Replies to This Discussion

Permalink Reply by Moritz Voegeli on November 26, 2016 at 3:19am

Thanks turtlehead for your research, I think you are fully right. Remains the question about the predominant GDg-type tuning. I tried to check the video about the tuning used on the two gas can guitars

http://uncoveringamerica.com/blog/blues-holler-jam-session-mac-arnold

but I'm not sure about it, I'll retry another time. Mac Arnold played on gas can guitars since his childhood: his musical journey began in the 1950s when he and his brother Leroy fashioned a guitar from a steel gas can, wood, nails, and screen wire.

You intend to locate the photos on termoking's site, but I don't know whether it makes sense or not, as most of them show anonymous groups of solders or prisoners of WWI.

To get comparative material, I'm still in contact with the Finnish Folk Music Institute about simple instruments played in lumberjack camps or in bomb shelters while Continuation War 1941-1945. For any type of instrument we find quite everywhere, we don't have to bother about african or other origins. Special features like the fifth string of the banjo seem another case. Till now I didn't find a photo, only a verbal description of a diddley bow built on a plank with a coffee tin as resonator, length 87cm, built by Paavo Pulkkinen from Sodankylä.

A more actual example of parallel development: instruments built from a shovel. At the end of the sixties, among the instruments played by a finnish folkloristic band there was a «half-acoustic snow shovel».

Just for joke: I expected to find instruments built on big lard tins, as lard - essential foodstuff in finnish lumberjack camps - was called in their slang «american lard» or «Wilson's skin», as lard [«Wilson's Pure Lard»] among other foodstuff was provided in big tins to Finland 1918-1920 and later as US food aid.

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Permalink Reply by Moritz Voegeli on December 5, 2016 at 10:35pm

Some left-hander around who checks how Mac Arnold has his gas can guitar tuned? I get crazy watching and mirroring his finger work... hear and watch:

Blues in a Holler: Jam Session with Mac Arnold
http://www.dailymotion.com/video/x7l1za_blues-in-a-holler-jam-sessi...
from 1:20

Mac Arnold & Plate Full O'Blues: Cackalacky
https://www.youtube.com/watch?v=6gVOfsBQldI

Mac Arnold Live: Sweet Home, Chicago
https://www.youtube.com/watch?v=Z08_oCIoqKs

Mac Arnold's musical journey began in the 1950s when he and his brother Leroy fashioned a guitar from a steel gas can, wood, nails, and screen wire.

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Permalink Reply by Jim Morris on November 26, 2016 at 1:43am

Wow! Thanks for all that great information turtlehead. Thanks to Moritz as well for your informative comments. This is pretty interesting stuff to us CB instruments nerds and maybe to a few non nerds as well.

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Permalink Reply by Dave - BelmontBluesMan on November 26, 2016 at 12:22pm

Maybe you've seen this Egyptian wall painting from 1420 BCE. I don't know what they called it but it will be hard to find an older example I think. And I am glad to hear Mac Arnold's name mentioned. He still tears up that 3 string 'gas can'. He is an amazing player (and lives about 90 miles from me).

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Permalink Reply by RTZGUITARS on December 6, 2016 at 8:36pm

It seems to me that a few people here are from the Dulci world so 3 and 4 strings nothing new. But the number of strings game is a endless search, I think some of you people get wrapped up in the 3 string thing because of the challenge . 1-5-1 you can play a simple rhythm fairly easy but some of you guy's take it to the next level and that's addictive. Everything I do on 3 string is innovative to me because I have no clue of what I'm doing. If it sounds good with 1 string it will probably sound better with 2

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Permalink Reply by Moritz Voegeli on November 7, 2019 at 7:43pm

Maybe we have to ask another question: how a two- or three-string box was played? Early country bluesmen typically played the melody part on the high string and used the lower ones mostly as drone strings. An archaic example is Blind Lemon Jefferson's "Jack O' Diamonds", two takes from 1926, which could be played on a diddley bow with a drone string:

https://www.youtube.com/watch?v=KnxjyC6paJo
https://www.youtube.com/watch?v=qsW_NhTeXxo

A drone is most often placed upon the tonic or dominant, or on both, so not only a box tuned Gg, but also tuned GDg, could be considered as a diddley bow with a drone string or drone strings: same tunings, but totally different instruments, depending from how the box is played...

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