Hi. I am about to start my second, third and fourth instruments. They will be fretted (a three string, a four string and a strummer), unlike my first. I am a novice player and so have not got used to anything except the first guitar.
The issue of scale length comes up quite a bit. What I can't find is an overall reason to pick any particular length unless the player is accustomed to one due to playing another guitar. I think that I understand that with the same gauge strings and tuning a longer neck means more tension (please put me right if I have this backwards), but are there any advantages in one length over another?
Everyone out there in CBG land who has built an instrument has had to decide on a length. My question is why did you choose what you chose? Thanks.
PS. Lets assume that I am talking about a fairly standard instrument with usual tuning.
Replies
John H. Maw said:
John H. Maw said:
Hi Mike.
Thanks for the response and I'm sure it's worth much more than two cents ;)
One question arises. From a players point of view is it better to standardise on one scale length? Does switching between instruments of differing scale lengths cause any problems?
Thanks again.
John
Mike Bingham said:
Artist Formerly Known as Matt said:
Well, just for me ... I build and sell.
Longscale for me is 27.5". A kinda average for dulcimers.
Short, 19" - much smaller and the frets start getting cramped for me.
Regular, 25.5"- Gibson ..... 'nuf said! But I do feel it is a good playable "common" size.
Mandos and Ukes are pretty much in the middle of what you'll find as a range ... I guess thats also true for the 25.5" scalew I use.
AFKAM
That is not a stupid question! I am a clumsy, novice, weekend player, so I like the low fretwire. If you bear down hard on the strings, they don't go too sharp because the frets are low and don't stretch the strings that much. So that's one reason I like them - I can control my intonation better. Also, they look appropriate on the itty bitty instruments I build.
Real wizard players sometimes like the jumbo frets for precisely the reason I don't. A feather light touch can fret the string, but you also have plenty of room for bending your notes however you like.
Better players than I will have to elaborate on this. I'm a duffer.
John H. Maw said:
Diane in Chicago said:
That's some premium wood - lucky you! Early on I made one of poplar that ended up with sky-high action as the neck warped and warped. And it was a 24" or so. So that's the last time I did that, both the poplar and the 24".
Because I build small, I use narrow/low fretwire. But that's me. Can't go far wrong with medium/medium. Gitty sells in small quantities so you can try different ones.
As far as tone, each box has it's own special sound. Lower notes are louder on bigger boxes, but if you are putting in a pickup you can use anything and still get good sound. Of course you can tune any instrument any way you like by using a string gauge calculator and selecting the appropriate strings.
I usually tune DAd, but just unearthed an older build I did that was tuned higher, to AEa. It really sings out, kind of like a banjo. A friend with an electric instrument I built restrung it up with the three heaviest guitar strings, and that thing just wails. So there is no real answer to tuning and tone, a lot is a matter of taste and preference.
John H. Maw said: