times more.  I work overnights (28 hours per week) as a physician in slow urgent care/ER and have a sleep room where I can pretty much just play and play.  There's no getting around it, you have to play a LOT to be good as a Type 2, but thankfully most of us here find the process as much fun as the product.   Also, if you are musically illiterate and don't have a band/drummer, play with a metronome.   I've listened to self-taught people who have spents years developing guitar skills, but never seem to sound quite right as they have never had to play in time with a drummer or band.

I had never played with a slide before and started with checking out some online videos, learned a few songs/riffs etc...mostly fretted instrument stuff, little solos...a lot of stuff that translated pretty easily from 6 string.  The problem I had with most of the purely slide lessons is they are taught by Type I's and completely ignore the fact that most of us don't have natural timing.  The lessons often end up with them playing something awesome, showing you where the slide goes and...thats about it.   Forget the right hand, should just come naturally I guess.

In short, if you fall into type 2 and you want to learn slide cigar box guitar, the website www.learncigarboxguitar.com is really the only viable option I have personally found.  If I had had this guy when I learned 6 strings, I would have spent a lot less time getting to my currently ability.  He approaches it as though you are a new student of music and focuses a LOT on the right hand.  You can get really good at sliding that slide around the different scales, but without timing and syncopation, lets face it, it just sounds terrible.  I actally picked up my 6 string for first time in a few weeks and as insane as this sounds, I actually played that much better than when I started this course like 3 weeks ago.

I love the Keni Lee Burgess CD's for 3 string as well, but a lot of this is for a fretted instrument with a little Type I teaching Type II.  The saving grace is that he puts a lot of tab in his videos which is great.  

I have noticed that www.learncigarboxguitar.com is strangely absent and rarely mentioned on this site, which I find strange as this is easily the best CBG instruction, naaay, musical instruction out there online.  Seems like these two sites would be a natural marriage.  Perhaps the price??  Still too new for word of mouth??  Bad blood?? My daughters classical guitar lessons are $30 per half hour so I'm not sure how anyone can complain about $47 for a complete course + another course.  This includes downloadable video, course notes, etc...the instructor if very responsive if you have a question and he appears to be setting up Skype as well. 

I'm about 3 weeks into and am putting together nice blues riffs/turnarounds, 12 bar blues etc...the process may be slower for someone who has never played guitar or an instrument, but the coursework takes you step-by-step through the process focusing on the right hand.  I can actually improvise and put together some nice little blues tunes already which is something I have never been able to do (as I mentioned above, I am the least musically creative person I know).  Its amazing how much different music you can play with 2 notes by simply instructing people on right hand picking, phrasing, syncopation, etc...the instructor Patrick Curley has seriously fed my already crazy music playing addiction. 

The website itself is very clean, organized and easy to look at.  Videos always play flawlessly and are very well done, good sound, picture and downloadable for playing offline.  Website load times are crazy fast because he gave the site a clean simple look, a rare treat in today's internet.   Lots of cool mp3 embeds for timing excercises and such.  Great notes with each lesson in pdf form if you like.

It should be noted that I rarely write reviews and have absolutely no affiliation with the site or the instructor.  It is simply rare that I have found music instruction on-line at this caliber.  Likely because most instructors with this background and experience are teaching at schools/universities.

If you are new to music, just spent a a bunch of time and/or money on your CBG and are wondering where to start playing slide guitar, spend the extra money and start here.  Easily the fastest way to learn CBG.

That said, of course, you should explore this site and the internet for instruction as well, especially if there is a specific song you want to learn.  I highly recommend Shane Speals stuff (another Type I) but some really cool sounding stuff that a beginner could try his/her hand at.  I found Shane Speals Star Spangled Banner on CBG to be a great beginner song to get you comfortable with the slide.  You already know the song/timing and only takes one string to play, but gets your slide all over the guitar.

 

Feel free to comment and provide insight/corrections, differing experiences, etc...always love discussion.

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First post!

Hello everyone!

My name is Alvaro and I'm new to cigarboxnation. I have always been interested on learning how to build things since i was young, with zero experience I hope to meet many people and learn a lot here!

Thanks everyone! 

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Hi all, It's been a long time coming but the new buildings are finished at the school and I can start the Cigar box guitar classes once again. I start this weekend and will continue from now on. I had to change the classes for the last few years to things like jewelry making do to not having a place to do the shop classes but that has come to an end. I'll post pictures as I can. you can reach through the club or here, larrymcpheeters@yahoo.com

Larry McPheeters

California Conservation Corps.

South Lake Tahoe Ca.

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The following song is in ABC music format and it should be cut-and-pasted into an ABC converter program like the "abcConverter" on Mandolintab.net. Once you submit your ABC file, the converter will produce a quick and dirty image of your musical score which is then displayed on screen. Above the music, in the center of the screen, you should be able to see these three links:

[MIDI music file]  [PDF Sheet Music]  [ABC source]

The first link will allow you to hear your music as played on a midi player, which is great for learning what a new song is supposed to (kind of) sound like. It's great if you are not sure of the timing of the music. The second link converts the ABC source into a .pdf image of your music which you can then save and/or print to yield prettier sheet music. Then, if you want to view the ABC source again, you can click on the third link. However, to edit your ABC source, you best click on your browser's back arrow to take you back to the original text box holding your ABC source.

