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I am a passionate writer specialize in web content writing for website and product reviews. If you would like for me review your products/services please let me know.

I write newsletter blog post on various topics, maybe you would like an article for your websites

I am an avid believer in constant improvement and always strive to continue furthering my writing ability any chance I get. I’m a hard worker, whose developed a high personal standard for myself when it comes to effort. I have worked with several big websites. I can write in any tone or style required and I’m more than happy to also provide a writing sample or to complete any writing exercise to showcase my ability. 

Regards 

Toby

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I am starting my own CBG company; Insolitus Guitars. I chose the name because cigar box guitars are unusual, uncommon and that is what I enjoy most. I love unusual things and music from these instruments is beautiful to me. Even on youtube from the least skilled player the music rings in my ears something sweet. I found out about cigar box guitars in college my sophomore year. I didn't have money for a guitar so I 'googled' DIY (Do It Yourself) guitars online and there they were. They were minimalist (which I love) and simple to make. The various tuning styles that people have developed for them allows them to be uniquely diverse and can play any style. They are socially and economically relevant today as they were back in their humble begining.

Today's recession has called upon inovative and resourceful thinking. Recycling cigar boxes to create musical instruments and amplifiers is one great way. Using discarded or simple sustainable wood for the necks and other parts is great as well. They cost a fraction of the cost of a normal guitar to make but can produce sounds that are just as good; if not better. So for me to not look into making my own to sell and play then i would be making a mistake.

I am still a beginner in playing guitar, I have been tinkering and playing around with guitars and basses since I was fifteen years old. I never really had the time nor the patience to sit down and learn how to play them. Until i found out about cigar box guitars. These wonderful instruments inspire me. So my blog at wordpress is called: http://insolitusguitars.wordpress.com/ and here at Cigar Box Nation. You can follow my adventure in learning how to play and build these soulful and simple instruments.

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A European Tour-So whats it like?


Stand at the very edge of the cliff.Feel the fear of the unknown,a sense of dread even.Steel yourself-Step off...

You can't see them beneath the clouds, but I can assure you there are people you've never ever met,perfect strangers,holding their hands out,far below in foreign lands.They will catch you,shelter you,feed you..I earned a few mad stacks whilst touring Europe, but this knowledge is far more precious than gold.

      So yeah,I was scared tell you the truth-it was like a personal challenge to do my first tour alone-what if the Bellybus broke down-I have no breakdown insurance,cant speak the language,no one to help..what if I get mugged?what if my health fails? what if I lose my satnav? and on and on..dunno about you when facing the unknown, but my mind delights in furnishing me with ever increasingly lurid technicolour fantasies of all that could go wrong.I should have recognised how things might actually turn out when,out of the blue, Steve 'Leadfoot' Thompson comps me free ferry tickets across the English Channel, to 'help a brother out'.This is the first example of how people will respond to my situation, for reasons that, for me, still remain unclear.What I do know is that I felt the same way with Bob Log when I met him on his tour-if he'd have said to me "John I need to travel 50 miles to buy a plectrum" I'd have driven him happily.

          So the tour kicks off at The Chambers,Kent.Despite it being midweek the turnout is pleasing-with several cigarboxnation members in attendence.The gig goes well,the first of the tees n' cd's start getting sold and obviously I comp Leadfoot a tee, cd n' stickers as a thank you.

          I go back to my mate DJ Hillfunks' gaff-my regular hang out when in these parts.The next day mid morning I board the Ferry and leave England.Watching the White cliffs of Dover as you depart for foreign lands always elicits an emotive effect for any Englishman.I feel like ringing Mrs.Belly but at that thought an unexpected lump forms in my throat so I leave the phone in my pocket.

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         Pretty soon I disembark and cruise (on the right!) via France to Ziggys bar in Kortrijk,Belgium.I am offered a bed for the night by the bar owner but as I set up the Blaublues Festival Crew turn up.They inform me that after the gig they will escort me back to their house where I can reside during the 6 dates I will be playing in their country.Wow! and heres me thinking I'd be living like a tramp in the Bellybus for 16 days.I've been on the road 2 days and been offered at least one bed each night without fail.

