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Amazing Grace

So, after a friend of mine sadly passed away I recorded a version of Amazing Grace on my Reso-CBG.

At first I kept it private, and only shared it with a handful of friends we had in common. Now, shortly after my late friend's birthday, the first on which I could not congratulate him, I decided to make it more accessible, in tribute to Duncan.
I believe it is a nice piece for a CBG, and Duncan would have laughed and politely said "not bad, eyh".

Edit: Here's the link to the track in SoundCloud Amazing Grace (Reso CBG)

Sorry, I thought it would be visible in the "My Music Box"... which probably is not visible to all of you.

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CBG for my brother

Well, my brother's #CigarBoxGuitare #Honher (diatonic accordion case) ends! More than a few things to do like markers for notes and make a cheap strap.
In any case, it has a great sound of death that kills both in clear sound and in angry distortion mode, and quite simple to use because although he's a famous guitarist, going from his #Ibanez 7 strings to the CGB 3 strings, it's going to make him weird! ^^ ^^
I also preferred not to fix the saddle nut (which is actually a piece of bone found in the forest) free so if he wants it, he can play a bit on the tuning fork!
The varnish coat is okay. It's just waiting for my parents to bring him back...
I'll be able to attack mine now, her twin sister in a way since it will be made on the other base of the same Hohner accordion! Youhou!
Soon sound in video too to make you listen to this...

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A little hello from Switzerland,

piratesGuitar1.jpg?width=640

Here is my first cigar-box guitar created entirely pieces by pieces for laser cutting. My PIRATE'S GUITAR is an electro acoustic mini guitar with a special short scale of 488mm and can be mounted with 3 strings like a CIGAR-BOX GUITAR (tuned GDg) or with 4 strings like a UKULELE (tuned GCEA Low-G). She is playable acoustically but also amplified through a passive piezo pickup include under the bridge. The body and the neck are made of 61 pieces cut with a laser cutter in 2 peaces of 3mm and 5mm plywood. It also requires 4 classical guitar tuning pegs, a piezo mic capsule (already wired with an output jack socket), some screws, a fast wood glue and some nylon classical guitar strings. The graphics are burned by the laser during the cutting. For the mounting, it's like "Lego", every pieces clips with the other with some wood-glue, nothing to measure. Just look at the video...

The files of the original design are downloadable under Creative Commons Licence BY-NC-SA on our website: www.notsonoisy.com/pirates-guitar
We have not yet drafted "Instructables", but it's coming. In the meantime we have already organized 3 workshops where 30 people had mounted their own Pirate's Guitar, at the FABLAB-FRIBOURG, here in Switzerland.

I hope that will inspire you. Best regards. NOTsoNOISY Guillaume Reymond.

One of our workshops. Just 1 afternoon to build their own instruments.

WORKSHOP1_1-960x540.jpg?width=640

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Getting Close but man it's tough in HCMC

It's proving very expensive to build cbgs in Veitnam. I can't find any cigar retailer who will negotiate on boxes. Getting a tool isn't just a matter of running down to your big box home store - every type of retail business here seems to congregate to the same zone or street (need a tool, go to tool street), and there's the language barrier and the buying of counterfeit tools.

I need a damn drill of my own. Went to Saigon MakerSpace the other day and was sorely disappointed - nothing like the website. A bunch of slackers sitting amongst piles of stuff they'd made (and failed) on their 3d printer. I was able to get a drill to use with 5 bits that they just dug up somewhere. Sucked.

I will buy a drill soon and makerspace be damned. Grr.

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A good night!

Last night at the Destination Blues Listening Room, a monthly event sponsored by The Exchange in Bloomsburg, PA, Clarence Spady banged out a tune on the license plate guitar I built and donated for a raffle. It was dramatically untuned after being fooled with for a couple of months, but he found music in it. It was a blast seeing an instrument I built in the hands of such a talented musician! I hope the winner of the raffle enjoys the instrument too. It was autographed by the members of Cabinet and features their logo on the headstock with permission (you can't see it in the photo, but I've posted it before). 

Takeaways: 

1. If you've never heard Clarence Spady, you should. I don't intend to miss him again if he's playing anywhere I can get to. Great player, singer, and entertainer.

2. If you're in or near Northeastern PA, check out Destination Blues! Good music for bargain dollars. The monthly Listening Rooms are $5 suggested donation, super intimate, and BYOB.

3. I like donating stuff I build--but my wife says I need to start letting people pay me once in a while. 

Here's a picture of Clarence Spady playing the instrument. Photo by Oren B. Helbok. 

9353889286?profile=original

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Back On The Road - Autumn European Tour

It had been a while, but it was time for me and Hollowbelly to go back on he road again…the Van Thom Weekender and the German Cigar Box Guitar Festival were happening on two consecutive weekends, so that was the cue to arrange a little tour. We had a contact from a new promoter offering a midweek date between the two weekends, and I managed to arrange some more dates on the way out and back, so we had a viable tour organised. Getting gigs is one thing, but getting shows that pay and work well in terms of the travelling is another, so these things take quite bit of time and effort to pull together.

THURSDAY
We met-up at Gordano services near Bristol, as it’s around midway between our respective houses in the midlands and Devon, and headed off to our first engagement in Folkestone. The Chambers is a cool cellar bar, we arrived in good time to get set up, get a drink and something to eat before the show. Chris, the owner at The Chambers had sorted out a hotel for us, so we moved the van, checked in and put the remainder of our gear in the room.

It's a real pain, but a really important think to make sure you don’t leave anything in your van that you can’t do without…just in case it gets broken into. We’ve seen too many appeals for help on Facebook as time after time musicians have their car broken into and their gear stolen.  It’s my observation that an empty van doesn't get broken into. It was a great start to the tour…a convenient break, good audience and money in our pockets.

Balcony view over the channel from the hotel.

After the show it was more hard slog as we broke down the backline, found somewhere to park near the hotel and loaded ALL our guitars and amps into the room..we were taking no risks of anything going missing.

FRIDAY
Friday morning was a very short drive to the tunnel terminal, but there was an hour delay to our crossing, so we already on the back foot timing wise. There was the usual dreadful journey round the Antwerp ring road, but we’ve had worse, and arrived at our friend and promoter Ozzy van der Loo’s place in Asten with enough time to have something to eat before heading off to Eindhoven. Half an hour down the motorway , we were heading for the amusingly titled “Balls Cafe”, a pool hall cafe.

Cafe Balls, the reflection in the window shows the van parked directly opposite..just how we like it.

It’s only a small place, so we were providing our own PA, and it's a pretty heavy job unloading and rigging the PA, especially with my new (and very heavy) Mackie speakers.

On stage at Cafe Balls, Eindhoven

SATURDAY
Our next appointment was in Bremen, north Germany, so we had to be up and doing as we had  to get to the Van Thom Weekender that evening. Usually it’s a real drag to get to Bremen, as often we drive from the UK directly their, but this trip it was a lot easier, starting from quite near the Dutch-German border. Apart from a few brief hold-ups on the Autobahn it was an easy drive, but we didn’t have too much time after arriving there before we had to load out our gear into our promotor’s car and head off for a half hour trip from the rural village of Ganderkesee into central Bremen.

Rebels Club in Bremen

Merch table set up..a vital part of any tour.

Mack Drietens..superb acoustic old timey Americana

Authentic rockbilly from the Stringtone Slingers

Hollowbelly headlining the evening.

SUNDAY

An early start to the day to get down to the venue in Bremen for a guitar making workshop. All very civilised, a nice steady paced day, then off to a nearby Turkish kebab house for lunch.

 

Another happy customer!

MONDAY
A day off! We went for a stroll with Andy’s enormous dog, Mofo, a Broholmer-Ridgeback cross..think Scooby Doo and you’ll get the idea!

Camo jackets and Mofo dog

TUESDAY
Back to Asten to catch up with Ozzy. Another steady drive and plenty of time to chill out.

At Ozzy's...HB checking out the Pignose amp with my Airline Stratotone.

WEDNESDAY
Day off..a walk in the nearby National Park with a  stop for coffee. Takeaway pizza for dinner then we watched the match on TV - Ozzy’s team Feyenoord got hammered 4-0 by Man City, so it was off to t'Spektakel bar afterwards to drown his sorrows! Plenty of Belgian beers on offer.

