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Well, I have had this discussion before with a couple of my friends before - and was stunned to see that some of them hadn't even heard of Mojo before. To me, it is simple. Mojo is a form of irresistible charm carried out by the guitar, or any other object/person for that mater, which makes you utterly attracted to that thing/person. But you only feel the Mojo if you already have some Mojo yourself, I guess.
The thing about beat to hell guitars and mojo is a fact for me; sure, lots of old guitars are barely good enough for firewood, but some others just have that feel that makes you want to play them, over and over. I guess it is just their special tone, created by the saturated, old wood, and their appearance that speaks to me.
For instance, I picked up an old Regal flattop with F-holes for a couple of bucks as a project, because some of the back began to seperate. Shipping to Belgium costed way more than the guitar itself, but still, it was cheaper than any guitar I could find here in Belgium - even the new China el-cheapo's. After glueing the good thing back together and a new set of strings, it was (and still is) the best sounding little guitar I have ever had.
To cut a long story short: Mojo's there for those who have mojo, and it's just a meaningless word for those who haven't.
This is real simple. To those who don't have it, Mojo is fiction, to those who do have it , it's fact.
Where it comes from ...... just ain't no tellin'!
AFKAM
btw - I describe my steel slides ( you know, the "hardware" zinc coated ones as being forged by the devils own minions from metals found only in the delta swamps of Louisianna. I call them, Mojosteel.
why thank you sir.
:0)
out of all the mojo definitions you outline,creative mojo is the one I recognise the most.It isnt bullshit because I've experienced it for sure-some gits have it oozing out of them,some simply refuse to speak to me at all.I can tell you its presence or absence is beyond my control.It just is.I believe its out of control of the luthier also.I suspect maybe mojo is just there or it isnt, to varying degrees, and theres nothing you can do to alter or imbue it.The songs come out of the box, and some are more full than others for mystical, or at least mysterious, reasons that 1) we cant fathom and 2) we cant control.
Come to think of it they had Kurt Cobain's Jazzmaster there too to study 1st hand at the time, i don't know which one i was most enthralled with!
A great story i read about BB King's Lucille guitar - a visitor to his dressing room saw it propped up against the wall and commented on its amazing sound, to which the great BBK retorted something like ".. don't sound too great right now does she..?" (-;
Yeah Steve, I'd bet there was some mojo on that one!
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