Had a intervieuw This afternoon whit Roman ZAJICEK "Rozawood Guitars"Tsjechie.
He is a Master Luthier maybee the Best there is in Europe,from the Old school Builders.
There was a Workshop at The Fellowship of Acoustics near my hometown in Dedemsvaart Holland.
In the intervieuw we talk on topics like strings,Woods,dobro's, that past ,while we where at the workshop in the Vintage & rare guitar store from Rudi Bults The Fellowschip of Acoustics in Dedemsvaart,Holland.
His guitars have a distinctif sound that have no comparance whit standaard American or other Europian Guitars.So i started of asking him about strings, myself i am having some resevations on the choice of strings,i dont think it has to do whit what brand, but more what strings u use for what sound on what instrument, like you have the Lapsteel ;it uses thick and smooth strings, but i can not use those on my Dobro,and big roundwounds sound to rambling to my ear.
The other Day i broke a string on my long time set of Martins&co "Silk&Steel", who i like on my Dobro and some of my own builds,Seeing a Video by "Roy Rodgers"years ago he recomended them and i stuck whit that for years,but now they where out of sale and i had to make do whit "Martins& co"Vintage, whits i find not that swell to my ears, and when i quot BrianQ on this when he remarked me on a Ry Cooder Quot : that he liked his strings for slide to be flat & stail for optimum sliding.While de same set (i bothTwo) sounds a millioen on my Susuki "Nagoya"est 1885 .And like on my Favorit CBG Slider i have a Ernie Ball Set 008 from ADGB,sounding whit a humbucker pickup mind you superbo,So what do you think is the consensus on this ;
Thick or Thin? Flatwound or Roundwound? copperwound or silverwound? cheap or exspencif?
Is there any theory on this ? and what are your exspirience?