THURSDAY
Off to the middle of Germany for a show…a new town, a new promotor and a new venue. It wasn't far to travel, so there was no rush , with a pretty easy drive down the Autobahn  to Mettmann, near Dusseldorf. We rocked up at the hotel, and it turns out to be a 4 Star gaff!  We loaded in our gear into the lounge bar (and yes, it did have grand piano) got set up, and as we had some to me to kill, we took a hike into town, but it was pretty nondescript and we couldn't find anywhere decent to eat, although it was still late afternoon, hardly the ideal time, so we trudged wearily back the hotel. By the time we got back the sound engineer, PA and promoter had arrived. Once the PA was set up it didn't take long to sound check, so we drifted into the restaurant and ordered dinner. Bread rolls arrived, with the usual butter, herb butter...and something else to spread on the bread.. we were in Germany, so it was pork dripping with extra ham..delicious! An excellent Weiner Schitzel for me and a good solid veggie hotpot for HB, and we were all set for the show. I tried asking for the bill, as I didn't want to load-up the promoter with any unnecessary expense, but that was all taken care of. The weather took a real turn for the worse and there was absolutely torrential rain, so we were a bit concerned if we’d get an audience..but they started drifting in, and our friends from Wuppertal had made the trip over to support the event, which was great. We had a very receptive audience, and despite Hollowbelly being a bit concerned about connecting with what could have been a reserved audience,  he needn’t have worried..it went great. The management and staff were very helpful…we ordered a few drinks, and it was all on the house, all sorted. After the gig I sold a guitar to one of the staff, which was nice bonus, and we got a very decent pay packet - as we’d done this at risk, for accommodation and a door split I was prepared for this to be a low paying gig, but far from it, and we both shifted some merchandise. Huge thanks to Benjamin and his mother for organising the gig.

Posh venue..it's got carpet and a grand piano...and 4 stars!

 FRIDAY

After a good breakfast we were back on the road under clear sunny skies en route for the German Cigar Box Guitar Festival in Pleutersbach near Heidelberg.  I needed to get some more guitar strings, so as we had plenty of time in hand, we stopped off in Heidelberg and got some lunch.

Schnitzel & noodles for lunch in Heidelberg.

Our accommodation was as per last year, in the barn next to the hay loft above the stage, and there were a number of familiar faces, both from Bremen and from last year, with a significant contingent having travelled down all the way from the Netherlands. All very efficiently, we were given the keys to the village hall and we got set-up ready for Saturday's guitar making workshop.

Supper was a campfire barbeque in the orchard,  very laid back and relaxed. (photo Julian Kohler)

SATURDAY

After a successful first festival last year, we were looking forward to another great event, and we we not to be disappointed. Visitors and performers had come from Belgium, Holland, Italy, UK and from all over Germany. Fabian "Capt'n Catfish" Fahr and his team had done a great job, setting up the stage and the PA, organising workshops , there was good food and good beer a plenty, and generally a great atmosphere of "gemuetlichkeit". We were up early to get the workshop going, we were able to get wrapped up mid afternoon so that everyone could get back down into the village for the rest of the festivities.

View from the workshop

Learning to play after making their own guitars

"O'zapft is!"  the official opening of the festival, signified by the tapping of the first barrel.

Running order for Saturday (photo Reinhard Knippen)

Capt'n Catfish and Mrs Nikki opening the event.

Gypsy Rufina from Italy (photo Andy Muehlig)

 Onstage at Pleutersbach (photo Freidel Geratsch)

Hollowbelly minding my back while I'm onstage...it's all part of the job

Gumbo & The Monk (photo Freidel Geratsch)

Garage 3 (photo Andy Muehlig)

The packed crowd (photo Andy Muehlig)

The BluesTones (photo Andy Muehlig)

 

The beer crew...on duty all the time (photo Peter Steiner)

Evening panorama (photo Julian Kohler)

 

Jan Lundquist

Evening crowd (photo Peter Steiner)

Hollowbelly..onstage viewed from the hayloft

 

(photo Andy Muehlig)

Another red-hot set from Hollowbelly

Winding down the evening with Mississippi Blues Band jam


SUNDAY
Another rest day, and we needed it!  We were served breakfast from one of the impromptu street kitchens, caught the end of holy mass, celebrated by the local priest on the street with the church band, then drifted back to the stage and checking out the various guitar sellers stalls on the street on the way. 

One of the several stalls selling CBGs (photo Blues Bones)

 

Hubi, the irrepressible one man band entertaining in the cow shed bier keller

 We got lunch beirkeller style, chips and  Bratwurst, sitting outside one of the cowbarns on long benches, shared companiably with the locals, and listening to the Musikkapelle Kleiner Odenwald..a traditional southern German brass band, all rigged out in traditional “Tracht” regional dress, and led by the splendid Dennis Nussbeutel.