         The gig goes well enough,I collect my dosh and follow the Blaublues Festival crew to a rather pleasant home in a rather pleasant suburb, where I am sheltered, fed,have my clothes washed and folded,and am generally looked after beautifully.Each night the guys pull on their Hollowbelly tour tees and hump my gear,even magically delivering a PA system to gigs that dont have one.The sound dude donates his equipment free of charge, and even turns up at one of the gigs to operate it.When one of my harps fail I am driven to a blues harp players house,where he lends me one as a spare-nothing is too much trouble.Patrick takes photos at gigs and mails them to my email address each night.The guys even make a round trip of 160 miles to support me at my last Belgium gig in Brussels.

         Each gig is very different-sometimes a young crowd,sometimes an older crowd-sometimes a bar,pub,club.Luckily the reception is always the same and the cd's and tees sell steadily each night.Its interesting to witness people in different cities laughing at the same between-song jokes, now I witness them laugh at the same jokes in different countries.People are the same wherever you go I guess.When I slag off the international bankers during the introduction to 'She dont love me no more' they laugh knowingly-they know the score- in any country, the truth is the truth.

          One day I'm checking the oil in The Bellybus outside Patricks house when I see a cop car turn into the street-it takes a wrong turn but I instinctively know they're looking for me.I decide to  seek refuge in the house but I can see them coming after doing a u turn..they just wanna know who I am and what I'm doing so its no trouble,although I feel a little embarrassed that my scruffy foreign presence has bought the law to my hosts door.

        The gigging is hardcore-the europeans want you to play say two 45 minute sets at least-I cant quite believe anyone would want to listen to me for 10 minutes,let alone that amount of time.On Sunday its an afternoon gig,so it feels like I have a night off-Patrick asks me not for the first time if I'd like to accompany him to his local bar-I am introduced to the locals and much to my embarrassment they play Long Road over the sound system.I start drinking whiskey and of course its Europe-no small measures here like in the UK-its like half pints,pretty soon I'm pissed as all hell and of course the drinks just appear from nowhere into the early hours-I never recall actually buying anything-I mention my favourite song of all time is Shes Lost Control by Joy Division,I go to the loo and when I come out they've put it on the sound system-I start doing an Ian Curtis dance and I couldnt give a **** who's watching-I'm really too drunk to care.9353756084?profile=original

                 Well it's a week into the tour when I leave for Amsterdam-the Belgian boys tell me I'll get stopped by the Man again cos I'll be driving on the main drugs route out of Holland.I pull into a truck stop at 2am after playing Brussels and sure enough a young cop comes across,shines a torch and asks the usual questions- fortunately,he seems quite impressed when I tell him I'm on tour and I ask him if its legal for me to kip there-he says its no problem, so the encounter turns out quite good cos at least I know I'm not doing owt illegal by sleeping there.

         Wake up, make meself porridge and coffee in the Bellybus.                                                                 Get to Amsterdam and sit down in the promoters loft apartment-I have a day and night off-my first.I call home-its my 14 year old and she's crying-her best mates dad threw himself under a train-he was 36.So my tears and snot fall onto the wooden floor and the promoter will think I'm insane when she gets back from the shops.I clean myself up.I can't get my daughters friend out of my mind-I really like the kid,shes always sleeping over at our gaff and I can't make it better.I can't fix it.I'm gutted tell you the truth.I dedicate one of the new songs 'Save your tears for the living' to his memory in the next few shows.I dunno whether its tiredness but I remain haunted and sort of fragile for days.It hangs on me like an invisible, gossamer thin shroud.I sit in a park midmorning in Amsterdam just staring.The dog walkers seem like cardboard cut outs,or figures from a painting by L.S.Lowry.The grey blanket-like sky is fitting.A hollow man on a bench.Disengaged.

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The Dutch gigs go well,I meet several people in Holland who have travelled three hours to see the show.I drive east and again I am housed by the owner of The Crowbar,who's boyfriend is an excellent cook and delights in making me vegetarian food.I actually have 2 days off and so, midmorning, off I roam to enjoy walking around Groningen.I inadvertently turn a corner and I'm in the red light district,near naked women are selling themselves in shop windows in broad daylight.I thought they only did this in Amsterdam.You learn something new every day I guess.I am relieved to get back onto mainstreet.Up to now all I've seen of Europe is a stage with red lights,followed by another stage with red lights,night after night, so its nice to get out and about and act like a tourist-see daylight,breathe smokeless air,sit by a canal,have a coffee,that kinda thing.

