bass (8)

Cigar Box Bass complete

Today I finished my first cigar box bass: four string, fretless, short scale 30". The neck is a sandwich of hard maple and walnut, and the fretboard is walnut. I used a tiny knot on the fretboard as the octave marker. Neck is finished with spray lacquer; fretboard is finished with oil & beeswax. 

The Mark Twain cigar box would have benefitted from a piezo pickup because it was pretty cool, but I sprayed it with several coats of lacquer and tried to keep Twain's face intact at least. The cigars weren't bad, by the way ... 

It's a through neck, and the bridge--a regular bass bridge--is screwed directly into it through the top. 

I had to remove the hinges to fit the lid directly down onto the neck. I also glued filler blocks to the neck inside the box to help balance the bass a little ... though it's still neck-heavy. 

Sounds pretty good to me, but I don't play bass, much less fretless. I'm looking forward to hearing my friend play it when he takes possession. 

Ask any questions ... 

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Murdoc_420's Progress

 Guess this is the best place to start a progress thread so here we go.

 I've been wanting to build a CBG for quite awhile now, past attempts to find boxes were futile but I now have found a box supplier near me :D

 I found this selection of boxes, found  this site of course and started watching tutorials on You Tube.

(I was hoping to find one cool box and walked out with 7, yikes!)

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 Going to start with the Hoyo de Monterrey and have almost everything I need to follow Unstrung13's tutorial. Hopefully I'll be on that within a few days. It seemed to be the simplest tutorial so I figured the best place to start.

 Of course the Brickhouse needs to be a Bass :D (which is my main goal for this endeavor. I'll make that one electric and get a few nice parts (gold volume knob) and tuners from CBNG.

 My favorite though is the Chillin' Moose'. Sweet little box, but it's small so I figure probably more of a Uke scale, definitely electric, probably piezo.

 I think I'll try a stomp box with the baccarat, though I'll probably use it more as a 'slap box'.

 I'd like to turn the Romeo into an amp, but I'm getting ahead of my self. 

 I'll post some pics of progress and or finished g when it's ready :) 

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Upright Washtub Bass / Double bass style

Here's the tub, its 18" in diameter

9353779853?profile=originalHere's the tub with the sound board anchors in place

9353780474?profile=originalSound board ready for mounting and paint

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The neck glueing, it will be red oak with maple

9353781861?profile=original....stay tuned!

Sound board base coated, penciled in design...ready for 3D paint

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Now the sound board is ready for paint.....

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Almost where I want it too be

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Neck Brace

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Outbid on ebay, guess I'll have to build my own.

Yeah I tried to shortcut my way into CBGs. But the world had other ideas and I missed out on both the CBGs on ebay I considered getting. I used to have an old kids bass guitar I got given maybe 20 years ago and the last time I saw it was on the basement wall. Hmmm. There's a bookcase there now.

I removed top few shelves of books and tilted the bookshelf and sure enough the guitar was still there on the wall. A bit of gymnastics stood on a stool, tilting a bookshelf and I managed to grab the top tuner and lift it out over the bookshelf.

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Not too bad considering I hadn't seen it for at least 10 years. I cleaned it up and plugged it into an amp. It worked, well sorta. I removed the strings, cranked the bridge up as high as it would go and stuck on 2nd to 5th strings from an Adagio light gauge set. I tuned to open G (GDGB) and spent the next couple of hours having fun playing. Only one pickup was working, and the sound would cut out and crackle - fixable for a bit with a thump. The pots are noisy but work. All that aside, it sounded surprising good - far better than it did with bass strings.

So all in all, I think I have the perfect donor for parts for my first CBG build. The scale is 23 3/4" and with the tail and bridge both being surface mounted, the major work will be mounting the neck (with a new higher nut) and fixing the electronics. I can't wait for my boxes (I'm getting 3 random ones) to arrive so I can pick one and get cracking.

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TikiMan- a new washtub

Here's my latest washtub standup. I'm still using a #2 oval (a Dover, this time- I've been using Cubasa; they're narrower and shallower. I'm liking the sound out of the Dover better). I'm working on tweaking the rim shape- this dude is more egg than oval. Still a 43+" 4/4 scale. I've got a lot to learn on this, and I think I'll go to a 41-ish" scale next time. The neck is running a 9.5" top radius.Still, it plays, and at least I think it looks cool.
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As a kid, I was always looking for a piece of wood to whittle or drive a nail into. I was always tinkering and creating something, be it a birdhouse or a drum, a tree fort or a walking stick. I loved to experiment with wood, and that drive to create never ceased or even slowed as I grew older.I grew up in a musical family. My parents played nightclubs in the northeastern US for a living, so it was natural at some point for me to pick up an instrument. I began playing bass at 11, and when I was about 17, I heard Jaco Pastorius for the first time on the Heavy Weather Album. At the time, I was playing a 1963 pre CBS Fender P-bass. I noticed that Jaco had plucked the frets out of his fender, and decided that I wanted to learn to play fretless bass. I subsequently plucked the frets out of my bass, (If I had known what that bass would be worth today, I NEVER would have done It.) and being that hindsight is 2020, and because I did not have another bass, I was forced to learn what the word intonation really meant. After hacking on the thing for awhile, (I’m sure those around me were being more than kind for not giving up on me) I began to develop my own style.In the meantime, I got married to my wonderful wife, and began to raise a family.I never stopped playing, and to date, I have now been playing fretless bass for 30 years.I never lost the desire to create with wood, and because of the lack of quality fretless basses on the market, I began building my own instruments. What I began chiefly to satisfy myself has blossomed into a passion to build great fretless basses, in hopes that others will find as much pleasure playing them as I find building them.Now, concerning the Sipsey River Steel, that was a complete accident. It all started in the summer of 2008. Me and my son threw the flat bottom boat in the back of my truck and decided to take a day trip to west Alabama. In our travels that day, we stopped at the Sipsey River and motored our way upstream. We were just out for a ride, and enjoying ourselves thoroughly. We came to an area where there were a lot of cypress trees, and a farmer had cut a path through a pile of cypress knees to allow his cows to reach the river to drink. I thought the knees looked pretty neat, and being who I am, figured that I could make something out of them later, so we threw a few in the boat.They laid around the shop for months, and I actually thought about throwing them out on several occasions. In the meantime, my brother kept asking me to build him a lap steel out of some walnut that I had in the shop, and on a whim, I decided to try and build one out of the cypress knees. The rest is history. My love for tinkering with wood coupled with my brother’s persistence to build him a lap steel, is responsible the Sipsey Steel.I love to build instruments. Unique instruments. Unique fretless instruments. It’s my passion.Jack Dudley
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