Well, I like this song, and I hope you do as well. Enjoy:


= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

X:1
T:Mairi's Wedding
C:Scottish
L:1/8
M:4/4
K:Emaj
E3/2E/2 EF AB c2 | BA FA cB c/2e3/2 |
w:Step we gai-ly on we go, heel for heel and toe for toe_
w:1 1 1 2 4 5 6+ 5 4 2 4 6+ 5 6+ 8
w:~
E3/2E/2 EF AB c2 | BA FD E2 E2
w:Arm in arm and on we go, all for Mai-ri's wed-ding.
w:1 1 1 2 4 5 6+ 5 4 2 0 1 1
w:~
w:Chorus~(above~2~lines)
w:~
w:Verse~1:
e3/2e/2 ef ed c2 |  BA FA cB c/2e3/2
w:O-ver hill ways up and down, myr-tle green and brac-ken brown,
w:8 8 8 9 8 7 6+ 5 4 2 4 6+ 5 6+ 8
w:~
e3/2e/2 ef ed c2 | BA FD E2 E2
w:Past the sheil-ing, thru the town, all for sake of Mai-ri.
w:8 8 8 9 8 7 6+ 5 4 2 0 1 1
w:~
w:(Repeat~the~chorus)
w:~
w:Verse~2:
e3/2e/2 ef ed c2 |  BA FA cB c/2e3/2
w:Plen-ty her-ring, plen-ty meal, plen-ty peat tae fill her creel,
w:8 8 8 9 8 7 6+ 5 4 2 4 6+ 5 6+ 8
w:~
e3/2e/2 ef ed c2 | BA FD E2 E2
w:Plen-ty bon-ny bairns as weel, that's the toast for Mai-ri.
w:8 8 8 9 8 7 6+ 5 4 2 0 1 1
w:~
w:(Repeat~the~chorus)
w:~
w:Verse~3:
e3/2e/2 ef ed c2 |  BA FA cB c/2e3/2
w:Cheeks as red as row-ans are, bright-er far than a-ny star.
w:8 8 8 9 8 7 6+ 5 4 2 4 6+ 5 6+ 8
w:~
e3/2e/2 ef ed c2 | BA FD E2 E2
w:Fair-est of them all by far is our dar-ling Mai-ri.
w:8 8 8 9 8 7 6+ 5 4 2 0 1 1
w:~
w:(Repeat~the~chorus)
w:~
w:(Repeat~Verse~1)
w:~

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
Notes:

1.) The song is shown in the Key of E, but sounds just fine when played on a D-A-D' tuned instrument (or any other 1-5-8 tuning). It was arranged to be played on the melody string, so you can play it with diatonic canjos as well.

2.) Scottish vocabulary list:

  • sheiling = small stone hut used by shepherds for shelter in the highlands.
  • creel = a woven basket often used like a backpack to carry heavy loads like bricks of dried peat.
  • rowans = the red flowers of a tree that grows in Scotland.
  • bonny bairns = beautiful children
  • tae = to
  • weel = well

3.) Here is a link to downloard a .pdf version of this song suitable for 1-5-8 tuned stick dulcimers:

Mairi%27s%20Wedding.pdf

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First CBG Design/build

Almost finished my first (non-kit) CBG of my own design.  It's a fretted three-string, and will likely end up with a piezo-pickup option.  Have not used any fret markers yet, nor cut any sound holes.  Tone actually seems pretty OK with no holes, and it's a really clean look.

I counterbored to recess the screw-together tuners, leaving the main headstock at 3/4".  Used a 5/8" Forstner bit in a hand drill to c'bore about 3/16" deep.

Some tweaking remains to be done, but I think it was a good first attempt!

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As promised here are the tabs to go along with my latest lesson video download them here:

Tabs%20for%20Bluegrass%20Cigar%20Box%20Guitar%20Part2%20%E2%80%93%20Joe%20Cribb.pdf

My youtube lesson playlist - HERE

If you enjoy my lessons please show your support by downloading my latest release 'I Don't Care (for you no more)'

a foot stomping, hard hitting little number!!  

Read more…

Louie Louie

I was blessed with a special treat the other day. One of the guys at church, Larry, was out in Portland when he and his company decided to visit a cigar shop. He knew I was building cigar box guitars and asked the owner if he had some boxes he could buy. The owner I guess asked this guy named Mike to help him out. Mike went through and tapped on a few before deciding on a couple of boxes because t...hey had good acoustics and handed them over to Larry. Long story but in the end Larry was asked if he knew who the guy was that helped him out. Well Mike turned out to be Mike Mitchell of the Kingsmen! Like in Louie, Louie fame. Pretty cool! That kind of raises the expectation on that guitar....I'll have to see what I can put together for that one!
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