                   The next country is Germany.Again my promoter turns perfect host,I stay in his apartment,leave The Bellybus parked up outside as he drives me to each venue.You can tell he's been around bands as he says all the right things-leaving me alone 30 minutes before showtime,sending me backstage to cool off/calm down after the performances, he sells the merch for me and shoves the loot in my hands.The shows go down great and the last performance of the tour is at the Heartbreak Hotel-   9353757264?profile=original                  an uber tiny venue,no pa,I can only fit on the shelf like stage by jamming the kick drum against the strippers pole and sitting on an upturned beer crate-yep this is rock n roll and I like it,like it,yes I do.Some folk have travelled all the way from Berlin to catch the gig,others have followed me from last nights show.My cd case is empty.Having no show the next day, I go mental..its supposed to be therapeutic but afterwards I feel drained backstage and feel like I'm gonna have some sorta breakdown.The comedown is slow.All I can do is stare at the floor.My tee is soaking and when I move, it sticks cold and clammy to my skin.

           And so it ends, and despite being tired I know for sure I'll be back.The next day I drive 600 miles across 4 countries to get back to my girls.Back in England it feels great giving my mrs some mad stacks and I feel useful for once,instead of a middle aged, useless, burnt out ****.I feel a new found confidence and most importantly of all,I have rediscovered something I'd forgotten beneath all the ugly 'news' that we get force fed in the media-I am reminded that humans are wonderful.That they would exhibit such kindness toward a stranger,catch me,feed me,shelter me,even clothe me.Like I said at the beginning dear reader-that discovery is more precious than gold.

                   HB.

A heartfelt thank you to Esther,Dawn and Joe (Holland),Jurgen,Patrick and the rest of the Blaublues crew (Belgium) and TVT (Germany).

          

        

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tales from a long road..

Its 1972, I'm around eleven years old- I'm in a working mans' club somewhere in the north and we'd just played a set.This particular night we get told not to come out of the dressing room during the next performance as it was unsuitable for kids to see.So of course I sneak out onto the balcony.I remember peering down at the stage.I can still see the scene now in my minds eye.Theres this woman singer on stage-she is gorgeous-long blonde hair, full lips,long lashes-a skintight silver dress that leaves nothing to the imagination.Damn shes hot.I may be eleven but-well, you know.

After a number she asks which guy would like to come onstage and kiss her-the crowd are going crazy "ME! NO ME!!!" eventually she chooses some jammy bugger and up he goes-man I bet he cant believe his luck-the kiss turns into a full blown snog and everyone is drunk and cheering and all that.All I can think about is-I wish it was me.Well the guy goes back triumphantly into the audience and the sexy blonde starts singing her next number-she starts stripping-oh man-this gonna be great.Nobody has spotted the wide eyed kid on the balcony-my heart starts to race- off come her over the elbow gloves, singing all the while..off comes the hair-uh oh-out come the plastic boobs-oh shit! the fake lashes get peeled off and discarded..well by the time she gets to the last chorus 'she' is a short haired,gravel voiced man-aarrgh!! holy cow!-I cant believe it and judging by the noise, the crowd weren't expectin it either.Sheesh-I always wonder what the guy from the audience must have felt like and also marvelled at the fact that the tranny didn't get decked-it was a northern working mens club after all-it sure as shit wasn't Madam Jojo's in Soho.

Well I'm just remembering some of the gigs I played as a kid you understand.Self indulgent I know but what the hell.

Laters..HB

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from the streets to the symphony hall..

Get up 5:30am and satnav my way north toward Birmingham for the largest UK arts festival.I pray it doesn't rain cos my rusty car roof leaks and I dont want my gear getting wet! Arrive at Chickenbone Johns' 1960's bohemian split level gaff nice n early.After a quick coffee we convoy into the city centre and set up the cigar box nation stall.It's another example of just why Chickenbone John is the Godfather of the UK cbg movement-with the stall emblazoned with cigarbox nation backdrops, his homemade cbg's and flyers.I set up my gear.Over the next 6 hours, we alternate doing short sets to the passing festival goers,selling cd's and handing out flyers for the 2nd UK CBG fest next month.

