I recently built a CBG for a serviceman--a very special order. In the first place, it was my second attempt at a fretted instrument, since I'm a slider and have little use for one myself. Additionally, I used materials I never had before. I used a fretted neck from CB Gitty made of some very, very God-awful dense wood. What kind, I'm not sure. It was a shorter scale than I usually go with. I used brass box corners and a brass nut and bridge and a brass sink hole cover. What I discovered when I strung it up and played it was that it had a bigger sound than anything I'd built up to that point, and I couldn't help wonder what specific elements caused such a difference. Did any or all make the difference?
What do you think? Let's discuss. Give me your ideas and suggestions as to what YOU think made the difference.
Tags:
Thanks, Mr. Sprague!
It's all about vibration. More transfer of vibration from the strings to the box the better... not to mention a sound hole that allows those vibrations to escape the box. A nice thinner box top and bottom will help that, as well as how well the neck and all string contact points marry to the box/body.Simple things like gluing the lids shut to let the vibrations transfer from the top to the box body helps. Allowing for bracing that is not killing the tops vibrations. I would say that it's a combination of how everything fits together and how well the vibrations transfer from on part of the guitar to the other. Vibration = sound.
I've heard it said that it is doing a lot of little things right.
I have found that the neck stiffness affects the sustain. I tried a couple with aluminum necks. the sustaion was awsome. OK, it wasnt so pretty, but it sounded good.
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