HB, Dennis Nussbeutel and me, Pleutersbach

Our merchandise had been on sale on the communal info point and shop, so both Hollowbelly and me were handed some cash as they’d done a great good job of selling stuff - this really helps boost the income and helps make a tour like this properly viable.

Sunday afternoon jam (photo Andy Muellig)

We took it easy on the free beer, as we had the longest journey of our tour to make the next day, so we got all the gear packed away into the van, then  early to bed and early to rise.

MONDAY.
Breakfast around the farmhouse kitchen table with other visitors, and then away, managing to get through Heidelberg without too many hold-ups, and a steady day on the Autobahn. It was a remarkably stress free drive up to Herselt in Belgium, where we were meeting our old friend Hans, boss of the Pallieter Cafe.

My early days...

He’s moved location about 5 miles to a neighbouring town, but the reception and atmosphere was typically Belgian…laid back, comfortable and friendly. Belgian is one of our favorite places to visit - friendl people and great beer, so it was good to be back.

Opening the evening at Pallieter Cafe (photo Nathan van der Velde)

Hollowbelly at Pallieter Cafe (photo Nathan van der Velde)

Toasts all round...a late finish 2.30am on a weekday..only in Belgium...Gezellig! (photo Nathan van der Velde)

TUESDAY
Yet another early start, as we need to get to the channel tunnel by lunchtime, and we have the prospect of Antwerp to get round/through or avoid. I tried setting the satnav to give us some waypoints to avoid Antwerp, but it was giving alarmingly late arrival times, so just set it to fastest journey time. We ended in in Antwerp, but strangely enough, we went direct to the very centre, passed above the ringroad in fairly slow moving but not gridlocked traffic, and drove out into a freely moving traffic on the ringroad out of the city…all in all not too bad. Yet again, the channel tunnel shuttle was running late, this time with no explanation or apology offerred..pretty dire customer service. I asked the lady on the information desk and it appeared that I’d disturbed her doing the soduku and keeping her manicure up to scratch, as she offered no explanation as to why we hadn’t been called to embark despite the following two trains seemed to have already loaded. The French can be so good at insulting foreign visitors with minimal effort, and she was absolutely top drawer material. It was no better after we’d gone through UK passport control and finally got in the queue…the young woman marshalling the queues was studiously avoiding coming anywhere near us for a good 20 minutes as she ushered line after line of cars towards the waiting trains. We’d got wind that there was a problem after I saw some camper vans and a bus coming back up the loading ramp 15 minutes after they’d gone down to the platform for loading.  I had to resort to honking the horn and waving her over to ask for some sort of explanation as to why the they were boarding tickets C, D and E, whilst our ticket B seemed to have been forgotten. As if by magic the trafic lights turned green, the barrier lifted and we were away, an hour late and nicely on target for hitting the M25 at afternoon rush hour. I suspect that the carriages are getting past their best and minor technical failures are beginning to affect what had previously been a swift and efficient service. Traffic wasn’t too bad, and we were at Gordano services for about 6.30pm to meet Hollowbelly’s family, and then on our separate ways back home.

So 12 days on the road,  2000+ kilometres , and a pretty successful trip all round.  We made plenty of new friends, met a lot of old ones too and came back with a decent pay packet. A huge thanks to everyone who made our tour a success - audiences, fans, friends, promoters and venues. Touring is  no picnic, the money is hard won, the hours are long, but on some days it doesn’t seem like a bad job at all.

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About my poetry

I was once a man.
Who did not act as friends, acquaintances or lightning traces.

A skin on a river.
Bones in an hourglass.

The time so never flowed into me like it should have,
like he knew how to do it with the others at least.
Neither does blood.
The seconds quickly dried the one that I became one day.
The minutes reminded me of it.
The hours to certainly regret this still life,
Visible in every mirror,
in every pair of eyes,
in every heart that smells the sweet business.

I've become a man.
Ersatz,
Relic,
Memory suspended from another who refuses me with this violence that was shaping,
still shapes the timid souls that approach us,
at least surround us to better escape through the most exhausted door.

I'm still a man today,
free of the greasy soot that chimneys spit out.
Become transparent,
transcended,
empty of everything that doesn't matter to me and worth gold for the rest,
I'm a difference that I'm learning to tame.
Lucid and savage taming.
Between controlled and latent survival,
Between the excavated trees and the rain that falls down to the ground that scatters it then.