Its a long time since I played on the street and I'm reminded how different it is to playing to an indoor captive audience.I find it harder to build a relationship with the mercurial masses-they do stand and watch, but stop playing for more than 4 seconds and the crowd will soon dissipate as the river of people flows,naturally enough, along to the next stall.You have to be more aggressive in the way you interact, pulling them in and keeping them there.I see John working the crowds doing just that.I unfortunately do the opposite and give up trying to talk to them and simply resort to playing the tunes.I'm still harbouring secret doubts about my abilities-due largely to not having had the type of positive feedback that only comes from a live audience for a few months.Playing in amongst a line of stalls doesn't particularly assail my demons.After I overhear the nth person hissing Seasick steve to their partner I seriously consider having a shave.On the other hand, as John sagely points out-its really the only point of reference the public has to what they are witnessing on the stall.

Around 5 we break down the gear and dash across the city to load for the gig at the CBSO. (City of Birmingham Symphony orchestra)Damn-this place is one serious venue.We are directed through massive manned steel security gates.Not the usual parking down a dark alley behind the club.There are staff on hand to help in any way they can-its all very pro.Me and the Godfather load via the stagedoor, down a corridor lined with huge double bass cases-the effect is funereal, they stand like gleaming white Sarcophagus against the wall.We pass the Ancient Egyptian sentinals and enter the concert hall-holy smoke-the ceiling is like 3 stories high and its all polished wood floor.I throw down my grotty carpet and set up-it looks tiny but kinda cool-the addition of the cd flightcase left open toward the audience makes it look like a set-the final addition of a bottle of beer and I'm good to go-I like the way it looks and I'm learning fast about selling.The soundcheck is painless-the acoustics are the best I've experienced (but they would be given its home to an orchestra!) I dont even have monitors, yet I can hear everything.Fantastic.It might sound pretentious but I feel at home.

So I'm on at 6:15pm-opening act for an evening of blues.I think to myself "who the hells gonna turn up for a gig at this hour" but I'm wrong-the place fills-the Godfather grabs a radio mic and tells the crowd about next months festival and introduces me-I cross the expanse of polished wood and strap meself in. "its dead posh ere innit?" I say and they all laugh.I tell them I can always tell posh venues cos the toilets still have the plastic seat bit attached to the loo.More laughter.Launch into Jolene and it all goes gr8.Its so good to feel that ebb and flow between the audience and the performer-its like being psychic-you can feel what they're feeling, tell what they're thinking-gauge their level of enjoyment.This is what I like.Theres no bull-its immediate,its all out in the open.I tell them if 3 of them buy my cd I'll be able to get enough petrol to get home.Its over all too fast but the reaction is gr8 and a good number of people line up and buy the cd.It's exactly what I need and the doubt demons flee to bother someone else for a while.So thanks to Chickenbone John for providing me with the opportunity to get back in the driving seat.It felt good.Oh yes.

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Post show blues

Long time since I did a blog.The Birmingham show was an absolute blast! Met some really great folk, took home some great ideas and knowledge and enjoyed every second of it - a huge thank you to Chickenbone John and his team for organising everything - Im already looking forward to next years!!I took 18 cbgs and diddly bows down eventually I think, and it was fantastic to see everyone playing them and enjoying them - thats what its all about right?Since the show though Iv been in a bit of a lull. Kinda like a Post Show Blues. Im not the only one feeling it either. Im not sure what it is - maybe I was just building a bit intensly prior to the show. Now the pressure is off, Im struggling to decide in which direction to go. Seeing Jujus amazing creations made me realise just what is achievable with a little patience. And a lot of skill! Then theres a part of me that thinks ' i love building - lets just build a LOT in the style that Im used to'.... Im undecided at the moment though.Instead, Iv been filling my time trying to spin my own resonator cones at home, with some success. Spinning the cones is no problem, but Im at the stage now where I need to invest in some proper materials and that is costly. That kind of goes against the grain of what I was trying to achieve by spinning them in the shed in the first place!! So that too, is on hold...In the meantime I have a few amp jobs on which sound very interesting, and maybe a website in the pipeline.... watch this space!!!
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