I finished my long-threatened swiss-army kalimba today. The Rumba Stick (see the album for details on the pictures) is a rake-tine kalimba mounted on the top of a previously-rejected Carlos Toraño Ovation box. I rejected the box because the "pretty"
I just picked up a white pine wine box at the local wineseller's: it is about 12" x 20" x 6", with no top. I'm thinking maybe to put a thin birch plywood soundboard on it -- does anybody have experience with such a setup?
Following on to Diane's "sourdough" topic, I'm going to attach a "starter" project for Audacity. The project contains only a metronome count-in plus a simple timekeeping drum track, generated from the Hydrogen drum machine software.
Hydrogen is Linu
I strung up the box i posted about (see the angled shim discussion), configured for low-action fretless play. The fingerboard looks nicely parallel to the strings, with a comfortable, low action. However, to my dismay the thing is unplayable (with fi
I'm working on a build where I (deliberately) cut the slot on the neck side "lower" than the tail side, in order to get a bit of neck angle: my goal is to use a higher bridge than usual (more vibe transferred to the top). I plan to lay a 1/4" fingerb
What is up with that -- I picked up a couple of interesting boxes today (Trilogy Corojo Ovation, Carlos Toraño Virtuoso Maestro) which are marred by the use of a lacquer / plastic like finish (yellow, white) and have a black pseudo-velvet on the bott
I'm working out the design for a new build (see this blog entry for details) and am worrking a bit about the 3/4" high bridge I'm planning to use: I think the action will be too high for fretting, even with a fingerboard added (I"m debating making th