I'm almost but do not quite despair the blur.

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Just a quick about me and stuff

Proprietor of OneWithCoolness, building canjos and little guitars since a few months ago..

youtube videos - www.youtube.com/hstubbs3

Etsy shop - https://www.etsy.com/shop/OneWithCoolness

Facebook (personal...) https://www.facebook.com/hstubbs3

Website - www.onewithcoolness.com ( note - domain currently served on DIY server that gets cranky!)

OWC facebook - needs work, is online - https://www.facebook.com/OneWithCoolness/

Email - brfrancis@onewithcoolness.com

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Create with no excuses.

I honor those who can build fancy instruments.I give more encouragement to others like myself who create a instrument and work hard to make it sound good with the limited materials they have. Then pass it on to others. The gift of music lasts a lifetime.
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first steps

I got some really rough 1x2s and hand tools today in HCMC, quite the accomplishment. Basically I went to the wonderful Mr. Binh (of Guitar Binh Handmade Guitars), who sold me a lovely acoustic a couple years back, and he told me where to get wood and tools. I forgot a few things, but was able to hack down the 1x2s to get rid of split ends. Tomorrow a trip to the Humidor (the only real cigar retailer in Saigon)? Maybeeeeeee....

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One stringers

OK, I want to make a few one stringers or Canjo's, but my question is;...why do some, well, many that I've seen, mostly fret-less ones, have such super high action??? They usually have a super high nut and or bridge and don't look like you could do much more than twang it open string. I've seen this here and other places where it looks nice but appears to be impossible to play. Are these just made by people as a novelty, or inexperience, or am I missing something.

I'm not talking about the old school bow and arrow looking units either.

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Solid Body #1

Taking cues from my cbgs and other guitars, I finished this one this past weekend. 3 strings, oak neck and fretboard, Gitty tuners, floating bridge and a scratch-built pickup. Sounds better than I'd hoped. Guess I'll build another...

Special thanks to my friend Nathan J. Roberts for taking it for its first run.

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Hey all, First of all thank you for accepting me as a member.

I have been kicking around with guitars since my 15th Birthday present of an old acoustic. Since I'm now 55, you would think i would be pretty good but life has a habit of getting in the way.

So I finally got around to building a smokey amp. The first hurdle was finding a pack of cigarettes that didn't have all those warnings on the pack. I beat this by downloading a scanned pack of Lucky Strike with all sides and front and back included. I got an empty pack from the bloke next door and through the wonders of publisher, I was able to superimpose the lucky strike over his pack. Looks the deal and sounds ok.

While I was printing out the lucky strike pack, I got to thinking I could do this with cigar boxes as well. Only problem is the local tobacconist doesn't have any empty boxes. So if anyone out there is willing to scan in his or her cigar box on all sides, I would be eternally grateful. High res photos would be ok as well.

When I get some scans, I would be happy to share with anyone who wants a copy and even make you a cigar box you might not have.

Looking forward to making my first 3 string cigar box guitar.

Greg

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Spent the evening with two elderly ladies from my church. One said that she regretted never learning to play a musical instrument and that she would have loved to learned the guitar.

So.......I made a big pot of Jambalaya and she made a pan of Craw-fish Cornbread and I brought a 3 string cigar box guitar in open G.

Before the night was over she was strumming and sliding G-C-D chords with confidence and her smile was as big as the house.

Love this CBG life!!

 

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Cigar Box Guitar Pickups

Hi, if you are interested in building cigar box guitars, I am making cigar box guitar pickups with Vintage Tobacco art. 

I am working on a bunch of new ideas for cigar box guitar pickup designs that fit 3 and 4 string neck thru guitars.

If you would like to make your cigar box guitar have a unique look and feel.

Visit http://www.reddogguitars.com/  and just email me,

http://www.reddogguitars.com/ 
9353883091?profile=original

9353884064?profile=original

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Starting a 5 string electric banjo

Hello gang,just started working on an electric 5 string banjo and will share pics and info. Have an old magazine from Weekend Woodcrafts issue 19 Feb 1995 which is my guide as well as other plans saved from the web over many years. Cut the pieces rough at this point and planning on doing without the typical 5th string tuning peg location and designing the drum for ergonomic comfort. It will be my quiet practice banjo to play without annoying my wife on the couch. stay tuned for info.

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