I would like to join the discussion on pots and piezos.
I've had a fair amount of wiring experience with humbuckers and single coils
and switching them.
Now my question is' which value of pot is better with a disc piezo?
...250K or 500k .....and how much
loading will each one have on the piezos (2 in parallel)?
Replies
Got it wired up. Piezos sound good and pickup the top vibration well. When I glued the neck,
the FB is even with the top of the CB..shouldn't have done that, because now I have to cut the
bridge/bone saddle down some more because the neck angle..or the angle that the CB is glued
to the neck is too flat. Oh well! This is part of the learning curve on the first one.
Thanls, I used titebond on the bottom of each piezo and a thin pine rib to hold them in place.
Got my wiring done this morning and now I've glued the CB to the neck. Once that dries, I'll
take care of any gaps with some epoxy and wood strips.
I wired up the SC (CB Gitty) to a 3 way mini-toggle (ON-ON-ON) to replicate the 3 ways switch on
most of my guitars with a 250K volume and a 250K tone pot (.033uf cap) for starters.
On1 = neck Sc center on = mix On2 = piezos
I noticed through the tap test that the SC and piezo (in parallel) (center on),
seems to drop down the volume a bit.
Do you or does anybody know, if I need to insert a series "isolation resistor" of 100K to try
and isolate the SC and piezos from loading down each other?
MichaelS said:
carverman said:
I'm sure this question has been asked before, but...how do you affix the piezo disks to the CB top?
Do you use a hot glue gun or use a wooden brace to hold them in place against the top?
I've made a custom semi-solid (semi-acoustic) LP and I wanted to install a fairly expensive
LR Baggs tune-o-matic bridge on it. Each saddle was a separate piezo pickup, so there
were 6of these which had to be tied together in a summing board, then either hooked
up to a 5 meg volume pot (supplied with the piezo), or directly into a 9v blend preamp.br />
Since I was also using 2 HBuckers, I decided to go with the preamp at first, but found
a big difference in volume between the hbuckers and the piezo bridge when
switching between sources. As well, the piezo seemed to have more "sibulance"
because of where it was located picking up string vibrations..right at the bridge.
Basically a wee bit too much treble! I installed the 5 meg volume
pot before the preamp, that helped with getting the levels between sources
balanced, but the piezo tone was not to my liking.
I ended up installing a 5 meg tone pot next to the 5 meg volume pot, then tried a range
of caps from .010 to .047 uf, eventually ended up using a .033uf to provide the treble
rolloff that I liked.
KK Dirty Money said:
these devices to produce a/c waveforms is rather complex, since they don't seem to
follow any specific electrical theory rules like magnetic pickups.
Trial and error and using your ear as the final criteria is probably the
best way as you suggest.
Now the last question..is there any point to adding a tone control to these?
... and if so, what value of cap should I start off with?
I added a a tone control to a T-o-M piezo on one of my 6 string builds,and had to go through a range of caps from .01uf to .047uf and ended up with a value of .047uf to tame the sibilance.
carverman said:
flip bar magnets end over end 180 degrees to get the nasal out of phase sound on 2-wire humbuckers, but this phasing phenomena with disk piezos is new territory for me.
I've read and bookmarked the links you supplied.
I'm sure that if you could use a 440hz tuning fork on the acoustic
top with the piezos mounted and an cheap oscilloscope using a x-y lissajous figure, the
phasing of each piezo is easily seen and matched...but that requires a cheap audio scope
or facsimile to display the horizontal input and the vertical input.
http://www.jmargolin.com/mtest/LJfigs.htm
Mark aka. Junk Box Instruments said:
Here are a couple of links to articles about use of multiple piezos:
http://windworld.com/tools-techniques-ideas/another-important-consi...
http://windworld.com/tools-techniques-ideas/piezo-film-pickups-how-...
Incidentally, two piezos in parallel don't necessarily have half the impedance. Although impedance is expressed in ohms, the same units as resistance, it is a more complicated phenomenon than resistance. When you are dealing with alternating currents - such as you get with pickups and other audio applications - you move into the territory of complex numbers when working out the effect of combined impedances.
KK Dirty Money said: